Author: Fine Arts Museums of San Francisco
Publisher: Museums
ISBN:
Category : Architecture
Languages : en
Pages : 334
Book Description
"The American art collection assembled by Mr. and Mrs. John D. Rockefeller 3rd during the 1960s and 1970s constitutes one of the great private collections of historic American painting. This book examines the collection in depth, focusing on 140 works donated to The Fine Arts Museums of San Francisco in the years since 1979." "The works reproduced include examples from America's foremost realist masters. Among them are portraits by John Singleton Copley and Charles Willson Peale; landscapes by Thomas Cole, Frederic E. Church, and Martin Johnson Heade; George Caleb Bingham's extraordinary Boatmen on the Missouri; one of Edward Hick's most ambitious treatments of The Peaceable Kingdom; watercolors, drawings, and an early Civil War oil by Winslow Homer; and works by Eastman Johnson, Thomas Anshutz, John Frederick Peto, Grant Wood, Charles Sheeler, and Andrew Wyeth." "Each work is reproduced here in full color. The accompanying texts, comprised of extracts from contemporary accounts by artists, critics, patrons, and sitters, are lively and illuminating guides to understanding each work's history and significance. A detailed history of ownership and public exhibition and a selected bibliography are also provided for each painting. In many cases, this is the first time these important materials have appeared in print." "The fascinating introductory essay examines the context of the Rockefellers' collecting, the directions they considered in forming the collection, their increasing sense of responsibility toward it, and factors they considered in its disposition."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
The Rockefeller Collection of American Art at the Fine Arts Museums of San Francisco
Author: Fine Arts Museums of San Francisco
Publisher: Museums
ISBN:
Category : Architecture
Languages : en
Pages : 334
Book Description
"The American art collection assembled by Mr. and Mrs. John D. Rockefeller 3rd during the 1960s and 1970s constitutes one of the great private collections of historic American painting. This book examines the collection in depth, focusing on 140 works donated to The Fine Arts Museums of San Francisco in the years since 1979." "The works reproduced include examples from America's foremost realist masters. Among them are portraits by John Singleton Copley and Charles Willson Peale; landscapes by Thomas Cole, Frederic E. Church, and Martin Johnson Heade; George Caleb Bingham's extraordinary Boatmen on the Missouri; one of Edward Hick's most ambitious treatments of The Peaceable Kingdom; watercolors, drawings, and an early Civil War oil by Winslow Homer; and works by Eastman Johnson, Thomas Anshutz, John Frederick Peto, Grant Wood, Charles Sheeler, and Andrew Wyeth." "Each work is reproduced here in full color. The accompanying texts, comprised of extracts from contemporary accounts by artists, critics, patrons, and sitters, are lively and illuminating guides to understanding each work's history and significance. A detailed history of ownership and public exhibition and a selected bibliography are also provided for each painting. In many cases, this is the first time these important materials have appeared in print." "The fascinating introductory essay examines the context of the Rockefellers' collecting, the directions they considered in forming the collection, their increasing sense of responsibility toward it, and factors they considered in its disposition."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Publisher: Museums
ISBN:
Category : Architecture
Languages : en
Pages : 334
Book Description
"The American art collection assembled by Mr. and Mrs. John D. Rockefeller 3rd during the 1960s and 1970s constitutes one of the great private collections of historic American painting. This book examines the collection in depth, focusing on 140 works donated to The Fine Arts Museums of San Francisco in the years since 1979." "The works reproduced include examples from America's foremost realist masters. Among them are portraits by John Singleton Copley and Charles Willson Peale; landscapes by Thomas Cole, Frederic E. Church, and Martin Johnson Heade; George Caleb Bingham's extraordinary Boatmen on the Missouri; one of Edward Hick's most ambitious treatments of The Peaceable Kingdom; watercolors, drawings, and an early Civil War oil by Winslow Homer; and works by Eastman Johnson, Thomas Anshutz, John Frederick Peto, Grant Wood, Charles Sheeler, and Andrew Wyeth." "Each work is reproduced here in full color. The accompanying texts, comprised of extracts from contemporary accounts by artists, critics, patrons, and sitters, are lively and illuminating guides to understanding each work's history and significance. A detailed history of ownership and public exhibition and a selected bibliography are also provided for each painting. In many cases, this is the first time these important materials have appeared in print." "The fascinating introductory essay examines the context of the Rockefellers' collecting, the directions they considered in forming the collection, their increasing sense of responsibility toward it, and factors they considered in its disposition."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
The Grove Encyclopedia of American Art
Author: Joan M. Marter
Publisher: Oxford University Press, USA
ISBN: 0195335791
Category : Architecture
Languages : en
Pages : 3140
Book Description
Arranged in alphabetical order, these 5 volumes encompass the history of the cultural development of America with over 2300 entries.
