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Author: Mandakranta Bose Publisher: ISBN: 9789385285554 Category : Folk art Languages : en Pages : 139
Book Description
The images presented in this book take us into the heart of the rich folk tradition of India. Of that heritage, the display of paintings accompanied by comments recited or sung has been a part of since very early times, as attested by references and legends in Sanskrit sources, including the Harsacarita, a 7th century work by Banabhatta. Known as patacitras or patas in short, these illustrated narratives on rectangular fabric or paper as well as on scrolls are a type of performed art that reaches out to audiences, mostly rural, conveying the artists' responses to legends and social themes of common knowledge across a wide range of audiences from varied social and cultural bases. A particularly powerful class of such paintings that come from the Bengali-speaking region of eastern India comprise the depiction of events from the Ramayana in the form of scrolls that are unrolled as the painter displays and explicates them. The vividly colourful images presented in this book occupy a special niche in the history of Indian art, remarkable because they are not only visual objects but narrative expositions of a text that has been part of vast numbers of the Indian people and often their source of moral guidance. Especially remarkable is that these patas by Bengali folk painters diverge so often from the magisterial Ramayanas of adikavi "First Poet" Valmiki, leave out important parts of it and import into the Rama saga episodes from local narrative caches.
Author: Mandakranta Bose Publisher: ISBN: 9789385285554 Category : Folk art Languages : en Pages : 139
Book Description
The images presented in this book take us into the heart of the rich folk tradition of India. Of that heritage, the display of paintings accompanied by comments recited or sung has been a part of since very early times, as attested by references and legends in Sanskrit sources, including the Harsacarita, a 7th century work by Banabhatta. Known as patacitras or patas in short, these illustrated narratives on rectangular fabric or paper as well as on scrolls are a type of performed art that reaches out to audiences, mostly rural, conveying the artists' responses to legends and social themes of common knowledge across a wide range of audiences from varied social and cultural bases. A particularly powerful class of such paintings that come from the Bengali-speaking region of eastern India comprise the depiction of events from the Ramayana in the form of scrolls that are unrolled as the painter displays and explicates them. The vividly colourful images presented in this book occupy a special niche in the history of Indian art, remarkable because they are not only visual objects but narrative expositions of a text that has been part of vast numbers of the Indian people and often their source of moral guidance. Especially remarkable is that these patas by Bengali folk painters diverge so often from the magisterial Ramayanas of adikavi "First Poet" Valmiki, leave out important parts of it and import into the Rama saga episodes from local narrative caches.
Author: Mandakranta Bose Publisher: Routledge ISBN: 113507125X Category : Religion Languages : en Pages : 166
Book Description
The Rāmāyana, an ancient epic of India, with audiences across vast stretches of time and geography, continues to influence numberless readers socially and morally through its many re-tellings. Made available in English for the first time, the 16th century version presented here is by Candrāvatī, a woman poet from Bengal. It is a highly individual rendition as a tale told from a woman's point of view which, instead of celebrating masculine heroism, laments the suffering of women caught in the play of male ego. This book presents a translation and commentary on the text, with an extensive introduction that scrutinizes its social and cultural context and correlates its literary identity with its ideological implications. Taken together, the narrative and the critical study offered here expand the understanding both of the history of women’s self-expression in India and the cultural potency of the epic tale. The book is of interest equally to students and researchers of South Asian narratives, Rāmāyana studies and gender issues.
