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Author: Gregory Minissale Publisher: Cambridge University Press ISBN: 110891246X Category : Psychology Languages : en Pages : 291
Book Description
This book examines the psychology involved in handling, and responding to, materials in artistic practice, such as oils, charcoal, brushes, canvas, earth, and sand. Artists often work with intuitive, tactile sensations and rhythms that connect them to these materials. Rhythm connects the brain and body to the world, and the world of abstract art. The book features new readings of artworks by Matisse, Pollock, Dubuffet, Tápies, Benglis, Len Lye, Star Gossage, Shannon Novak, Simon Ingram, Lee Mingwei, L. N. Tallur and many others. Such art challenges centuries of philosophical and aesthetic order that has elevated the substance of mind over the substance of matter. This is a multidisciplinary study of different metastable patterns and rhythms: in art, the body, and the brain. This focus on the propagation of rhythm across domains represents a fresh art historical approach and provides important opportunities for art and science to cooperate.
Author: Irma A. Richter Publisher: Courier Corporation ISBN: 048614979X Category : Art Languages : en Pages : 194
Book Description
In this captivating study, an influential scholar-artist offers timeless advice on shape, form, and composition for artists in any medium, illuminating the connections between art and science. 38 figures. 34 plates.
Author: Michael Ridgwell Austin Publisher: Routledge ISBN: 1134948662 Category : Religion Languages : en Pages : 202
Book Description
Christianity has repeatedly valued the "Word" over and above the non-verbal arts. Art has been seen through the interpretative lens of theology, rather than being valued for what it can bring to the discipline. 'Explorations in Art, Theology and Imagination' argues that art is crucially important to theology. The book explores the interconnecting themes of embodiment and incarnation, faith and imagination, and the similarities and differences between art and theology. Arguing for a critique that begins with art and moves to theology, 'Explorations in Art, Theology and Imagination' offers a radical re-evaluation of the role of art in Christian discourse.
Author: Jean Mitry Publisher: Indiana University Press ISBN: 9780253213778 Category : Performing Arts Languages : en Pages : 428
Book Description
Mitry was driven to explain the "why," "what if," and "how come" experiences that resulted after the "wow" experience in cinema. His theory uses psychology and phenomenology to understand how cinema can elevate the viewer from the everyday world.
Author: Allen Leepa Publisher: Read Books Ltd ISBN: 1473386039 Category : Art Languages : en Pages : 303
Book Description
The science of aesthetics was originally based on classical art even a contemporary philosopher of art like Croce never departs from the data of the Graeco-Roman and Renaissance tradition. Modern art, however, has made a decisive break with that tradition, and considerable confusion has been caused by the application to its products of criteria of judgment derived from a past historical phase. Even in our private, unprofessional approach to modern art, we come unconsciously armed with such prejudices. What, therefore, was necessary was a complete revision of aesthetics on the basis of the ample material produced by the modern movement in art, and this Mr. Allen Leepa has now provided. The material in question consists primarily of the works' of art themselves, and these, in significant selection, Mr. Leepa has subjected to a thorough functional analysis. But he realises that the explanation of art does not end with its formal dissection the function of art, as he says, is to ex press emotional meanings in the organized patterns of a medium and he has ventured on the much more difficult task of defining the nature of that psychological process. At this point formal analysis is of no avail, and what we fall back on is the artist's own description of his activity. Luckily modern artists have been surprisingly communicative, and Mr. Leepa has not failed to take advantage of the statements which, from time to time, artists like Picasso, Matisse, Klee and Mondrian have made. He has been aided in his under standing of what they mean ( which is not always clear) by his own practice as a painter, which has saved him from some of the simplifications which an outsider might be tempted to make for the sake of a neat system. Admirable, for example, is the way in which he insists, in Chapter X, on the mutual interaction of medium and idea in the process of creation. We are far too apt to think of the work of art as the illustration of a preconceived idea, instead of an organic growth in which idea only played the part of germ or seed. Particular attention should be given to all that Mr. Leepa has to say on the subject of abstract art, for which the average critic has hitherto reserved his most obstinate resistance. In its various forms ( and there is a wide divergence of aim within the so-called abstract movement) this type of art does, of course, make the most decisive break with the classical or humanist tradition. It is to be observed, however, that it is precisely this type of art which lends itself to the formulation of a coherent aesthetic; and though Mr. Leepa quite rightly insists on its individualistic and subjective nature, the final result would seem to be the discovery of archetypal forms of the widest social significance. The last point I would like to select for emphasis from a book so replete with interest is the firm way in which Mr. Leepa insists on the social significance of his subject.
Author: W. Martin Publisher: Springer ISBN: 1137309458 Category : Literary Criticism Languages : en Pages : 234
Book Description
This book situates Joyce's critical writings within the context of an emerging discourse on the psychology of rhythm, suggesting that A Portrait of the Artist dramatizes the experience of rhythm as the subject matter of the modernist novel. Including comparative analyses of the lyrical prose of Virginia Woolf and the 'cadences' of the Imagists, Martin outlines a new concept of the 'modern period' that describes the interaction between poetry and prose in the literature of the early twentieth century.
Author: Marcus Publisher: Oxford University Press ISBN: 0192883887 Category : Literary Criticism Languages : en Pages : 417
Book Description
Tracing a developing fascination with rhythm's significance, its patterns, and its measures, across philosophy, psychology, science, and the whole range of arts, Rhythmical Subjects shows how and why attention to rhythm came to serve as connective tissue between fields of inquiry at a time when modern disciplines were still in the process of formation or consolidation. The concentration on 'rhythm' and its cognates largely arose, Laura Marcus demonstrates, from the desire to reclaim or retain human and natural measures in the face of the coming of the machine and the speed of technological innovation. Rhythmical Subjects uncovers the disparate routes by which rhythm acquired its newfound ability to link ancient and modern forms of intellectual inquiry, and to fathom and re-invigorate temporal articulations of modern subjective life. Among the numerous intellectual and artistic developments set in a new light by this brilliantly wide-ranging book are: the long line of philosophical and theoretical writing on rhythm, from Nietzsche to Bergson and their twentieth-century interlocutors; psychological explorations of rhythm as the fundamental law of life, from Herbert Spencer and Ralph Waldo Emerson to Elsie Fogarty; more experimental engagements with psychology's rhythms, from Wilhelm Wundt, Théodule Ribot, and Karl Groos to the aesthetic writings of Vernon Lee; the history of prosody; pioneering applications of rhythm studies to social and sexual reform, by Havelock Ellis, Marie Stopes, D. H. Lawrence, and Mary Austin (among others); Lebensreform movements and the contribution of Rudolf Steiner and Emile Jaques-Dalcroze; and numerous endeavours in artistic and critical innovation, from the small modernist magazines of Bloomsbury and Paris to art salons and dance studios across Britain, Continental Europe, and America.
Author: Gregory Minissale
Author: Gregory Minissale
Author: Gregory Minissale
Author: Diana Deutsch
Author: Irma A. Richter
Author: Michael Ridgwell Austin
Author: Jean Mitry
Author: Adina Mornell
Author: Allen Leepa
Author: W. Martin
Author: Marcus