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Author: Keith F. Davis Publisher: Nelson Atkins ISBN: 9780300241365 Category : Art Languages : en Pages : 0
Book Description
Best known for his modernist paintings and prints, the multitalented artist Ralston Crawford (1906-1978) maintained a deep and intensive interest in photography throughout his career, using the camera as a tool of both documentary and artistic expression. This exquisitely produced publication provides a fresh, comprehensive look at Crawford's photographs from 1938 through the mid-1970s, including both well-known works and previously unpublished images. Some of his photographic images served as the basis for paintings and prints, but many more were made for their own sake as photographs, capturing a wide variety of subjects, from pristine industrial forms to the vibrant street life and musical culture of New Orleans. This volume locates Crawford's photographic production in the context of his overall artistic career and within the creative currents of his time, enhancing our understanding of Crawford as an artist and serving as the best and most up-to-date study of his photographs. Distributed for The Hall Family Foundation in association with The Nelson-Atkins Museum of Art Exhibition Schedule: The Nelson-Atkins Museum of Art, Kansas City (10/26/18-04/07/19)
Author: Keith F. Davis Publisher: Nelson Atkins ISBN: 9780300241365 Category : Art Languages : en Pages : 0
Book Description
Best known for his modernist paintings and prints, the multitalented artist Ralston Crawford (1906-1978) maintained a deep and intensive interest in photography throughout his career, using the camera as a tool of both documentary and artistic expression. This exquisitely produced publication provides a fresh, comprehensive look at Crawford's photographs from 1938 through the mid-1970s, including both well-known works and previously unpublished images. Some of his photographic images served as the basis for paintings and prints, but many more were made for their own sake as photographs, capturing a wide variety of subjects, from pristine industrial forms to the vibrant street life and musical culture of New Orleans. This volume locates Crawford's photographic production in the context of his overall artistic career and within the creative currents of his time, enhancing our understanding of Crawford as an artist and serving as the best and most up-to-date study of his photographs. Distributed for The Hall Family Foundation in association with The Nelson-Atkins Museum of Art Exhibition Schedule: The Nelson-Atkins Museum of Art, Kansas City (10/26/18-04/07/19)
Author: William C. Agee Publisher: Merrell ISBN: 9781858946733 Category : Art Languages : en Pages : 0
Book Description
Early in his career, Ralston Crawford (1906-1978) earned acclaim for his Precisionist paintings of architectural subjects associated with a forward-looking, industrialized America. But Crawford was a multifaceted artist with a curiosity for the world beyond the United States, one whose work in various media continued to evolve, with his later, more abstract painting having a remarkable emotional dimension. This new book focuses on two series of works "Torn Signs" and "Semana Santa" that Crawford developed mostly over the course of the last 20 or so years of his life. Rick Kinsel considers how and why his travels to Europe, especially to Andalusia in Spain, were so inspiring to Crawford. Semana Santa, or Holy Week, is observed in Seville with public processions of penitential confraternities. Witnessing this event proved to be a moving experience for Crawford, and he revisited the subject of the penitents multiple times across a number of years.
Author: Esther Adler Publisher: The Museum of Modern Art ISBN: 087070852X Category : Art Languages : en Pages : 145
Book Description
The Museum of Modern Art is known for its prescient focus on the avant-garde art of Europe, but in the first half of the twentieth century it was also acquiring work by Stuart Davis, Georgia O’Keeffe, Charles Sheeler, Alfred Stieglitz, and other, less well-known American artists whose work sometimes fits awkwardly under the avant garde umbrella. American Modern presents a fresh look at MoMA’s holdings of American art from that period. The still lifes, portraits, and urban, rural, and industrial landscapes vary in style, approach, and medium: melancholy images by Edward Hopper and Andrew Wyeth bump against the eccentric landscapes of Charles Burchfield and the Jazz Age sculpture of Elie Nadelman. Yet a distinct sensibility emerges, revealing a side of the Museum that may surprise a good part of its audience and throwing light on the cultural preoccupations of the rapidly changing American society of the day.
Author: Edward Hopper Publisher: Hirmer Verlag GmbH ISBN: 9783777434018 Category : Art, American Languages : en Pages : 0
Book Description
This exhibition sets the art of Edward Hopper in the context of the diverse and controversial movements dominating American art during the first half of the twentieth century.
Author: Mitra Abbaspour Publisher: Museum of Modern Art, New York ISBN: 9780870709418 Category : Photography Languages : en Pages : 400
Book Description
OBJECT:PHOTO shifts the dialogue about modernist photography from an emphasis on the subject and the image to the actual photographic object, created by a certain artist at a particular time and present today in its unique physicality. This shift is especially significant for a study of the period during which photography developed a distinctive formal language. A growing awareness of the rarity of images made between the two world wars has altered historians' considerations, encouraging new approaches privileging the originality of each work and the density of references each contains. This richly illustrated publication culminates a four-year collaborative research endeavor between The Museum of Modern Art's Departments of Photography and Conservation, and nearly 30 visiting scholars, on the material and aesthetic evolution of avant-garde photography in the early twentieth century. The 341 modernist photographs known as The Thomas Walther Collection, a major museum acquisition made in 2001, is presented in its entirety, establishing a new standard of depth for the medium. Essays by curators, researchers, and conservators consider the history of collecting from this era to the present and how deepening knowledge has shifted the perspective on the medium; the material facts of the Walther pictures as a baseline for understanding the development of photographic materials in this era; and how the intellectual formation of the writers of critical photographic publications of the era and the societal and cultural pressures of that historical moment inflected the photography's sense of its own history. Together with thematic, object-based case studies of groups of pictures that demonstrate new approaches in specific, divergent examples, these contributions reanimate the dialogue on this formative era in photography.
