The Redemption of Chivalry PDF Download

Author: Pauline Maud Matarasso
Publisher: Librairie Droz
ISBN: 9782600035699
Category : Arthurian romances
Languages : en
Pages : 268

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Author: Helen Nicholson
Publisher: BRILL
ISBN: 9789004120143
Category : History
Languages : en
Pages : 296

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Book Description
Includes genealogical charts of kings and noblemen associated with the search for the grail.

Author: Pauline Matarasso
Publisher:
ISBN:
Category :
Languages : fr
Pages : 260

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Author: Richard W. Kaeuper
Publisher: Oxford University Press, USA
ISBN: 0199244588
Category : History
Languages : en
Pages : 352

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Book Description
Medieval Europe was a rapidly developing society with a problem of violent disorder. Professor Kaeuper's original and authoritative study reveals that chivalry was just as much a part of this problem as it was its solution. Chivalry praised heroic violence by knights, and fused such displaysof prowess with honour, piety, high-status, and attractiveness to women. Though the vast body of chivalric literature praised chivalry as necessary to civilization, most texts also worried over knightly violence, criticized the ideals and practices of chivalry, and often proposed reforms. Theknights themselves joined the debate, absorbing some reforms, ignoring others, sometimes proposing their own. The interaction of chivalry with major governing institutions ("church" and "state") emerging at that time was similarly complex: kings and clerics both needed and feared the force of theknighthood. This fascinating book lays bare these conflicts and paradoxes which surrounded the concept of chivalry in medieval Europe.

Author: Mark Turnham Elvins
Publisher: Gracewing Publishing
ISBN: 9780852446645
Category : Biography & Autobiography
Languages : en
Pages : 192

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"In this book, Br Mark, himself a Capuchin friar, shows how St. Francis came to reinvent chivalry as a spiritual code, a particular legacy to his Order of Friars Minor."--BOOK JACKET.

Author: Edgar Prestage
Publisher: London : K. Paul, Trench, Trubner
ISBN:
Category : Chivalry
Languages : en
Pages : 360

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Author: Marco Nievergelt
Publisher: DS Brewer
ISBN: 1843843285
Category : Literary Collections
Languages : en
Pages : 258

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Book Description
An examination of sixteenth-century quest narratives, focussing on their conscious use of a medieval tradition to hold a mirror up to contemporary culture. Offers the first full study of the allegorical knightly quest tradition from the Middle Ages to the Renaissance. Richly satisfying, as impressive in the detail of its scholarship as in the elegance of its critical formulations. It seamlessly moves between different literary traditions and across conventional period boundaries. In Dr Nievergelt's treatment of this theme, the successive retellings of the tale of the knight's quest come to stand as an emblemof shifting values and norms, both religious and worldly; and of our repeated failures to realise those ideals. Dr Alex Davis, Department of English, University of St Andrews. The literary motif of the "allegorical knightly quest" appears repeatedly in the literature of the late medieval/early modern period, notably in Spenser, but has hitherto been little examined. Here, in his examination of a number of sixteenth-century English allegorical-chivalric quest narratives, focussing on Spenser's Faerie Queene but including important, lesser-known works such as Stephen Bateman's Travayled Pylgrime and William Goodyear's Voyage of the Wandering Knight, the author argues that the tradition begins with the French writer Guillaume de Deguileville. His seminal Pèlerinage de la vie humaine was composed c.1331-1355; it was widely adapted, translated, rewritten and printed overthe next centuries. Dr Nievergelt goes on to demonstrate how this essentially "medieval" literary form could be adapted to articulate reflections on changing patterns of identity, society and religion during the early modern period; and how it becomes a vehicle of self-exploration and self-fashioning during a period of profound cultural crisis. Dr Marco Nievergelt is Lecturer (Maître Assitant) and SNF (Swiss National Science Foundation) Research Fellow in the English Department at the Université de Lausanne

Author: Roberta L. Krueger
Publisher: Cambridge University Press
ISBN: 9780521556873
Category : Literary Criticism
Languages : en
Pages : 182

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Book Description
This Companion presents fifteen original and engaging essays by leading scholars on one of the most influential genres of Western literature. Chapters describe the origins of early verse romance in twelfth-century French and Anglo-Norman courts and analyze the evolution of verse and prose romance in France, Germany, England, Italy, and Spain throughout the Middle Ages. The volume introduces a rich array of traditions and texts and offers fresh perspectives on the manuscript context of romance, the relationship of romance to other genres, popular romance in urban contexts, romance as mirror of familiar and social tensions, and the representation of courtly love, chivalry, 'other' worlds and gender roles. Together the essays demonstrate that European romances not only helped to promulgate the ideals of elite societies in formation, but also held those values up for questioning. An introduction, a chronology and a bibliography of texts and translations complete this lively, useful overview.

Author:
Publisher: Academy of the Immaculate
ISBN: 1601140517
Category : Religion
Languages : en
Pages : 545

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Book Description
Originally presented as Acts of the Marian Symposium in Fatima, Portugal in the year 2009. ... Some of the titles in this volume are as follows: Mary and the Church in the Papal Magisterium Before and After the Second Vatican Council by Msgr. Arthur B. Calkins; Mary and the Church in Newman with an Eye to Coredemption by Fr. Edward Ondrako, OFMConv; “Francis, Go and Repair My Church” by Fr. Stefano M. Manelli, FI.

Author: Nicolette Zeeman
Publisher: Oxford University Press, USA
ISBN: 0198860242
Category : Literary Criticism
Languages : en
Pages : 449

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Book Description
The monograph series Oxford Studies in Medieval Literature and Culture showcases the plurilingual and multicultural quality of medieval literature and actively seeks to promote research that not only focuses on the array of subjects medievalists now pursue - in literature, theology, and philosophy, in social, political, jurisprudential, and intellectual history, the history of art, and the history of science - but also that combines these subjects productively. It offers innovative studies on topics that may include, but are not limited to, manuscript and book history; languages and literatures of the global Middle Ages; race and the post-colonial; the digital humanities, media and performance; music; medicine; the history of affect and the emotions; the literature and practices of devotion; the theory and history of gender and sexuality, ecocriticism and the environment; theories of aesthetics; medievalism. The Arts of Disruption: Allegory and Piers Plowman offers a series of new readings of the allegorical poem Piers Plowman: but it is also a book about allegory. It argues not just that there are distinctively disruptive 'arts' that occur in allegory, but that allegory, because it is interested in the difficulty of making meaning, is itself a disruptive art. The book approaches this topic via the study of five medieval allegorical narrative structures that exploit diegetic conflict and disruption. Although very different, they all bring together contrasting descriptions of spiritual process, in order to develop new understanding and excite moral or devotional change. These five structures are: the paradiastolic 'hypocritical figure' (such as vices masked by being made to look like 'adjacent' virtues), personification debate, violent language and gestures of apophasis, narratives of bodily decline, and grail romance. Each appears in a range of texts, which the book explores, along with other connected materials in medieval rhetoric, logic, grammar, spiritual thought, ethics, medicine, and romance iconography. These allegorical narrative structures appear radically transformed in Piers Plowman, where the poem makes further meaning out of the friction between them. Much of the allegorical work of the poem occurs at the points of their intersection, and within the conceptual gaps that open up between them. Ranging across a wide variety of medieval allegorical texts, the book shows from many perspectives allegory's juxtaposition of the heterogeneous and its questioning of supposed continuities.