Author: Amod Desai Publisher: Amod N Desai ISBN: Category : History Languages : en Pages : 228
Book Description
As we delve into the annals of history to recount the tale of Ram Janmabhoomi - a narrative entwined with faith, politics, and identity - it is paramount to approach this account with sensitivity and objectivity. The Ram Janmabhoomi conflict, far beyond a legal dispute over a parcel of land in Ayodhya, has been deeply ingrained in the collective memory of a nation, resonating with millions across religious and cultural boundaries. The narrative of Ram Janmabhoomi is not just a chronicle of events that unfolded over decades but a reflection of India's evolving socio-political landscape. It is a story that spans centuries, tracing back to pre-historic times and stretching into the modern era of legal battles and mass movements. This story is not merely about the bricks and mortar of a disputed structure but the intertwined relationship between faith and identity, law and justice, history and chronological facts. In this book, we embark on a comprehensive exploration of the multifaceted layers of the Ram Janmabhoomi struggle. We traverse its historical foundations, the fervent emergence of the Ayodhya movement, the intricate legal battles, the eventual resolution by the Supreme Court of India, and the broader implications for Indian society. Each chapter serves as a testament to the issue's complexity, illuminating the religious sentiments, political aspirations, legal arguments, and the quest for communal harmony. The long-term impact on Hindu-Muslim relations and communal harmony in India remains a topic of debate. In 2019, the response to the Supreme Court's verdict on the Ram Janmabhoomi issue was primarily measured by calls for peace and communal harmony from various quarters. We acknowledge the diverse perspectives that this topic encompasses and respect the profound emotions it stirs. The aim is not to advocate a singular viewpoint but to present a balanced understanding of how the Ram Janmabhoomi issue shaped and was shaped by the myriad dimensions of Indian life. This book is an endeavor to chronicle a significant chapter in India's history that will be remembered for generations as a cornerstone in the country's journey towards grappling with its diverse heritage and charting its path forward. As readers embark on this journey through the pages of history, it is hoped that they gain insights into the events that transpired and the underlying currents of cultural, religious, and national identity that the Ram Janmabhoomi struggle represents. This is a story of a nation's struggle with its past, its present, and the implications for its future. Welcome to the journey of Ayodhya's struggle. Objective of this book In this book, our primary objective is to delve into the multifaceted aspects of the Ram Janmabhoomi issue. This topic sits at the intersection of history, religion, and politics in India, which is Bharat, and simultaneously affects the entire world. Many research studies have led to chronological evidence shared in this book. This exploration aims to comprehensively understand the complexities and nuances surrounding the history, faith, and belief of righteousness around this sacred struggle. The book seeks to unravel the layers of this struggle by examining its historical roots, religious significance, and the political dynamics that have shaped its discourse. This book aims to inform and foster a deeper understanding of the complexity of the Ram Janmabhoomi struggle. It endeavors to navigate through the layers of history, faith, and politics to offer a nuanced narrative that respects diverse viewpoints and contributes to an informed discourse.
Author: Tarapada Santra Publisher: ISBN: 9788189738952 Category : Artisans Languages : en Pages : 264
Book Description
The folk arts of West Bengal have always been a treasure-trove of folk art in diverse forms, which found expression in almost every conceivable item of village life in earlier days. In this book, the author delves into the intricacies of the creative pattern of folk arts of Bengal, providing an overview of the vast array of art forms. The folk arts of West Bengal have always been a treasure-trove of folk art in diverse forms, which found expression in almost every conceivable item of village life in earlier days, starting from clay-built houses and corn-bins to folk painting,
Author: Chandrabati Publisher: Zubaan ISBN: 8194721873 Category : Fiction Languages : en Pages : 102
Book Description
Chandrabati, the first woman poet in Bangla, lived in the sixteenth century in Mymensingh district in present day Bangladesh. She was also the first poet in the Bangla language to present a retelling of the Ram story from the point of view of Sita. Idolised as a model of marital obedience and chastity in Valmiki’s Ramayan, Chandrabati’s lyrical retelling of Sita’s story offers us a fresh perspective. Written in order to be sung before a non-courtly audience, mainly of womenfolk of rural Bengal, Chandrabati’s Ramayan adds new characters and situations to the story to provide new interpretations of already known events drawing richly on elements of existing genres. Its location in the tales of everyday life has ensured that Chandrabati’s Ramayan lives on in the hearts of village women of modern-day India.
