The Piano Sonatas of George Walker PDF Download

Author: Thomas J. Ahrens
Publisher:
ISBN:
Category :
Languages : en
Pages : 74

View

Book Description

Author: Redi Llupa
Publisher:
ISBN:
Category :
Languages : en
Pages :

View

Book Description
George Walker, winner of the Pulitzer Prize for Music in 1996, composed a total of five sonatas for piano. Each of them have a distinctive sound and approach to the sonata form due to Walker's processes of manipulating musical elements. These processes are crucial in understanding the composer's approach to sonata form, and also they are highly important as means to interpreting his sonatas. Therefore, the observations here represent important performance aspects that serve as a guide for performers. The five piano sonatas were written in 1953, 1956, 1975, 1984, and 2003. There have been academic dissertations written about the first four piano sonatas, but none for Sonata No. 5 for Piano. This study will emphasize the analysis of Sonata No. 5 for Piano. In order to do so, the study will initially analyze compositional processes found in Sonata No. 2 for Piano and Piano Sonata No. 3, and relate those to Sonata No. 5 for Piano. Based on the development of Walker's compositional language, the analysis of these three sonatas can be a valuable reference for all five sonatas. The essay is comprised of four chapters. The first chapter is an introduction and general background of the five piano sonatas, and the statement of the reason for this study. The second chapter is a brief biography of the composer in relation to his piano sonatas. The third chapter introduces the manipulative processes of musical elements in Sonata No. 2 for Piano and Piano Sonata No. 3. The fourth chapter is dedicated to the analysis of Sonata No. 5 for Piano. Lastly, the conclusion encompasses all the aspects discussed in this study.

Author: Indiana University. Afro-American Arts Institute
Publisher: Metuchen, N.J. : Scarecrow Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 518

View

Book Description

Author: Kaikhosru Shapurji Sorabji
Publisher:
ISBN:
Category : Piano music
Languages : en
Pages : 58

View

Book Description

Author: Everett N. Jones (III.)
Publisher:
ISBN:
Category : African American composers
Languages : en
Pages :

View

Book Description
George Walker is a Pulitzer Prize - winner composer whose compositional language includes unity through intervallic coherence. While taking one of Howard Hanson's theory courses at the Eastman School of Music, Walker gained full control over unity through the consistent projection of an interval in composition. This is a performer's document that analyzes the first four piano sonatas by focusing on how they are unified with intervals. Walker uses certain intervals as the basis for the four sonatas by constructing motives, chords or clusters, and key relationships within and between movements from the given interval - intervals - this is intervallic coherence. The First Sonata is constructed from fourths, the Second is based on thirds, the Third Sonata is built from seconds, and the Fourth Sonata uses octaves, seconds, and fourths. The first chapter is an introduction that includes a brief biography with a description of the document and my purpose for writing it, the second chapter systematically gives a brief outline of the form of each sonata and analyzes the specific interval/intervals used, the next chapter is a small section that surveys the sonatas with performance suggestions and descriptions of each work, and the last chapter is the conclusion of the document.

Author: Lincoln Ballard
Publisher: Rowman & Littlefield
ISBN: 1442232625
Category : Music
Languages : en
Pages : 441

View

Book Description
This unique collaboration between a musicologist and two pianists – all experts in Russian music – takes a fresh look at the supercharged music and polarizing reception of the Russian composer Alexander Scriabin. From his Chopin-inspired miniatures to his genre-bending symphonies and avant-garde late works, Scriabin left a unique mark on music history. Scriabin’s death centennial in 2015 brought wider exposure and renewed attention to this pioneering composer. Music lovers who are curious about Scriabin have been torn between specialized academic studies and popular sources that glamorize his interests and activities, often at the expense of historical accuracy. This book bridges the divide between these two branches of literature, and brings a modern perspective to his music and legacy. Drawing on archival materials, primary sources in Russian, and recently published books and articles, Part One details the reception and performance history of Scriabin’s solo piano and orchestral music. High quality recordings are recommended for each piece. Part Two explores four topics in Scriabin’s reception: the myths generated by Scriabin’s biographers, his claims to synaesthesia or “color-hearing,” his revival in 1960s America as a proto-Flower Child, and the charges of anti-Russianness leveled against his music. Part Three investigates stylistic context and performance practice in the piano music, and considers the domains of sound, rhythm, and harmony. It offers interpretive strategies for deciphering Scriabin’s challenging scores at the keyboard. Students, scholars, and music enthusiasts will benefit from the historical insights offered in this interdisciplinary book. Armed with this knowledge, readers will be able to better appreciate the stylistic innovations and colorful imagination of this extraordinary composer.

Author: George Walker
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 240

View

Book Description
The first black American to receive the Pulitzer Prize for music (for his composition Lilacs), George Walker recounts the most significant events in his life and distinguished career as a composer and a musician.

Author: Dennis Leonard Boe
Publisher:
ISBN:
Category : African American composers
Languages : en
Pages : 121

View

Book Description

Author: Dorothy Maxine Ennett
Publisher:
ISBN:
Category : Sonata
Languages : en
Pages : 266

View

Book Description

Author: Mark Stryker
Publisher: University of Michigan Press
ISBN: 0472074261
Category : Music
Languages : en
Pages : 359

View

Book Description
Jazz from Detroit explores the city’s pivotal role in shaping the course of modern and contemporary jazz. With more than two dozen in-depth profiles of remarkable Detroit-bred musicians, complemented by a generous selection of photographs, Mark Stryker makes Detroit jazz come alive as he draws out significant connections between the players, eras, styles, and Detroit’s distinctive history. Stryker’s story starts in the 1940s and ’50s, when the auto industry created a thriving black working and middle class in Detroit that supported a vibrant nightlife, and exceptional public school music programs and mentors in the community like pianist Barry Harris transformed the city into a jazz juggernaut. This golden age nurtured many legendary musicians—Hank, Thad, and Elvin Jones, Gerald Wilson, Milt Jackson, Yusef Lateef, Donald Byrd, Tommy Flanagan, Kenny Burrell, Ron Carter, Joe Henderson, and others. As the city’s fortunes change, Stryker turns his spotlight toward often overlooked but prescient musician-run cooperatives and self-determination groups of the 1960s and ’70s, such as the Strata Corporation and Tribe. In more recent decades, the city’s culture of mentorship, embodied by trumpeter and teacher Marcus Belgrave, ensured that Detroit continued to incubate world-class talent; Belgrave protégés like Geri Allen, Kenny Garrett, Robert Hurst, Regina Carter, Gerald Cleaver, and Karriem Riggins helped define contemporary jazz. The resilience of Detroit’s jazz tradition provides a powerful symbol of the city’s lasting cultural influence. Stryker’s 21 years as an arts reporter and critic at the Detroit Free Press are evident in his vivid storytelling and insightful criticism. Jazz from Detroit will appeal to jazz aficionados, casual fans, and anyone interested in the vibrant and complex history of cultural life in Detroit.