Publisher: Oxford University Press, USA
ISBN: 0195335791
Category : Architecture
Languages : en
Pages : 3140
Book Description
Arranged in alphabetical order, these 5 volumes encompass the history of the cultural development of America with over 2300 entries.
Nineteenth-century American Art
Author: Barbara S. Groseclose
Publisher: Oxford University Press, USA
ISBN: 9780192842251
Category : Art
Languages : en
Pages : 256
Book Description
"Many well-known artists, including Thomas Eakins and Winslow Homer, and lesser-known artists like Harriet Hosmer are closely examined, as is the art world of the time. In addition to discussing the free movement of American visual culture between 'high' and 'low', Barbara Groseclose interweaves nineteenth-century art criticism with current art history, to create a fascinating insight into the changing interpretations of American art of this period."--BOOK JACKET.
Publisher: Oxford University Press, USA
ISBN: 9780192842251
Category : Art
Languages : en
Pages : 256
Book Description
"Many well-known artists, including Thomas Eakins and Winslow Homer, and lesser-known artists like Harriet Hosmer are closely examined, as is the art world of the time. In addition to discussing the free movement of American visual culture between 'high' and 'low', Barbara Groseclose interweaves nineteenth-century art criticism with current art history, to create a fascinating insight into the changing interpretations of American art of this period."--BOOK JACKET.
The American Canvas
Author: Fine Arts Museums of San Francisco
Publisher: Rizzoli International Publications
ISBN:
Category : Art
Languages : en
Pages : 312
Book Description
Publisher: Rizzoli International Publications
ISBN:
Category : Art
Languages : en
Pages : 312
Book Description
A Companion to American Art
Author: John Davis
Publisher: John Wiley & Sons
ISBN: 1118542495
Category : Art
Languages : en
Pages : 663
Book Description
A Companion to American Art presents 35 newly-commissioned essays by leading scholars that explore the methodology, historiography, and current state of the field of American art history. Features contributions from a balance of established and emerging scholars, art and architectural historians, and other specialists Includes several paired essays to emphasize dialogue and debate between scholars on important contemporary issues in American art history Examines topics such as the methodological stakes in the writing of American art history, changing ideas about what constitutes “Americanness,” and the relationship of art to public culture Offers a fascinating portrait of the evolution and current state of the field of American art history and suggests future directions of scholarship
Publisher: John Wiley & Sons
ISBN: 1118542495
Category : Art
Languages : en
Pages : 663
Book Description
A Companion to American Art presents 35 newly-commissioned essays by leading scholars that explore the methodology, historiography, and current state of the field of American art history. Features contributions from a balance of established and emerging scholars, art and architectural historians, and other specialists Includes several paired essays to emphasize dialogue and debate between scholars on important contemporary issues in American art history Examines topics such as the methodological stakes in the writing of American art history, changing ideas about what constitutes “Americanness,” and the relationship of art to public culture Offers a fascinating portrait of the evolution and current state of the field of American art history and suggests future directions of scholarship
Masterworks of American Painting at the De Young
Author: Timothy Anglin Burgard
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 596
Book Description
"Published on the occasion of the reopening of the de Young in Golden Gate Park, San Francisco, California, October 2005"--T.p. verso.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 596
Book Description
"Published on the occasion of the reopening of the de Young in Golden Gate Park, San Francisco, California, October 2005"--T.p. verso.
American Picturesque
Author: John Conron
Publisher: Penn State Press
ISBN: 9780271042732
Category : Philosophy
Languages : en
Pages : 484
Book Description
"American Picturesque offers a magisterial account of the concept of the picturesque and its manifestation in many aspects of nineteenth-century American life. Conron's study ranges over the entire phenomenon, tracing the development of the picturesque aesthetic in genre, landscape, and topographical painting, rural cottages and villas."--BOOK JACKET.
