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Author: Don Randel Publisher: Princeton University Press ISBN: 1400876095 Category : Music Languages : en Pages : 311
Book Description
This definitive study takes as its subject a group of melodies copied many times, even within single manuscripts. Professor Randel is therefore able to base his conclusions about the relationship of the manuscript sources to one another on twenty-six separate Spanish manuscripts. He shows that there were actually four distinct traditions associated with these manuscripts instead of two as formerly assumed. By comparing the four traditions, he draws new conclusions about the relative antiquity of the written tradition for these psalm tones, the presence or absence of a modal system in the Mozarabic chant, and the development of the two general types of notation. Originally published in 1969. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Don Randel Publisher: Princeton University Press ISBN: 1400876095 Category : Music Languages : en Pages : 311
Book Description
This definitive study takes as its subject a group of melodies copied many times, even within single manuscripts. Professor Randel is therefore able to base his conclusions about the relationship of the manuscript sources to one another on twenty-six separate Spanish manuscripts. He shows that there were actually four distinct traditions associated with these manuscripts instead of two as formerly assumed. By comparing the four traditions, he draws new conclusions about the relative antiquity of the written tradition for these psalm tones, the presence or absence of a modal system in the Mozarabic chant, and the development of the two general types of notation. Originally published in 1969. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Emma Hornby Publisher: Cambridge University Press ISBN: 1108998135 Category : Music Languages : en Pages : 476
Book Description
Based on highly original archival and palaeographical research, this is the first methodological and factual primer in English on the distinctive liturgical tradition of early medieval Spain. It provides clear and approachable blueprints for future work on the description and analysis (musical, theological and cultural) of this and other liturgies. For non-specialists, the authors introduce the main features of Old Hispanic liturgy, its manuscripts, its services and its liturgical genres. For specialists, they model a variety of ways to work with the Old Hispanic materials in depth, incorporating notational, musical, theological and historical perspectives. For those interested in musical notation, the book lays out a method for working with unpitched neumes, with illustrative results, that will inspire and challenge others working on monophonic chant. For historians and liturgists, the texts and melodies are analysed in combination with the theological context that informed their creation.
Author: Rebecca Maloy Publisher: Oxford University Press, USA ISBN: 0190071532 Category : Music Languages : en Pages : 345
Book Description
"Songs of Sacrifice argues that liturgical music-both texts and melodies-played a central role in the cultural renewal of early Medieval Iberia. Between the seventh and eleventh centuries, Christian worship on the Iberian Peninsula was structured by rituals of great theological and musical richness, known as the Old Hispanic (or Mozarabic) rite. Much of this liturgy was produced during the seventh century, as part of a cultural and educational program led Isidore of Seville and other bishops. After the conversion of the Visigothic rulers from Arian to Nicene Christianity at the end of the sixth century, the bishops aimed to create a society unified in the Nicene faith, built on twin pillars of church and kingdom. They initiated a project of clerical education, facilitated through a distinctive culture of textual production. The chant repertory was carefully designed to promote these aims. The creators of the chant texts reworked scripture in ways designed to teach biblical exegesis, linking both to the theological works of Isidore and others, and to Visigothic anti-Jewish discourse. The notation reveals an intricate melodic grammar that is closely tied to textual syntax and sound. Through musical rhetoric, the melodies shaped the delivery of the texts to underline words and phrases images of particular liturgical or doctrinal import. The chants thus worked toward the formation of individual Christian souls and a communal, Nicene identity. The final chapters turn to questions about the intersection between orality and writing and the relationships of the Old Hispanic chant to other Western plainsong traditions"--
Author: Frank Leslie Cross Publisher: ISBN: 0192802909 Category : Christianity Languages : en Pages : 1842
Book Description
Uniquely authoritative and wide-ranging in its scope, The Oxford Dictionary of the Christian Church is the indispensable one-volume reference work on all aspects of the Christian Church. It contains over 6,000 cross-referenced A-Z entries, and offers unrivalled coverage of all aspects of this vast and often complex subject, including theology, churches and denominations, patristic scholarship, the bible, the church calendar and its organization, popes, archbishops, saints, and mystics. In this revision, innumerable small changes have been made to take into account shifts in scholarly opinion, recent developments, such as the Church of England's new prayer book (Common Worship), RC canonizations, ecumenical advances and mergers, and, where possible, statistics. A number of existing articles have been rewritten to reflect new evidence or understanding, for example the Holy Sepulchre entry, and there are a few new articles. Perhaps most significantly, a great number of the bibliographies have been updated. Established since its first appearance in 1957 as an essential resource for ordinands, clergy, and members of religious orders, ODCC is an invaluable tool for academics, teachers, and students of church history and theology, as well as for the general reader.
