Author: Plautus
Publisher: Penguin UK
ISBN: 0141911220
Category : Drama
Languages : en
Pages : 272
Book Description
One of the supreme comic writers of the Roman world, Plautus (c.254-184 BC), skilfully adapted classic Greek comic models to the manners and customs of his day. This collection features a varied selection of his finest plays, from the light-hearted comedy Pseudolus, in which the lovesick Calidorus and his slave try to liberate his lover from her pimp, to the more subversive The Prisoners, which raises serious questions about the role of slavery. Also included are The Brothers Menaechmus, which formed the prototype for Shakespeare's The Comedy of Errors, and The Pot of Gold, whose old miser Euclio is a glorious study in avarice. Throughout, Plautus breathes new, brilliant life into classic comic types - including deceitful twins, scheming slaves, bitter old men and swaggering soldiers - creating an entertaining critique of Roman life and values.
The Pot of Gold and Other Plays
Author: Plautus
Publisher: Penguin UK
ISBN: 0141911220
Category : Drama
Languages : en
Pages : 272
Book Description
One of the supreme comic writers of the Roman world, Plautus (c.254-184 BC), skilfully adapted classic Greek comic models to the manners and customs of his day. This collection features a varied selection of his finest plays, from the light-hearted comedy Pseudolus, in which the lovesick Calidorus and his slave try to liberate his lover from her pimp, to the more subversive The Prisoners, which raises serious questions about the role of slavery. Also included are The Brothers Menaechmus, which formed the prototype for Shakespeare's The Comedy of Errors, and The Pot of Gold, whose old miser Euclio is a glorious study in avarice. Throughout, Plautus breathes new, brilliant life into classic comic types - including deceitful twins, scheming slaves, bitter old men and swaggering soldiers - creating an entertaining critique of Roman life and values.
Publisher: Penguin UK
ISBN: 0141911220
Category : Drama
Languages : en
Pages : 272
Book Description
One of the supreme comic writers of the Roman world, Plautus (c.254-184 BC), skilfully adapted classic Greek comic models to the manners and customs of his day. This collection features a varied selection of his finest plays, from the light-hearted comedy Pseudolus, in which the lovesick Calidorus and his slave try to liberate his lover from her pimp, to the more subversive The Prisoners, which raises serious questions about the role of slavery. Also included are The Brothers Menaechmus, which formed the prototype for Shakespeare's The Comedy of Errors, and The Pot of Gold, whose old miser Euclio is a glorious study in avarice. Throughout, Plautus breathes new, brilliant life into classic comic types - including deceitful twins, scheming slaves, bitter old men and swaggering soldiers - creating an entertaining critique of Roman life and values.
The Pot of Gold
The Pot of Gold, and Other Plays
Author: Titus Maccius Plautus
Publisher:
ISBN:
Category :
Languages : en
Pages : 267
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 267
Book Description
Pot of Gold and Other Plays
The Pot of Gold, B and Other Plays
Author: Titus Maccius Plautus
Publisher:
ISBN:
Category :
Languages : en
Pages : 267
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 267
Book Description
The Pot of Gold and Other Plays. Translated by E.F. Watling
The Menaechmus Twins, and Two Other Plays
Author: Titus Maccius Plautus
Publisher: W. W. Norton & Company
ISBN: 9780393006025
Category : Drama
Languages : en
Pages : 262
Book Description
Considered to be Plautus's greatest play, Menaechmi; Or, The Twin-Brothers is the story of two twin brothers, Menaechmus and Sosicles, who are separated at age seven when their father takes Menaechmus on a business trip.
Publisher: W. W. Norton & Company
ISBN: 9780393006025
Category : Drama
Languages : en
Pages : 262
Book Description
Considered to be Plautus's greatest play, Menaechmi; Or, The Twin-Brothers is the story of two twin brothers, Menaechmus and Sosicles, who are separated at age seven when their father takes Menaechmus on a business trip.
