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Author: Deborah M. Coulter-Harris Publisher: McFarland ISBN: 1476600996 Category : Religion Languages : en Pages : 209
Book Description
Part I of this book begins with a scriptural study of all Sheba references, particularly the origins and genealogy of the name and its connections with Hebrew patriarchs such as Abraham and kings Saul and David; it later explores the literature and legends surrounding king Solomon and his trade negotiations with Sheba. The text analyzes theories and links between the Queen of Sheba and Pharaoh Hatshepsut, and concludes that Sheba may well be the Pharaoh based upon linguistic associations and the related stories from a multitude of regions and countries. Part II travels into ancient Arabian, Yemeni, Ethiopian, and Eritrean tales of the Queen of Sheba, and examines the mention of Sheba in an array of Jewish, Christian, and Muslim texts. It scrutinizes associations between ancient gods and pharaohs, particularly the similarity of their iconographic representations, the meaning of their symbols and signs that connect with Sheba legends and Hatshepsut's history, the real extent and location of her vast empire.
Author: Deborah M. Coulter-Harris Publisher: McFarland ISBN: 1476600996 Category : Religion Languages : en Pages : 209
Book Description
Part I of this book begins with a scriptural study of all Sheba references, particularly the origins and genealogy of the name and its connections with Hebrew patriarchs such as Abraham and kings Saul and David; it later explores the literature and legends surrounding king Solomon and his trade negotiations with Sheba. The text analyzes theories and links between the Queen of Sheba and Pharaoh Hatshepsut, and concludes that Sheba may well be the Pharaoh based upon linguistic associations and the related stories from a multitude of regions and countries. Part II travels into ancient Arabian, Yemeni, Ethiopian, and Eritrean tales of the Queen of Sheba, and examines the mention of Sheba in an array of Jewish, Christian, and Muslim texts. It scrutinizes associations between ancient gods and pharaohs, particularly the similarity of their iconographic representations, the meaning of their symbols and signs that connect with Sheba legends and Hatshepsut's history, the real extent and location of her vast empire.
Author: Alistair Campbell Publisher: Cambridge University Press ISBN: 9780521626552 Category : Biography & Autobiography Languages : en Pages : 278
Book Description
The Encomium Emmae Reginae is a political tract in praise, as its title suggests, of Queen Emma, daughter of Duke Richard I of Normandy, wife of King Ethelred the Unready from 1002 to 1016, and wife of the Danish conqueror King Cnut from 1017 to 1035. It is a primary source of the utmost importance for our understanding of the Danish conquest of England in the early eleventh century, and for the political intrigue in the years which followed the death of King Cnut in 1035. It offers a remarkable account of a woman who was twice a queen, and of her determination to retain her power as queen-mother. This reprint, which contains the definitive text and translation of the Encomium Emmae Reginae first published in 1949, traces the basic outline of Queen Emma's career and transports us to the heart of eleventh-century politics by defining as clearly as possible the historical context in which the Encomium was written.
Author: Richard Henry Tawney Publisher: Courier Corporation ISBN: 9780486436296 Category : Business & Economics Languages : en Pages : 212
Book Description
This 1926 survey, written by a distinguished social and economic historian, examines the role of religion in the rise of capitalism. Arguing that material acquisitiveness is morally wrong and a corrupting social influence, the author draws upon his profound knowledge of labor and politics to show how concentrated wealth distorts economic policies.
Author: Dan H. Marek Publisher: Scarecrow Press ISBN: 0810886685 Category : Music Languages : en Pages : 439
Book Description
Giovanni Battista Rubini (1794-1854) was a legendary tenor and the first 19th-century non-castrati male singer to become an international star of opera. The previous two centuries had been the era of the castrati, with tenors and basses relegated to character and supporting roles in the operas of their time. Rubini stood apart because he not only matched the castrati in coloratura and pathos, but he also had an extraordinarily high voice. With Rubini’s rise, and in his wake, several tenors came to sing roles written specifically for them by Rossini, Bellini, Donizetti, and many other lesser-known bel canto composers. Signaling the end of the dominance of castrati on stage, this period would last some 40 years until the advent of Grand Opera, Wagner, and Verdi and the appearance of the first so-called High C from the chest by Gilbert-Louis Duprez in 1837. Since then, the accepted tenor sound has followed the tradition epitomized by Enrico Caruso and, in our own era, Luciano Pavarotti and Placido Domingo. Many composers, conductor, and performers would come to regard bel canto dramatic operas as decorative and vapid until Maria Callas and Tulio Serafin demonstrated the heights this genre of opera could reach. However, opera directors and opera performers of late who have expressed an interest in reviving selected masterpieces from the bel canto tradition have found themselves confronted with the problem of locating tenors versed in the vocal techniques necessary to carry the high tessituras. In Giovanni Battista Rubini and the Bel Canto Tenors: History and Technique, Dan H. Marek explores the extraordinary life of Rubini in order to frame this special period in the history of opera and connect the technique of the castrati who were among Rubini’s instructors. Drawing on the work of Berton Coffin, Marek offers long-sought answers to the challenges presented by high tessitura of bel canto operas for tenors. To further assist working singers, Giovanni Battista Rubini and the Bel Canto Tenors includes over 60 pages of exercises written by Rubini himself before 1840, which Marek, for the first time ever has adapted to acoustical phonetics. Professional singers, teachers and their students, vocal coaches, and opera conductors will find this work indispensable as the only English-language work on high tessitura for tenor and soprano singing.
Author: Deborah M. Coulter-Harris
Author: Deborah M. Coulter-Harris
Author: Alistair Campbell
Author: Illinois. Office of Secretary of State
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Author: 
Author: Richard Henry Tawney
Author: 
Author: Dan H. Marek
Author: 
Author: Illinois. Office of Secretary of State