Author: John Boe Publisher: Routledge ISBN: 135121764X Category : History Languages : en Pages : 442
Book Description
The fifteen studies assembled here grew out of research on south-Italian ordinary chants and tropes for the multi-volume series Beneventanum Troporum Corpus II, edited by John Boe in collaboration with Alejandro Planchart. In the present essays, clerical and ordinary chants and tropes of the Mass (especially when derived from paraliturgical hymns and poems), certain aspects of chant notation and particular facets of the old Beneventan and the old Roman chant repertories are examined in relation to the three main cultic centres of the Italian south - Benevento, Montecassino and Rome - and as they relate to their European context, namely Frankish and Norman chant and the varieties of chant sung in Italy north of Rome. The volume includes one previously unpublished study, on the Roman introit Salus Populi.
Author: Emma Hornby Publisher: Boydell & Brewer Ltd ISBN: 1843838141 Category : Music Languages : en Pages : 386
Book Description
The tradition of Old Hispanic liturgical chant is here examined through a new methodology, enabling striking new insights into its use.
Author: Margot Elsbeth Fassler Publisher: Oxford University Press, USA ISBN: 0195124537 Category : History Languages : en Pages : 657
Book Description
The Divine Office, or the cycle of daily worship services other than the Mass, constitutes a body of liturgical texts and music for medieval studies. This is a collection of spiritual works that is central to the culture of the Middle Ages.
Author: E. Rust Publisher: Bloomsbury Publishing USA ISBN: 0313033358 Category : Education Languages : en Pages : 500
Book Description
Despite the world-wide association of music and dance with religion, this is the first full-length study of the subject from a global perspective. The work consists of 3,816 references divided among 37 chapters. It covers tribal, regional, and global religions and such subjects as shamanism, liturgical dance, healing, and the relationship of music, mathematics, and mysticism. The referenced materials display such diverse approaches as analysis of music and dance, description of context, direct experience, observation, and speculation. The references address topics from such disciplines as sociology, anthropology, history, linguistics, musicology, ethnomusicology, theology, medicine, semiotics, and computer technology. Chapter 1 consists of general references to religious music and dance. The remaining 36 chapters are organized according to major geographical areas. Most chapters begin with general reference works and bibliographies, then continue with topics specific to the region or religion. This book will be of use to anyone with an interest in music, dance, religion, or culture.
Author: Manuel Pedro Ferreira Publisher: Taylor & Francis ISBN: 1000949141 Category : Music Languages : en Pages : 228
Book Description
This book presents together a number of path-breaking essays on different aspects of medieval music in France written by Manuel Pedro Ferreira, who is well known for his work on the medieval cantigas and Iberian liturgical sources. The first essay is a tour-de-force of detective work: an odd E-flat in two 16th-century antiphoners leads to the identification of a Gregorian responsory as a Gallican version of a seventh-century Hispanic melody. The second rediscovers a long-forgotten hypothesis concerning the microtonal character of some French 11th-century neumes. In the paper "Is it polyphony?" an even riskier hypothesis is arrived at: Do the origins of Aquitanian free organum lie on the instrumental accompaniment of newly composed devotional versus? The Cistercian attitude towards polyphonic singing, mirrored in musical sources kept in peripheral nunneries, is the subject of the following essay. The intellectual and sociological nature of the Parisian motet is the central concern of the following two essays, which, after a survey of concepts of temporality in the trouvère and polyphonic repertories, establish it as the conceptual foundation of subsequent European schools of composition. It is possible then to assess the real originality of Philippe de Vitry and his Ars nova, which is dealt with in the following chapter. A century later, the role of Guillaume Dufay in establishing a chord-based alternative to contrapuntal writing is laboriously put into evidence. Finally, an informative synthesis is offered concerning the mathematical underpinnings of musical composition in the Middle Ages.
Author: Don Randel
Author: Don Randel
Author: Don Michael Randel
Author: Emma Hornby
Author: Rebecca Maloy
Author: Frank Leslie Cross
Author: John Boe
Author: Emma Hornby
Author: Margot Elsbeth Fassler
Author: E. Rust
Author: Manuel Pedro Ferreira