Amphitryon. The Comedy of Asses. The Pot of Gold. The Two Bacchises. The Captives
Author: Plautus
Publisher: Harvard University Press
ISBN: 0674996534
Category :
Languages : en
Pages : 763
Book Description
Publisher: Harvard University Press
ISBN: 0674996534
Category :
Languages : en
Pages : 763
Book Description
Structures of Avarice
Author: Malti-Douglas
Publisher: BRILL
ISBN: 9004663045
Category : Literary Criticism
Languages : en
Pages : 195
Book Description
Publisher: BRILL
ISBN: 9004663045
Category : Literary Criticism
Languages : en
Pages : 195
Book Description
Theatre Sciences
Author: Eli Rozik
Publisher: Liverpool University Press
ISBN: 1836242298
Category : Performing Arts
Languages : en
Pages : 547
Book Description
Traditional theatre semiotics promoted a scientific approach to theatre studies, albeit viewing semiotics as the unique discipline of research. Theatre Sciences: A Plea for a Multidisciplinary Approach to Theatre Studies suggests instead a multi-disciplinary approach, including the following theoretical disciplines: narratology, mythology, pragmatics, ethics, theatre irony, theory of genres, aesthetics, semiotics, theory of non-verbal figures of speech, rhetoric, psychoanalysis, reception theory, history, and sociology -- with semiotics being only one among equals. These disciplines are presented from the perspective of their possible contributions to a sound methodology of theatre-texts analysis. Traditional theatre semiotics, moreover, holds the view that the actual performance on stage is the genuine text of theatre, instead of the play-script. Despite this paradigmatic shift, however, this viewpoint has failed to produce commendable analyses of such texts. The alternative presupposition put forward in this volume entails a series of novel perceptions of the theatre-text and its possible impact on the experiencing spectator, whose role in reading, interpreting and experiencing the theatre-text is not less crucial than that of the text itself. This view presupposes that the theatre-text is a description of a fictional world generated by the theatre medium. The author also contests the age-old view that a theatre/fictional-text reflects a simple narrative structure, and suggests instead a complexity that consists of seven layers: personified, mythical, praxical, naive, ironic, modal and aesthetic -- with each one of them re-structuring the previous layer. Professor Rozik also presents and describes a semiotic layer that lends communicative capacity to the description of a fictional world, and two additional metaphoric and rhetoric layers, which structure the theatre experience. The underlying purpose is to illustrate the application of the aforementioned disciplines to these fictional layers, and eventually their joint application to entire theatre / fictional texts. Organisation of the book reflects the structure of a university course.
Publisher: Liverpool University Press
ISBN: 1836242298
Category : Performing Arts
Languages : en
Pages : 547
Book Description
Traditional theatre semiotics promoted a scientific approach to theatre studies, albeit viewing semiotics as the unique discipline of research. Theatre Sciences: A Plea for a Multidisciplinary Approach to Theatre Studies suggests instead a multi-disciplinary approach, including the following theoretical disciplines: narratology, mythology, pragmatics, ethics, theatre irony, theory of genres, aesthetics, semiotics, theory of non-verbal figures of speech, rhetoric, psychoanalysis, reception theory, history, and sociology -- with semiotics being only one among equals. These disciplines are presented from the perspective of their possible contributions to a sound methodology of theatre-texts analysis. Traditional theatre semiotics, moreover, holds the view that the actual performance on stage is the genuine text of theatre, instead of the play-script. Despite this paradigmatic shift, however, this viewpoint has failed to produce commendable analyses of such texts. The alternative presupposition put forward in this volume entails a series of novel perceptions of the theatre-text and its possible impact on the experiencing spectator, whose role in reading, interpreting and experiencing the theatre-text is not less crucial than that of the text itself. This view presupposes that the theatre-text is a description of a fictional world generated by the theatre medium. The author also contests the age-old view that a theatre/fictional-text reflects a simple narrative structure, and suggests instead a complexity that consists of seven layers: personified, mythical, praxical, naive, ironic, modal and aesthetic -- with each one of them re-structuring the previous layer. Professor Rozik also presents and describes a semiotic layer that lends communicative capacity to the description of a fictional world, and two additional metaphoric and rhetoric layers, which structure the theatre experience. The underlying purpose is to illustrate the application of the aforementioned disciplines to these fictional layers, and eventually their joint application to entire theatre / fictional texts. Organisation of the book reflects the structure of a university course.