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The PhotoHistorian

The PhotoHistorian PDF Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 278

Book Description


The PhotoHistorian

The PhotoHistorian PDF Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 278

Book Description


Photography of Protest and Community: The Radical Collectives of the 1970s

Photography of Protest and Community: The Radical Collectives of the 1970s PDF Author: Noni Stacey
Publisher: Lund Humphries Publishers Limited
ISBN: 9781848224094
Category : Photography
Languages : en
Pages : 208

Book Description
During the 1970s, London-based photographers joined together to form collectives which engaged with local and international political protest in cities across the UK. This book is a survey of the radical community photography that these collectives produced. The photographers derived inspiration from counterculture while finding new ways to produce, publish and exhibit their work. They wanted to do things in their own way, to create their own magazines and exhibition networks, and to take their politicised photographic and textual commentary on the re-imagination of British cities in the post-war period into community centres, laundrettes, Working Men's Clubs, polytechnics, nurseries - anywhere that would have them. The laminated panel exhibitions were sufficiently robust, when packed into a laundry box, to withstand circulation round the country on British Rail's Red Star parcel network. Through archival research, interviews and newly discovered photographic and ephemeral material, this tells the story of the Hackney Flashers Collective, Exit Photography Group, Half Moon Photography Workshop, producers of Camerawork magazine, and the community darkrooms, North Paddington Community Darkroom and Blackfriars Photography Project. It reveals how they created a 'history from below', positioning themselves outside of established mainstream media, and aiming to make the invisible visible by bringing the disenfranchised and marginalised into the political debate.

The Photo Student Handbook

The Photo Student Handbook PDF Author: Garin Horner
Publisher: CRC Press
ISBN: 1000418375
Category : Photography
Languages : en
Pages : 163

Book Description
The Photo Student Handbook is a collection of short, easy-to-read chapters filled with expert advice on enhancing image-making skills and launching a career as a professional photographer. Designed to help students grow beyond the technical aspects of photography, this book presents a variety of methods and strategies proven to strengthen visual awareness, engage creative thinking, and deepen the conceptual aspects of image-making. Topics include how to: - improve the ability to see actively - understand light as a main character - cultivate a creative mind - make a standout portfolio - unpack critical theory - find and develop a creative voice. Packed with valuable tips, insights, and advice from over a hundred instructors, professionals, senior students, and experts, this book is engineered to help instructors guide students step-by-step through the methods and strategies needed to achieve creative success both in the classroom and the real world. This book is ideal for intermediate- and advanced-level photography students and instructors alike. Visit the accompanying website www.photostudent.net for extra chapters, exercises, quizzes, and more.

The Indigenous Lens?

The Indigenous Lens? PDF Author: Markus Ritter
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110590875
Category : Photography
Languages : en
Pages : 372

Book Description
The historiography of early photography has scarcely examined Islamic countries in the Near and Middle East, although the new technique was adopted very quickly there by the 1840s. Which regional, local, and global aspects can be made evident? What role did autochthonous image and art traditions have, and which specific functions did photography meet since its introduction? This collective volume deals with examples from Iran, the Ottoman Empire, and the Arab lands and with the question of local specifics, or an „indigenous lens." The contributions broach the issues of regional histories of photography, local photographers, specific themes and practices, and historical collections in these countries. They offer, for the first time in book form, a cross-section through a developing field of the history of photography.

Ultra-Realistic Imaging

Ultra-Realistic Imaging PDF Author: Hans Bjelkhagen
Publisher: CRC Press
ISBN: 1439828008
Category : Science
Languages : en
Pages : 651

Book Description
Ultra-high resolution holograms are now finding commercial and industrial applications in such areas as holographic maps, 3D medical imaging, and consumer devices. Ultra-Realistic Imaging: Advanced Techniques in Analogue and Digital Colour Holography brings together a comprehensive discussion of key methods that enable holography to be used as a te

Capturing Japan in Nineteenth-century New England Photography Collections

Capturing Japan in Nineteenth-century New England Photography Collections PDF Author: Eleanor M. Hight
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781409404989
Category : Photography
Languages : en
Pages : 242

Book Description
"Expanding the canon of photographic history, Capturing Japan in Nineteenth Century New England Photography Collections focuses on six New Englanders, whose travel and photograph collecting influenced the flowering of Japonism in late nineteenth-century Boston. The book also explores the history of Japanese photography and its main themes. The first history of its kind, this study illuminates the ways photographs, seeming conveyors of fact, imprint mental images and suppositions on their viewers"--

The Photography Encyclopedia

The Photography Encyclopedia PDF Author: Gloria S. McDarrah
Publisher: Macmillan Reference USA
ISBN:
Category : Photography
Languages : en
Pages : 730

Book Description
From the era of daguerreotype to digital imaging, this book provides a comprehensive overview of photography. It includes complete lists of Pulitzer Prize winners, archives and museums, photographic resources and major agencies.

Encyclopedia of Nineteenth-Century Photography

Encyclopedia of Nineteenth-Century Photography PDF Author: John Hannavy
Publisher: Routledge
ISBN: 1135873275
Category : Photography
Languages : en
Pages : 1629

Book Description
The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.

Photographers

Photographers PDF Author: Peter E. Palmquist
Publisher: Carl Mautz Publishing
ISBN: 9781887694186
Category : History
Languages : en
Pages : 166

Book Description


Photography and Its Violations

Photography and Its Violations PDF Author: John Roberts
Publisher: Columbia University Press
ISBN: 0231168187
Category : Philosophy
Languages : en
Pages : 234

Book Description
Theorists critique photography for ÒobjectifyingÓ its subjects and manipulating appearance for the sake of art. In this bold counterargument, John Roberts recasts photographyÕs violating powers and aesthetic technique as part of a complex Òsocial ontologyÓ that exposes the hierarchies, divisions, and exclusions behind appearances. Photography must Òarrive unannouncedÓ and Òget in the way of the world,Ó Roberts argues, committing to the truth-claims of the spectator over the self-interests and sensitivities of the subject. Yet even though the violating capacity of the photograph results from external power relations, the photographer is still faced with an ethical choice: whether to advance photographyÕs truth-claims on the basis of these powers or to diminish or veil these powers to protect the integrity of the subject. PhotographyÕs acts of intrusion and destabilization constantly test the photographer at the point of production, in the darkroom, and at the computer, especially in our 24-hour digital image culture. RobertsÕs refunctioning of photographyÕs place in the world is therefore critically game-changing, as it politically and theoretically restores the reputation of the art.