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Author: Knud Ottosen Publisher: BoD – Books on Demand ISBN: 8776911861 Category : History Languages : en Pages : 515
Book Description
It may seem astonishing to some that there is a need for reprinting a 14-year old dissertation, but the fact is that the book is exactly as relevant to scholars today as it was in 1993. It still represents the world's largest database to compare the responsories of the Office of the Dead in more than 2,000 sources. Since the order of these responsories differed from church to church, this order can be used to localize medieval and Renaissance liturgical books. The book is therefore an absolute necessity for everyone who conducts research on the area it covers. Put differently, the book reveals 'the geography of the concept of death' in Europe from the 9th-16th centuries from a theological, liturgical, ecclesiastical, musical and political perspective - seen from one particular liturgical office: The Office of the Dead.
Author: Knud Ottosen Publisher: BoD – Books on Demand ISBN: 8776911861 Category : History Languages : en Pages : 515
Book Description
It may seem astonishing to some that there is a need for reprinting a 14-year old dissertation, but the fact is that the book is exactly as relevant to scholars today as it was in 1993. It still represents the world's largest database to compare the responsories of the Office of the Dead in more than 2,000 sources. Since the order of these responsories differed from church to church, this order can be used to localize medieval and Renaissance liturgical books. The book is therefore an absolute necessity for everyone who conducts research on the area it covers. Put differently, the book reveals 'the geography of the concept of death' in Europe from the 9th-16th centuries from a theological, liturgical, ecclesiastical, musical and political perspective - seen from one particular liturgical office: The Office of the Dead.
Author: Michael Alan Anderson Publisher: Routledge ISBN: 1000591956 Category : Music Languages : en Pages : 310
Book Description
This study uncovers the musical foundations and performance suggestions of books of hours, guides to prayer that were the most popular and widespread books of the late Middle Ages. Exploring a variety of musical genres and sections of books of hours with musical implications, this book presents a richly textured sound world gleaned from dozens of extant manuscript sources from fifteenth-century France. It offers the first overview of the musical content of these handbooks to liturgy and devotional prayer, together with cues that show scribal awareness for the articulation of sacred plainchants. Although books of hours lack musical notation, this survey elucidates the full range of musical genres and styles suggested both within and beyond the liturgical offices prescribed in books of hours. Privileging sound and ritual enactment in the experience of the hours, the survey complements studies of visual imagery that have dominated the category. The book’s interdisciplinary approach within a musical context, and beautiful full-color illustrations, will attract not only specialists in musicology, liturgy, and late medieval studies, but also those more broadly interested in the history of the book, memory, performance studies, and art history.
Author: Erin M. Lambert Publisher: Oxford University Press ISBN: 019066164X Category : Art Languages : en Pages : 241
Book Description
Singing the Resurrection brings music to the foreground of Reformation studies, as author Erin Lambert explores song as a primary mode for the expression of belief among ordinary Europeans in the sixteenth century, for the embodiment of individual piety, and the creation of new communities of belief. Together, resurrection and song reveal how sixteenth-century Christians--from learned theologians to ordinary artisans, and Anabaptist martyrs to Reformed Christians facing exile--defined belief not merely as an assertion or affirmation but as a continuous, living practice. Thus these voices, raised in song, tell a story of the Reformation that reaches far beyond the transformation from one community of faith to many. With case studies drawn from each of the major confessions of the Reformation--Lutheran, Anabaptist, Reformed, and Catholic--Singing the Resurrection reveals sixteenth-century belief in its full complexity.
Author: Thomas Meacham Publisher: Walter de Gruyter GmbH & Co KG ISBN: 1501513125 Category : History Languages : en Pages : 210
Book Description
This is a truly paradigm-shifting study that reads a key text in Latin Humanist studies as the culmination, rather than an early example, of a tradition in university drama. It persuasively argues against the common assumption that there was no "drama" in the medieval universities until the syllabus was influenced by humanist ideas, and posits a new way of reading the performative dimensions of fourteenth and fifteenth-century university education in, for example, Ciceronian tuition on epistolary delivery. David Bevington calls it "an impressively learned discussion" and commends the sophistication of its use of performativity theory.
