The Posthumous Works of Robert Hooke, M.D.S.R.S. Geom. Prof. Gresh. &c PDF Download

Author: Robert Hooke
Publisher:
ISBN:
Category : Comets
Languages : en
Pages : 600

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Author: Robert Hooke
Publisher:
ISBN:
Category : Electronic books
Languages : en
Pages : 642

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Author: Robert Hooke
Publisher: Routledge
ISBN: 0429595247
Category : Philosophy
Languages : en
Pages : 594

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Published in 1971: This book represents the Posthumous works of the author, as well as lectures on Philosophy, Astronomy, and Science.

Author: Margaret 'Espinasse
Publisher: Univ of California Press
ISBN:
Category : Architects
Languages : en
Pages : 220

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Hooke, Robert.

Author: David Roger Oldroyd
Publisher: Routledge
ISBN:
Category : History
Languages : en
Pages : 376

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Sciences of the Earth first presents a connected series of papers on the history of mineralogy in relation to chemistry, from the Renaissance to the beginning of the 19th century. It considers some of the important philosophical ideas that underpinned early thinking about minerals and earths, and also the practicalities of mineral analysis. Other papers in the volume examine the influence of historicist thinking in the emergence of historical geology; the application of Michel Foucault's ideas to the mineral kingdom; the geological ideas of Robert Hooke, with reference to his views on scientific method; the 'problem' of Whig history of science, considering as example Archibald Geikie's work as historian of geology; and the application of 'grid/group' theory to early 19th-century English geology. To open, there is a paper dealing with a Roman theory of volcanic activity, little known to historians of science.

Author: Michael Hunter
Publisher: Routledge
ISBN: 1351902806
Category : History
Languages : en
Pages : 495

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Robert Hooke (1635-1703) was a genius whose wide-ranging achievements are at last receiving the recognition that they deserve. Long overshadowed by such eminent contemporaries as Sir Isaac Newton and Sir Christopher Wren, Hooke's own seminal contributions to science, architecture and technology are now being acclaimed in their own right. Curator of Experiments to the Royal Society when it was chartered in 1662 and author of the famous Micrographia (1665), Hooke also showed unparalleled ingenuity in designing machines and instruments, and played a crucial role as Surveyor to the City of London after the Great Fire. This volume represents a benchmark in the study of Hooke, bringing together a comprehensive set of studies of different aspects of his life, thought and artistry. Its sections deal with Hooke's life and reputation; his contributions to celestial mechanics and astronomy, and to speculative natural philosophy; the instruments that he designed; and his work in architecture and construction. The introduction places the studies in the context of our current understanding of Hooke and his milieu, while the book also contains a comprehensive bibliography. In all, it will be an invaluable resource for all those interested in a figure whose complexity and importance are becoming clear after centuries of neglect.

Author: Matthew C. Hunter
Publisher: University of Chicago Press
ISBN: 022601732X
Category : Art
Languages : en
Pages : 359

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In late seventeenth-century London, the most provocative images were produced not by artists, but by scientists. Magnified fly-eyes drawn with the aid of microscopes, apparitions cast on laboratory walls by projection machines, cut-paper figures revealing the “exact proportions” of sea monsters—all were created by members of the Royal Society of London, the leading institutional platform of the early Scientific Revolution. Wicked Intelligence reveals that these natural philosophers shaped Restoration London’s emergent artistic cultures by forging collaborations with court painters, penning art theory, and designing triumphs of baroque architecture such as St Paul’s Cathedral. Matthew C. Hunter brings to life this archive of experimental-philosophical visualization and the deft cunning that was required to manage such difficult research. Offering an innovative approach to the scientific image-making of the time, he demonstrates how the Restoration project of synthesizing experimental images into scientific knowledge, as practiced by Royal Society leaders Robert Hooke and Christopher Wren, might be called “wicked intelligence.” Hunter uses episodes involving specific visual practices—for instance, concocting a lethal amalgam of wax, steel, and sulfuric acid to produce an active model of a comet—to explore how Hooke, Wren, and their colleagues devised representational modes that aided their experiments. Ultimately, Hunter argues, the craft and craftiness of experimental visual practice both promoted and menaced the artistic traditions on which they drew, turning the Royal Society projects into objects of suspicion in Enlightenment England. The first book to use the physical evidence of Royal Society experiments to produce forensic evaluations of how scientific knowledge was generated, Wicked Intelligence rethinks the parameters of visual art, experimental philosophy, and architecture at the cusp of Britain’s imperial power and artistic efflorescence.

Author: Anthony Gerbino
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 216

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The spread of Renaissance culture in England coincided with the birth of the profession of architecture, whose practitioners soon became superior to simple builders in social standing and perceived intellectual prowess. This stimulating book, which focuses in particular on the scientist, mathematician, and architect Sir Christopher Wren, explores the extent to which this new professional identity was based on expertise in the mathematical arts and sciences. Featuring drawings, instruments, paintings, and other examples of the material culture of English architecture, the book discusses the role of mathematics in architectural design and building technology. It begins with architectural drawing in the 16th century, moves to large-scale technical drawing under Henry VIII, considers Inigo Jones and his royal buildings and Christopher Wren and the dome of St. Paul's, and concludes with the architectural education of George III. Interweaving text and visual image, the book investigates the boundaries between art and science in architecture--the most artistic of the sciences and the most scientific of the arts. Exhibition Schedule: Yale Center for British Art (opens February 2010)

Author: J. A. Bennett
Publisher: Cambridge University Press
ISBN: 9780521524728
Category : Mathematics
Languages : en
Pages : 164

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This book considers Wren's 'other' career as an astronomer, and shows how science informed his architectural philosophy.

Author: University of Oxford
Publisher:
ISBN:
Category : Oxford (England)
Languages : en
Pages : 400

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