Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Present Image PDF full book. Access full book title The Present Image by Paolo S. H. Favero. Download full books in PDF and EPUB format.
Author: Paolo S. H. Favero Publisher: Springer ISBN: 3319694995 Category : Social Science Languages : en Pages : 132
Book Description
The Present Image explores the world of images in the contemporary, increasingly digitized, habitats of the world. Moving across a theoretical spectrum that brings visual and digital culture in touch with anthropology, political theory, phenomenology and art-history, and based on the author’s practice-based involvement with images, the book argues against the idea of the digital as a revolution in the world of images. “Present images” are the result of a dialectic between the material and the immaterial, the manual and the mechanical, the visible and the audible, the old and the new. Offering an analysis containing simultaneously elements of timeliness and timelessness, the book addressed practices such as VR and 360 degrees, iDocs and action cameras in a dialogue with classical art, religious iconography, early photography and contemporary art. In the final chapter the book explores the significance of images and image-making in the context of dying, mourning and living.
Author: Paolo S. H. Favero Publisher: Springer ISBN: 3319694995 Category : Social Science Languages : en Pages : 132
Book Description
The Present Image explores the world of images in the contemporary, increasingly digitized, habitats of the world. Moving across a theoretical spectrum that brings visual and digital culture in touch with anthropology, political theory, phenomenology and art-history, and based on the author’s practice-based involvement with images, the book argues against the idea of the digital as a revolution in the world of images. “Present images” are the result of a dialectic between the material and the immaterial, the manual and the mechanical, the visible and the audible, the old and the new. Offering an analysis containing simultaneously elements of timeliness and timelessness, the book addressed practices such as VR and 360 degrees, iDocs and action cameras in a dialogue with classical art, religious iconography, early photography and contemporary art. In the final chapter the book explores the significance of images and image-making in the context of dying, mourning and living.
Author: Saurabh Pant Publisher: Lulu.com ISBN: 1365923592 Category : Poetry Languages : en Pages : 183
Book Description
A powerful real world poetry collection about issues in Asia, from Afghanistan to India via Singapore. Asia is a huge area of the world and the problems and topics raised here are cutting edge and powerful. From the ongoing Philippine drug war to the Kashmir question, the work here is both memorable and soul searching. Everybody in Asia and further afield will find this book interesting and thought provoking. Priya Verma illustrates the book with simple but powerful cartoon images. Think of the man stood in front of the tank in Tienanmen Square, you get the idea. Everybody from President Putin to Premier Xi to the normal person in the street/field need to read this book. If only to bring awareness on the issues and broaden the solutions. A welcome book on Asian issues that are global by Visually Impaired author Saurabh Pant. Hard copy book version.
Author: Brigitte Peucker Publisher: Stanford University Press ISBN: 9780804754316 Category : Literary Criticism Languages : en Pages : 276
Book Description
Focusing on intermediality, The Material Image situates film within questions of representation familiar from the other arts: What is meant by figuring the real? How is the real suggested by visual metaphors, and what is its relation to illusion? How is the spectator figured as entering the text, and how does the image enter our world? The film's spectator is integral to these concerns. Cognitive and phenomenological approaches to perception alike claim that spectatorial affect is "real" even when it is film that produces it. Central to the staging of intermediality in film, tableaux moments in film also figure prominently in the book. Films by Scorsese, Greenaway, Wenders, and Kubrick are seen to address painterly, photographic, and digital images in relation to effects of the real. Hitchcock's films are examined with regard to modernist and realist effects in painting. Chapters on Fassbinder and Haneke analyze the significance of tableau for the body in pain, while a final chapter on horror film explores the literalism of psychopathic tableau. Here, too, art and the bodyimages and the realare juxtaposed and entwined in a set of relations.
Author: Deborah Willis Publisher: W. W. Norton ISBN: 9780393066968 Category : African Americans Languages : en Pages : 0
Book Description
Showcases portrait photography of African Americans taken from the 1890s through the 2000s, along with text discussing the evolution of the idea of beauty for men and women.
