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The Politics of Drama in Augustan England

The Politics of Drama in Augustan England PDF Author: John Clyde Loftis
Publisher: Oxford, Clarendon P
ISBN:
Category : English drama
Languages : en
Pages : 196

Book Description


The Politics of Drama in Augustan England

The Politics of Drama in Augustan England PDF Author: John Clyde Loftis
Publisher: Oxford, Clarendon P
ISBN:
Category : English drama
Languages : en
Pages : 196

Book Description


The Politics of Opera in Handel's Britain

The Politics of Opera in Handel's Britain PDF Author: Thomas McGeary
Publisher: Cambridge University Press
ISBN: 110700988X
Category : Music
Languages : en
Pages : 423

Book Description
Thomas McGeary's book explores the relationship between Italian opera and British partisan politics in the era of George Frideric Handel.

Theatre and Governance in Britain, 1500–1900

Theatre and Governance in Britain, 1500–1900 PDF Author: Tony Fisher
Publisher: Cambridge University Press
ISBN: 1316864340
Category : Drama
Languages : en
Pages : 293

Book Description
This book begins with a simple observation - that just as the theatre resurfaced during the late Renaissance, so too government as we understand it today also began to appear. Their mutually entwining history was to have a profound influence on the development of the modern British stage. This volume proposes a new reading of theatre's relation to the public sphere. Employing a series of historical case studies drawn from the London theatre, Tony Fisher shows why the stage was of such great concern to government by offering close readings of well-known religious, moral, political, economic and legal disputes over the role, purpose and function of the stage in the 'well-ordered society'. In framing these disputes in relation to what Michel Foucault called the emerging 'art of government', this book draws out - for the first time - a full genealogy of the governmental 'discourse on the theatre'.

Opera and Politics in Queen Anne's Britain, 1705-1714

Opera and Politics in Queen Anne's Britain, 1705-1714 PDF Author: Thomas McGeary
Publisher: Boydell & Brewer
ISBN: 1783277157
Category : Great Britain
Languages : en
Pages : 445

Book Description
Explores the political meanings that Italian opera - its composers, agents and institutions - had for audiences in eighteenth-century Britain.

Political Communication and Political Culture in England, 1558-1688

Political Communication and Political Culture in England, 1558-1688 PDF Author: Barbara J. Shapiro
Publisher: Stanford University Press
ISBN: 0804784582
Category : History
Languages : en
Pages : 416

Book Description
This book surveys the channels through which political ideas and knowledge were conveyed to the English people from the beginning of the reign of Elizabeth I to the Revolution of 1688. Shapiro argues that an assessment of English political culture requires an examination of all means by which this culture was expressed and communicated. While the discussion focuses primarily on genres such as the sermon, newsbook, poetry, and drama, it also considers the role of events and institutions. Shapiro is the first to explore and elucidate the entire web of communication in early modern English political life.

British Enlightenment Theatre

British Enlightenment Theatre PDF Author: Bridget Orr
Publisher: Cambridge University Press
ISBN: 1108499716
Category : Drama
Languages : en
Pages : 297

Book Description
Reveals how England's eighteenth-century theatre dramatized anti-imperial protest, and gave voice to oppressed groups.

The Plays of Henry Fielding

The Plays of Henry Fielding PDF Author: Albert J. Rivero
Publisher: University of Virginia Press
ISBN: 9780813912288
Category : Drama
Languages : en
Pages : 198

Book Description
Henry Fielding was one of the most interesting playwrights of his time because of his historical position, similar to that of George Bernard Shaw, and his awareness of what it meant to be a playwright at a time when the native dramatic tradition appeared to have settled down for a long sleep and when the only hope for an awakening lay in such low crowd-pleasers as farces, puppet shows, "laughing" tragedies, and ballad operas. By focusing on the plays themselves, Rivero tells the story of Fielding's dramatic career without burdening the reader with an exhaustive history of contemporary plays and playwrights. He provides us with a clear, critical account of Fielding's dramatic career in terms of trends in contemporary dramatic affairs that help to account for his artistic choices in individual plays.

