The Problems of Modern Music PDF Download

Author: Adolf Weissmann
Publisher: London ; Toronto : J. M. Dent & Sons Limited
ISBN:
Category : Composers
Languages : en
Pages : 292

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ISBN:
Category :
Languages : en
Pages :

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Author: Adolf Weissmann
Publisher:
ISBN: 9780722250594
Category : Music
Languages : en
Pages : 244

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Author: Nate Sloan
Publisher: Oxford University Press, USA
ISBN: 0190056657
Category : Music
Languages : en
Pages : 225

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Pop music surrounds us - in our cars, over supermarket speakers, even when we are laid out at the dentist - but how often do we really hear what's playing? Switched on Pop is the book based on the eponymous podcast that has been hailed by NPR, Rolling Stone, The Guardian, and Entertainment Weekly for its witty and accessible analysis of Top 40 hits. Through close studies of sixteen modern classics, musicologist Nate Sloan and songwriter Charlie Harding shift pop from the background to the foreground, illuminating the essential musical concepts behind two decades of chart-topping songs. In 1939, Aaron Copland published What to Listen for in Music, the bestseller that made classical music approachable for generations of listeners. Eighty years later, Nate and Charlie update Copland's idea for a new audience and repertoire: 21st century pop, from Britney to Beyoncé, Outkast to Kendrick Lamar. Despite the importance of pop music in contemporary culture, most discourse only revolves around lyrics and celebrity. Switched on Pop gives readers the tools they need to interpret our modern soundtrack. Each chapter investigates a different song and artist, revealing musical insights such as how a single melodic motif follows Taylor Swift through every genre that she samples, André 3000 uses metric manipulation to get listeners to "shake it like a Polaroid picture," or Luis Fonsi and Daddy Yankee create harmonic ambiguity in "Despacito" that mirrors the patterns of global migration. Replete with engaging discussions and eye-catching illustrations, Switched on Pop brings to life the musical qualities that catapult songs into the pop pantheon. Readers will find themselves listening to familiar tracks in new waysand not just those from the Top 40. The timeless concepts that Nate and Charlie define can be applied to any musical style. From fanatics to skeptics, teenagers to octogenarians, non-musicians to professional composers, every music lover will discover something ear-opening in Switched on Pop.

Author: Paul Henry Lang
Publisher: New York : W. W. Norton
ISBN:
Category : Composition (Music)
Languages : en
Pages : 140

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By way of introduction we may sketch in the background from which this mid-century stock-taking grew, and perhaps add a few comments of our own. The first half of the 20th century passed under the sign of violent antitheses. First there was revolutionary dissolution, followed by severe, tradition-oriented concentration; emphatic subjectivity, then dogged objectivity and studied collectivism, The same extremes can be detected in the constituent features of music. Form became so fragmented that its dangling remnants could hardly be detected, but subsequently it solidified, triumphantly rediscovering age-old esthetic tenets and then petrified.

Author: Kristin J. Lieb
Publisher: Routledge
ISBN: 1135096821
Category : Social Science
Languages : en
Pages : 221

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Gender, Branding, and The Modern Music Industry combines interview data with music industry professionals with theoretical frameworks from sociology, mass communication, and marketing to explain and explore the gender differences female artists experience. This book provides a rare lens on the rigid packaging process that transforms female artists of various genres into female pop stars. Stars -- and the industry power brokers who make their fortunes -- have learned to prioritize sexual attractiveness over talent as they fight a crowded field for movie deals, magazine covers, and fashion lines, let alone record deals. This focus on the female pop star’s body as her core asset has resigned many women to being "short term brands," positioned to earn as much money as possible before burning out or aging ungracefully. This book, which includes interview data from music industry insiders, explores the sociological forces that drive women into these tired representations, and the ramifications on the greater social world. This book is for Sociology of Media and Sociology of Popular Culture courses.

Author: Rob C. Wegman
Publisher: Routledge
ISBN: 1135923248
Category : Music
Languages : en
Pages : 266

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In the final decades of the fifteenth-century, the European musical world was shaken to its foundations by the onset of a veritable culture war on the art of polyphony. Now in paperback, The Crisis of Music in Early Modern Europe tells the story of this cultural upheaval, drawing on a wide range of little-known texts and documents, and weaving them together in a narrative that takes the reader on an eventful musical journey through early-modern Europe.

Author: John Borstlap
Publisher: Courier Dover Publications
ISBN: 0486823350
Category : Music
Languages : en
Pages : 193

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Essays by a prominent contemporary composer explore a current trend in classical music away from atonal characteristics and toward more traditional forms. Topics include cultural identity, musical meaning, and the aesthetics of beauty.

Author: Henry Pleasants
Publisher:
ISBN:
Category :
Languages : en
Pages : 180

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Author: Steve Jones
Publisher: Temple University Press
ISBN: 9781566399661
Category : Language Arts & Disciplines
Languages : en
Pages : 300

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Since the 1950s, writing about popular music has become a staple of popular culture.Rolling Stone,Vibe, andThe Sourceas well as music columns in major newspapers target consumers who take their music seriously. Rapidly proliferating fanzines, websites, and internet discussion groups enable virtually anyone to engage in popular music criticism. Until now, however, no one has tackled popular music criticism as a genre of journalism with a particular history and evolution.Pop Music and the Presslooks at the major publications and journalists who have shaped this criticism, influencing the public's ideas about the music's significance and quality. The contributors to the volume include academics and journalists; several wear both hats, and some are musicians as well. Their essays illuminate the complex relationships of the music industry, print media, critical practice, and rock culture. (And they repeatedly dispel the notion that being a journalist is the next best thing to being a rock star.) Author note:Steve Jonesis Professor of Communication at the University of Illinois, Chicago. Among his books areCyberSociety: Computer-Mediated Communication and Community(editor) andRock Formation: Popular Music, Technology, and Mass Communication.