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Author: Caroline Boyle-Turner Publisher: ISBN: Category : Art Languages : en Pages : 152
Book Description
The Pont-Aven school was a group of young painters who espoused the style known as Synthetism and united under Paul Gauguin's informal tutelage at Pont-Aven, Brittany. This book contains works by the members of the school.
Author: Caroline Boyle-Turner Publisher: ISBN: Category : Art Languages : en Pages : 152
Book Description
The Pont-Aven school was a group of young painters who espoused the style known as Synthetism and united under Paul Gauguin's informal tutelage at Pont-Aven, Brittany. This book contains works by the members of the school.
Author: Caroline Boyle-Turner Publisher: ISBN: Category : Art Languages : en Pages : 152
Book Description
The Pont-Aven school was a group of young painters who espoused the style known as Synthetism and united under Paul Gauguin's informal tutelage at Pont-Aven, Brittany. This book contains works by the members of the school.
Author: Jane Turner Publisher: Macmillan ISBN: 9780312229757 Category : Art Languages : en Pages : 438
Book Description
"From the Renaissance and Mannerism to impressionism and Post-Impressionism, from the Gothic Revival to the Arts and Crafts Movement, and Art Nouveau, the history of Western Art is here narrated through more than 180 articles on its most significant styles and movements. Covering all forms of the visual arts - architecture and decorative arts as well as painting and sculpture, each survey discusses the origins, characteristics, leading players, and influence of the most important movements in European. North American, and Latin American art. With articles written in clear, straightforward language and with selective bibliographies, this extensive guide is an essential introduction for anyone with an interest in art and the arts in general."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: La Salle University Art Museum Publisher: Lulu.com ISBN: 0988999900 Category : Art Languages : en Pages : 73
Book Description
Exhibition catalogue for Strategic Ambiguity: The Obscure, Nebulous, and Vague in Symbolist Prints, December 6, 2012 to March 1, 2013 at the La Salle University Art Museum. The prints in this exhibition demonstrate how the Symbolist fascination with ambiguity seen in their choices of subject matter (i.e. half-human, half-animal hybrids such as harpies and sphinxes, gender ambiguity and androgyny) extended to formal strategies of representation that obscure form as well as content. This exhibition places Symbolist art in the context of Modernism by focusing on the ways in which artists experimented with print media and explored technical means of suggesting formal ambiguity (i.e. flattening, abstracting, obscuring) both to better match form and content and to push the boundaries of figurative art. The exhibition features work by artists Odilon Redon, Jan Toorop, Paul Gauguin, Maurice Denis, Édouard Vuillard, Félix Vallotton, Henri Ibels, Pierre Bonnard, Félix Buhot, Pierre Roche, Henri Martin, Armand Point, Maurice Dumont, Jeanne Jacquemin, Georges de Feure,François-Marius Valère Bernard, Carlos Schwabe and others. Print techniques represented in this survey range from lithography and etching to gypsography. The exhibition catalogue features essays by the curator and La Salle faculty from the disciplines of art history and philosophy.
Author: Russell T. Clement Publisher: Bloomsbury Publishing USA ISBN: 0313085102 Category : Art Languages : en Pages : 964
Book Description
Paul Gauguin (1848-1903) played a seminal role in Post-Impressionist France. In his writings and work, he favored emotional responses to nature over intellectual uses of lines, color, and composition. In 1888 he and Emile Bernard developed a new style called Synthetism. Three groups of Gauguin's symbolist followers—Pont Aven, Les Nabis, and Rose + Croix pursued and extended the Synthetist vision. This sourcebook focuses on the most prominent adherents of the three schools directly affected by Gauguin's symbolism. This is the first comprehensive, single-volume guide and bibliography of artists in these three important French avant-garde movements. This work covers the entire careers of 16 artists by providing biographical sketches, chronologies, citations to primary and secondary literature and exhibitions.
Author: Vivian Campbell Publisher: Yale University Press ISBN: 0300069529 Category : Art Languages : en Pages : 256
Book Description
Illustrated with black and white and colored prints from Edvard Munch. Original pictorial wrappers and color illustrated frontispiece. Published alongside the exhibition of the same name. "This exhibition considers Munch's relevance to a modern world through three interpretive paths." (From the forward) These paths are the technical methods Munch used as a Symbolist printmaker, his reception and exhibitions in North American, and Munch's influence in popular culture. With several essays and a chronology.
Author: Laura Lombardi Publisher: Sterling Publishing Company, Inc. ISBN: 9781402759260 Category : Art Languages : en Pages : 198
Book Description
A breathtaking and superbly designed volume on the influential form of the Realist to Art Nouveau art movements. It lets you trace the roots of modern art, beginning with Realist paintings such as Courbet's The Stonebreakers and Millet's The Gleaners - works that shocked mid-19th-century Paris with their unblinking depiction of the lives of the poor. From Realism to Art Nouveau beautifully captures this turbulent era with an incisive text and breathtaking reproductions of works by Manet, Rossetti, Sargent, Monet, Seurat, Cezanne, Van Gogh, Gauguin, Rodin, Klimt and others.
Author: Katie Hornstein Publisher: Yale University Press ISBN: 0300230168 Category : Art Languages : en Pages : 206
Book Description
From the walls of the Salon to the pages of weekly newspapers, war imagery was immensely popular in postrevolutionary France. This fascinating book studies representations of contemporary conflict in the first half of the 19th century and explores how these pictures provided citizens with an imaginative stake in wars being waged in their name. As she traces the evolution of images of war from a visual form that had previously been intended for mostly elite audiences to one that was enjoyed by a much broader public over the course of the 19th century, Katie Hornstein carefully considers the influence of emergent technologies and popular media, such as lithography, photography, and panoramas, on both artistic style and public taste. With close readings and handsome reproductions in various media, from monumental battle paintings to popular prints, Picturing War in France,1792–1856 draws on contemporary art criticism, war reporting, and the burgeoning illustrated press to reveal the crucial role such images played in shaping modern understandings of conflict.
Author: Jane Block Publisher: Yale University Press ISBN: 0300190840 Category : Art Languages : en Pages : 257
Book Description
"Published on the occasion of the exhibition Face to Face: Neo-Impressionist Portraits, 1886-1904. ING Cultural Centre, Brussels, February 19-May 18, 2014, Indianapolis Museum of Art, June 13-September 7, 2014."
Author: Caroline Boyle-Turner
Author: Caroline Boyle-Turner
Author: Caroline Boyle-Turner
Author: Deborah Wye
Author: Jane Turner
Author: La Salle University Art Museum
Author: Russell T. Clement
Author: Vivian Campbell
Author: Laura Lombardi
Author: Katie Hornstein
Author: Jane Block