Author: Pasi Väliaho Publisher: Amsterdam University Press ISBN: 9089641416 Category : Art Languages : en Pages : 255
Book Description
In Mapping the Moving Image, Pasi Valiaho offers a compelling study of how the medium of film came to shape our experience and thinking of the world and ourselves. By locating the moving image in new ways of seeing and saying as manifest in the arts, science and philosophy at the turn of the twentieth century, the book redefines the cinema as one of the most important anthropological processes of modernity. Moving beyond the typical understanding of cinema based on optical and linguistic models, Mapping the Moving Image takes the notion of rhythm as its cue in conceptualizing the medium's morphogenetic potentialities to generate affectivity, behaviour, and logics of sense. It provides a clear picture of how the forms of early film, while mobilizing bodily gestures and demanding intimate, affective engagement from the viewer, emerged in relation to bio-political investments in the body. The book also charts from a fresh perspective how the new gestural dynamics and visuality of the moving image fed into our thinking of time, memory and the unconscious.
Author: Shelley Hornstein Publisher: Indiana University Press ISBN: 9780253215697 Category : Art Languages : en Pages : 348
Book Description
The passage of time and the reality of an aging survivor population have made it increasingly urgent to document and give expression to testimony, experience, and memory of the Holocaust. At the same time, artists have struggled to find a language to describe and retell a legacy often considered "unimaginable." Contrary to those who insist that the Holocaust defies representation, Image and Remembrance demonstrates that artistic representations are central to the practice of remembrance and commemoration. Including essays on representations of the Holocaust in film, architecture, painting, photography, memorials, and monuments, this thought-provoking volume considers ways in which visual artists have given form to the experience of the Holocaust and addresses the role that imagination plays in shaping historical memory. Among works discussed are Daniel Libeskind's Jewish Museum in Berlin, Rachel Whiteread's Holocaust Memorial in Vienna, Morris Louis's series of paintings Charred Journal, photographer Shimon Attie's Writing on the Wall, and Mikael Levin's series Untitled. Image and Remembrance provides a thoughtful site for personal reflection and commemoration as well as a context for reconsidering the processes of art making and the cultural significance of artistic images. Contributors: Ernst van Alphen, Monica Bohm-Duchen, Tim Cole, Rebecca Comay, Mark Godfrey, Reesa Greenberg, Marianne Hirsch, Shelley Hornstein, Florence Jacobowitz, Berel Lang, Daniel Libeskind, Andrea Liss, Leslie Morris, Leo Spitzer, Susan Rubin Suleiman, Janet Wolff, Robin Wood, James Young, and Carol Zemel.
Author: Gregory Flaxman Publisher: U of Minnesota Press ISBN: 9780816634460 Category : Performing Arts Languages : en Pages : 430
Book Description
In the nearly twenty years since their publication, Gilles Deleuze's books about cinema have proven as daunting as they are enticing -- a new aesthetics of film, one equally at home with Henri Bergson and Wim Wenders, Friedrich Nietzsche and Orson Welles, that also takes its place in the philosopher's immense and difficult oeuvre. With this collection, the first to focus solely and extensively on Deleuze's cinematic work, the nature and reach of that work finally become clear. Composed of a substantial introduction, twelve original essays produced for this volume, and a new English translation of a personal, intriguing, and little-known interview with Deleuze on his cinema books, The Brain Is the Screen is a sustained engagement with Deleuze's cinematic philosophy that leads to a new view of the larger confrontation of philosophy with cinematic images.
Author: Patricia Pisters Publisher: Stanford University Press ISBN: 0804782849 Category : Performing Arts Languages : en Pages : 388
Book Description
Arguing that today's viewers move through a character's brain instead of looking through his or her eyes or mental landscape, this book approaches twenty-first-century globalized cinema through the concept of the "neuro-image." Pisters explains why this concept has emerged now, and she elaborates its threefold nature through research from three domains—Deleuzian (schizoanalytic) philosophy, digital networked screen culture, and neuroscientific research. These domains return in the book's tripartite structure. Part One, on the brain as "neuroscreen," suggests rich connections between film theory, mental illness, and cognitive neuroscience. Part Two explores neuro-images from a philosophical perspective, paying close attention to their ontological, epistemological, and aesthetic dimensions. Political and ethical aspects of the neuro-image are discussed in Part Three. Topics covered along the way include the omnipresence of surveillance, the blurring of the false and the real and the affective powers of the neo-baroque, and the use of neuro-images in politics, historical memory, and war.
Author: Paolo S. H. Favero
Author: Paolo S. H. Favero
Author: Saurabh Pant
Author: Frances Fralin
Author: Brigitte Peucker
Author: Deborah Willis
Author: United States. Patent and Trademark Office
Author: Pasi Väliaho
Author: Shelley Hornstein
Author: Gregory Flaxman
Author: Patricia Pisters