Publisher: Penn State Press
ISBN: 9780271042732
Category : Philosophy
Languages : en
Pages : 484
Book Description
"American Picturesque offers a magisterial account of the concept of the picturesque and its manifestation in many aspects of nineteenth-century American life. Conron's study ranges over the entire phenomenon, tracing the development of the picturesque aesthetic in genre, landscape, and topographical painting, rural cottages and villas."--BOOK JACKET.
The Civil War and American Art
Author: Eleanor Jones Harvey
Publisher: Yale University Press
ISBN: 0300187335
Category : Art
Languages : en
Pages : 353
Book Description
Collects the best artwork created before, during and following the Civil War, in the years between 1859 and 1876, along with extensive quotations from men and women alive during the war years and text by literary figures, including Emily Dickinson, Mark Twain and Walt Whitman. 15,000 first printing.
Publisher: Yale University Press
ISBN: 0300187335
Category : Art
Languages : en
Pages : 353
Book Description
Collects the best artwork created before, during and following the Civil War, in the years between 1859 and 1876, along with extensive quotations from men and women alive during the war years and text by literary figures, including Emily Dickinson, Mark Twain and Walt Whitman. 15,000 first printing.
American Paintings in The Metropolitan Museum of Art. Vol. 1
Author: John Caldwell
Publisher: Metropolitan Museum of Art
ISBN:
Category : Art
Languages : en
Pages : 674
Book Description
Publisher: Metropolitan Museum of Art
ISBN:
Category : Art
Languages : en
Pages : 674
Book Description
Picturing Performance
Author: Thomas F. Heck
Publisher: University Rochester Press
ISBN: 9781580460446
Category : Art
Languages : en
Pages : 286
Book Description
There has long been a need to introduce performing-arts enthusiasts and students to the fascinating field of iconography, both as manifested in art history and in its more pragmatic or applied forms. Yet relatively little systematic effort has been made to collect and interpret centuries of such visual evidence in the light of the best available art-historical information, combined with corroborating textual documentation and insights from the histories of performance disciplines. Aspiring iconographers of the performing arts need to be aware that there are often several levels of interpretation which great works of visual art will sustain. This book explores these levels of interpretation: a surface or literal reading, a deeper reading of the work which seeks to enter the mind of the artist and asks how and why he put a given work together, and the deepest reading of the work relating it to the artistic traditions and culture in which the artist lived. In expounding on these levels of iconographic interpretations four discourses by scholars active in the study of visual records are given in relation to traditions, techniques, and trends: performance in general (Katritzky), music (Heck), theatre (Erenstein), and dance (Smith). Effort is made to keep abreast of modern technology influencing iconographic representations as on the Internet and virtual reality.Thomas F. Heck is Professor of Musicology and Head of the Music and Dance Library at the Ohio State University.
Publisher: University Rochester Press
ISBN: 9781580460446
Category : Art
Languages : en
Pages : 286
Book Description
There has long been a need to introduce performing-arts enthusiasts and students to the fascinating field of iconography, both as manifested in art history and in its more pragmatic or applied forms. Yet relatively little systematic effort has been made to collect and interpret centuries of such visual evidence in the light of the best available art-historical information, combined with corroborating textual documentation and insights from the histories of performance disciplines. Aspiring iconographers of the performing arts need to be aware that there are often several levels of interpretation which great works of visual art will sustain. This book explores these levels of interpretation: a surface or literal reading, a deeper reading of the work which seeks to enter the mind of the artist and asks how and why he put a given work together, and the deepest reading of the work relating it to the artistic traditions and culture in which the artist lived. In expounding on these levels of iconographic interpretations four discourses by scholars active in the study of visual records are given in relation to traditions, techniques, and trends: performance in general (Katritzky), music (Heck), theatre (Erenstein), and dance (Smith). Effort is made to keep abreast of modern technology influencing iconographic representations as on the Internet and virtual reality.Thomas F. Heck is Professor of Musicology and Head of the Music and Dance Library at the Ohio State University.