Author: Sahanawaz Hussain Publisher: Crown publishing ISBN: Category : Art Languages : en Pages : 288
Book Description
The book ART AND CULTURE OF WEST BENGAL by Sahanawaz Hussain highlights the different culture of west Bengal. The state west Bengal has a diverse culture. Author Sahanawaz Hussain highlights all the culture of different district of west Bengal starting from North Bengal to South Bengal. West Bengal boasts a rich literary and cultural heritage with evidenced by authors like Rabindranath Tagore,folk music like baul,Gambhira as well as Najrul Geeti,Rabindra Sangeet. West Bengal is the home of a thriving cinema industry dubbed Tollywood.throughout the year many festivals are celebrated in bengal. HIGHLIGHTS OF THE BOOK:- Art & Culture (Literature) The Bengali language boasts a rich literary heritage, shared with neighbouring Bangladesh. West Bengal has a long tradition in folk literature, evidenced by the Charyapada, Mangalkavya, Shreekrishna Kirtana, ThakurmarJhuli, and stories related to Gopal Bhar. In the nineteenth and twentieth century, Bengali literature was modernized in the works of authors such as Bankim Chandra Chattopadhyay, Michael Madhusudan Dutt, Rabindranath Tagore, Kazi Nazrul Islam, Sharat Chandra Chattopadhyay, Jibananda Das and Manik Bandyopadhyay. In modern times Jibanananda Das, Bibhutibhushan Bandopadhyay, Tarashankar Bandopadhyay, Manik Bandopadhyay, Ashapurna Devi, Shirshendu Mukhopadhyay, Buddhadeb Guha, Mahashweta Devi, Samaresh Majumdar, Sanjeev Chattopadhyay and Sunil Gangopadhyay among others are well known. (Music and Dance) The Baul tradition is a unique heritage of Bengali folk music, which has also been influenced by regional music traditions. Other folk music forms include Gombhira and Bhawaiya. Folk music in West Bengal is often accompanied by the ektara, a one-stringed instrument. West Bengal also has an heritage in North Indian classical music. Rabindrasangeet, songs composed and set into tune by Rabindranath Tagore and Nazrul geeti (by Kazi Nazrul Islam) are popular. Also prominent are other musical forms like Dwijendralal, Atulprasad and Rajanikanta's songs, and adhunik or modern music from films and other composers. From the early 1990s, there has been an emergence and popularisation of new genres of music, including fusions of Baul and Jazz by several Bangla bands, as well as the emergence of what has been called Jeebonmukhi Gaan (a modern genre based on realism). Bengali dance forms draw from folk traditions, especially those of the tribal groups, as well as the broader Indian dance traditions. Chau dance of Purulia is a rare form of mask dance. State is known for Bengali folk music such as baul and kirtans and gajan, and modern songs including Bengali adhunik songs. (Films) The state is home to a thriving cinema industry, dubbed Tollywood. Tollygunj in Kolkata is the location of numerous Bengali movie studios, and the name Tollywood (similar to Hollywood and Bollywood) is derived from that name. The Bengali film industry is well known for all kind of films, and has produced acclaimed directors like Satyajit Ray, Mrinal Sen, Tapan Sinha and Ritwik Ghatak. Prominent contemporary directors include Buddhadev Dasgupta, Goutam Ghose, Aparna Sen and Rituparno Ghosh.It has also produced famous film personalities like Uttam Kumar,Soumitra Chatterjee,Suchitra Sen,Kanon Devi,Kishore Kumar and many more. (Fine Arts) Bengal had been the harbinger of modernism in fine arts. Abanindranath Tagore, called the father of Modern Indian Art had started the Bengal School of Art which was to create styles of art outside the European realist tradition which was taught in art colleges under the colonial administration of the British Government. The movement had many adherents like Gaganendranath Tagore, RamkinkarBaij, Jamini Roy and Rabindranath Tagore. After Indian Independence, important groups like the Calcutta Group and the Society of Contemporary Artists were formed in Bengal which dominated the art scene in India. (Reformist Heritage) The capital, Kolkata, was the workplace of several social reformers, like Raja Ram Mohan Ray, Iswar Chandra Vidyasagar, and Swami Vivekananda. These social reforms have eventually led to a cultural atmosphere where practices like sati, dowry, and caste-based discrimination or untouchability, the evils that crept into the Hindu society, were abolished. (Costumes) Bengali women commonly wear the shaŗi , often distinctly designed according to local cultural customs. In urban areas, many women and men wear Western attire. Among men, western dressing has greater acceptance. Men also wear traditional costumes such as the panjabi with dhuti, often on cultural occasions. (Festivals) Durga Puja in October is the most popular festival in the West Bengal. Poila Baishakhthe Bengali New Year, Rathayatra, Dolyatra or Basanta-Utsab, Nobanno, Poush Parbon (festival of Poush), Kali Puja, SaraswatiPuja, LaxmiPuja, Christmas, Eid ul-Fitr, Eid ul-Adha and Muharram are other major festivals.
Author: Mandakranta Bose
Author: Mandakranta Bose
Author: Sarojit Datta
Author: Victoria and Albert Museum
Author: Mandakranta Bose
Author: Rafiqul Alam
Author: Amod Desai
Author: Dinanath Pathy
Author: Tarapada Santra
Author: Chandrabati
Author: Sahanawaz Hussain