Author: Elaine Stratton Hild Publisher: Oxford University Press ISBN: 0197685919 Category : Music Languages : en Pages : 241
Book Description
"Medieval documents reveal that for centuries of European history, singing for a person at the moment of death was considered to be the ideal accompaniment to a life's ending. Rituals for the dying were well developed, practiced widely, and thoroughly integrated with music. Indeed, these rituals reveal that music, rather than the Eucharist, held a privileged position at the final breath. Music in Medieval Rituals for the End of Life examines and recovers, to the extent possible, the music sung for the dying during the Middle Ages. The book offers a view of the plainchant repertory through the sources of individual institutions. The first four chapters contain a series of "case studies": close readings of rituals from diverse communities, each as they appear in a single source. The rituals' chants are transcribed into modern notation and analyzed, both for their relationships between text and melody and for their functions within the rituals. Created for the powerful and the poor, the educated and the uneducated, women and men, monastics, clerics, and laity, these manuscripts offer a glimpse into the religious practices that distinguished communities from one another and bound them together within a single tradition. The book provides the first editions of the rituals' chants and considers the functions of the music. Why was music given such a prominent position within the deathbed liturgies? Why did communities gather and sing when a loved one was dying? The manuscripts reveal a lost art of comforting the dying and the grieving"--
Author: Matthew Cheung Salisbury Publisher: Liturgical Press ISBN: 0814663079 Category : Religion Languages : en Pages : 200
Book Description
This study considers what Christian worship has meantto its contemporaries across the centuries. It treats different episodes in the history of the Christian Church and applies to each episode the questions: Why did Christians go to church? Why worship? What happened to Christians there, substantively and otherwise, and how did they respond? With these particular queries as well as passages from contemporary theological and liturgical texts as a starting-point, Cheung Salisbury carefully explores the evidence for the functions of Christian worship. He argues that the purpose and function of worship in Christian life has never been static and the particular approach of different periods to the liturgy has been moderated by wider cultural influences, by theological developments and changes, and by the particular circumstances in which the worship was carried out. Cheung Salisbury proposes that the various forms of worship through the centuries and the understanding of liturgy and worship among and upon Christians demonstrates the variety of ways that Christian living operates in service of God.
Author: Jesse D. Billett Publisher: Boydell & Brewer Ltd ISBN: 1907497285 Category : History Languages : en Pages : 487
Book Description
When did Anglo-Saxon monks begin to recite the daily hours of prayer, the Divine Office, according to the liturgical pattern prescribed in the Rule of St Benedict? Going beyond the simplistic assumptions of previous scholarship, this book reveals that the early Anglo-Saxon Church followed a non-Benedictine Office tradition inherited from the Roman missionaries; the Benedictine Office arrived only when tenth-century monastic reformers such as Dunstan and Æthelwold decided that "true" monks should not use the same Office liturgy as secular clerics, a decision influenced by eighth- and ninth-century Frankish reforms. The author explains, for the first time, how this reduced liturgical diversity in the Western Church to a basic choice between "secular" and "monastic" forms of the Divine Office; he also uses previously unedited manuscript fragments to illustrate the differing attitudes and Continental connections of the English Benedictine reformer, and to show that survivals of the early Anglo-Saxon liturgy may be identifiable in later medieval sources.
Author: Owen Rees Publisher: Cambridge University Press ISBN: 1107054427 Category : History Languages : en Pages : 277
Book Description
The first substantial study of Victoria's Requiem, among the most prominent Renaissance musical works, encompassing its genesis, style, and impact.
Author: Choon-Leong Seow Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110568470 Category : Religion Languages : en Pages : 846
Book Description
the Handbooks of the Bible and Its Reception (HBR) provide comprehensive introductions to individual topics in biblical reception history. They address a wide range of academic fields and interdisciplinary matters, including reception of the Bible in various contexts and historical periods; in diverse geographic areas; in particular cultural, social, and political contexts; and in relation to important biblical themes, topics, and figures.
Author: Margot E. Fassler Publisher: Oxford University Press ISBN: 9780195352382 Category : Music Languages : en Pages : 668
Book Description
The Divine Office--the cycle of daily worship other than the Mass--is the richest source of liturgical texts and music from the Latin Middle Ages. However, its richness, the great diversity of its manuscripts, and its many variations from community to community have made it difficult to study, and it remains largely unexplored terrain. This volume is a practical guide to the Divine Office for students and scholars throughout the field of medieval studies. The book surveys the many questions related to the Office and presents the leading analytical tools and research methods now used in the field. Beginning with the Office in the early Middle Ages, the book covers manuscript sources and their contents; regional developments and variations; the relationship between the Office, the Mass, and other ceremonies and repertories; and the deep links between the Office and medieval hagiography. The book concludes with a discussion of recent technical advances for handling the enormous amounts of evidence on the Office and its performance, in particular CANTUS, the vast electronic database developed by Ruth Steiner of Catholic University for the analysis of chant repertories. The Divine Office in the Latin Middle Ages is an essential resource for anyone studying medieval liturgy. Its accessible style and broad coverage make it an important basic reference for a wide range of students and scholars in art history, religious studies, social history, literature, musicology, and theology.