Heroic Mode and Political Crisis, 1660-1745

Heroic Mode and Political Crisis, 1660-1745 PDF Author: Elaine M. McGirr
Publisher: Associated University Presse
ISBN: 9780874130430
Category : History
Languages : en
Pages : 254

Book Description
This book explores a cultural language, the heroic, that remained consistently powerful through the social, political, and dynastic turbulence of the long eighteenth century. The heroic provided an accessible and vivid shorthand for the ongoing ideological debates over the nature of authority and power, the construction of an ideal masculinity, and the shape of a new. British--rather than English--national identity. An analysis of this cultural language and its different valence over time not only unpacks the overlap between aesthetic and political debate in the late seventeenth and early eighteenth centuries, but also firmly grounds the eighteenth-century's revolution in taste and manners in the ongoing ideological debates about dynastic politics and the foundations of authority. Specifically, the book traces the making and breaking of the Stuart mythology through the development of and attacks on the heroic mode from the Restoration through the aftermath of the 1745 Jacobite uprising. Elaine McGirr is a Senior Lecturer in the departments of drama and English at Royal Holloway, University of London.

Character's Theater

Character's Theater PDF Author: Lisa A. Freeman
Publisher: University of Pennsylvania Press
ISBN: 0812201949
Category : Drama
Languages : en
Pages : 307

Book Description
If the whole world acted the player, how did the player act the world? In Character's Theater, Lisa A. Freeman uses this question to test recent critical discussion of eighteenth-century literature and culture. Much current work, she observes, focuses on the concept of theatricality as both the governing metaphor of social life and a primary filter of psychic perception. Hume's "theater of the mind," Adam Smith's "impartial spectator," and Diderot's "tableaux" are all invoked by theorists to describe a process whereby the private individual comes to internalize theatrical logic and apprehend the self as other. To them theatricality is a critical mechanism of modern subjectivity but one that needs to be concealed if the subject's stability is to be maintained. Finding that much of this discussion about the "Age of the Spectator" has been conducted without reference to the play texts or actual theatrical practice, Freeman turns to drama and discovers a dynamic model of identity based on eighteenth-century conceptualizations of character. In contrast to the novel, which cultivated psychological tensions between private interiority and public show, dramatic characters in the eighteenth century experienced no private thoughts. The theater of the eighteenth century was not a theater of absorption but rather a theater of interaction, where what was monitored was not the depth of character, as in the novel, but the arc of a genre over the course of a series of discontinuous acts. In a genre-by-genre analysis of plays about plays, tragedy, comedies of manners, humours, and intrigue, and sentimental comedy, Freeman offers an interpretive account of eighteenth-century drama and its cultural work and demonstrates that by deploying an alternative model of identity, theater marked a site of resistance to the rise of the subject and to the ideological conformity enforced through that identity formation.

Renaissance Drama in England and Spain

Renaissance Drama in England and Spain PDF Author: John Clyde Loftis
Publisher: Princeton University Press
ISBN: 0691656150
Category : Literary Criticism
Languages : en
Pages : 302

Book Description
Spain alone produced a Renaissance drama comparable to that of England, yet the two nations were enemies, separated by the worldwide conflict of Catholics and Protestants. Major dramatists on both sides addressed the divisive issues: Lope de Vega, Tirso de Molina, and Calderon de la Barca in Spain; Shakespeare, Marlowe, Chapman, Massinger, and Middleton in England. In this comprehensive work, a distinguished authority on drama examines history plays, masques, and spectacles, with close attention to the changing development of the two national dramas, he directs us to the study of their suprrising similarities. The author's lucid exposition makes possible an assessment of the commentary on historical events provided by the dramatists. In the early years of the Thirty Years' War, he points out, dramtaists unknowingly carried on a dialogue now audible to us: Massinger and Middleton warn of Spain's intentions; Lope, Tirso, and Calderon provide assurance that their English coutnerparts were not alarmists. Goruping works chronologically by subject or thematic relevance to phases of Anglo-Spanish relations in broad European context, Professor Loftis examines Lope's plays about the campaigns fought by the Spanish Army of Flanders and Marlowe's and Chapman's plays about French history from 1572 to 1602. John Loftis is Margery Bailey Professor of English Emeritus at Stanford University. He is author of numerous works, including The Spanish Plays of Neoclassical England (Yale) and Sheridan and the Drama of Georgian England (Blackwell/Harvard). Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.