Author: John T. Hill Publisher: National Geographic Books ISBN: 3791382233 Category : Photography Languages : en Pages : 0
Book Description
This resplendent volume is the most comprehensive study of Walker Evans’s work ever published, containing masterful images accompanied by authoritative commentary from leading photography historians. The name Walker Evans conjures images of the American everyman. Whether it’s his iconic contributions to James Agee’s depressionera classic book, Let Us Now Praise Famous Men, his architectural explorations of antebellum plantations, or his subway series, taken with a camera hidden in his coat, Evans’s accessible and eloquent photographs speak to us all. This comprehensive book traces the entire arc of Evans’s remarkable career, from the 1930s to the 1970s. The illustrations in the book range from his earliest images taken with a vest pocket camera to his final photos using the then new SX-70 because his regular equipment had become too heavy to carry around. The book includes commentary from three of Evans’s longtime friends, photographers John T. Hill and Jerry Thompson and professor emeritus (Yale University) Alan Trachtenberg. Their insight and first-hand experience give depth to their critical writings on Evans’s work. In addition to offering a broad perspective on Evans’s work, the book also clarifies the photographer’s "anti-art" philosophy. Eschewing aesthetic hyperbole, Evans wanted his pictures to resonate with a wide audience. At the same time, his natural curiosity made him one of the most inventive photographers of all time. What these photographs and writings attest to is a huge and timeless talent, which came not from a camera, but from Evans’s uniquely hungry eye.
Author: Katherine M. Bourguignon Publisher: Ashmolean Museum Oxford ISBN: 9781910807217 Category : Art, Modern Languages : en Pages : 0
Book Description
This catalogue looks at a current in interwar American art that is relatively unknown. The familiar story of America in the 'roaring Twenties' is that of 'The Great Gatsby', the Harlem Renaissance, and the Machine Age; while the 1930s are known as the Steinbeckian world marked by the Depression and the New Deal. This exhibition focuses on the artists who grappled with the experience of modern America with a cool, controlled detachment, almost completely eliminating people from their pictures. For some artists this treatment reflected an ambivalence and anxiety about the modern world. Factories without workers and streets without people. Factories without workers and streets without people could seem strange and empty places. George Ault (1891-1948) and Niles Spencer (1893-1952) painted eerie factories with darkened windows. Their precise, orderly painting style adds to the unsettling atmosphere of their work. In 'Manhattan Bridge Loop' (1928), Edward Hopper (1882-1967) captured the stilled, quiet mood of the city, including a solitary pedestrian. For others, this cool treatment of contemporary America was a positive more response - an expression of optimism and pride. Skyscrapers and bridges become studies in geometry; and cities are cleansed and ordered with no crowds and no chaos. Louis Lozowick's (1892-1973) prints capture the energy of the city in curving sprawls and buildings soaring into the sky; while Ralston Crawford (1906-78) and Charles Sheeler (1883-1965) depicted the architecture of industrial America - factories, grain elevators, water plants - as the country's new cathedrals, glorious in their scale and feats of engineering, yet oddly emptied of people. The detached, frozen appearance of the scenes creates an uncertain or ambiguous atmosphere.
Author: Alex Wellerstein Publisher: University of Chicago Press ISBN: 022602038X Category : History Languages : en Pages : 558
Book Description
"Nuclear weapons, since their conception, have been the subject of secrecy. In the months after the dropping of the atomic bombs on Hiroshima and Nagasaki, the American scientific establishment, the American government, and the American public all wrestled with what was called the "problem of secrecy," wondering not only whether secrecy was appropriate and effective as a means of controlling this new technology but also whether it was compatible with the country's core values. Out of a messy context of propaganda, confusion, spy scares, and the grave counsel of competing groups of scientists, what historian Alex Wellerstein calls a "new regime of secrecy" was put into place. It was unlike any other previous or since. Nuclear secrets were given their own unique legal designation in American law ("restricted data"), one that operates differently than all other forms of national security classification and exists to this day. Drawing on massive amounts of declassified files, including records released by the government for the first time at the author's request, Restricted Data is a narrative account of nuclear secrecy and the tensions and uncertainty that built as the Cold War continued. In the US, both science and democracy are pitted against nuclear secrecy, and this makes its history uniquely compelling and timely"--
Author: William C. Agee Publisher: Merrell ISBN: 9781858945958 Category : Art Languages : en Pages : 0
Book Description
Modernism, referring to the period dating roughly from the late 19th century through 1970, is regarded as a crucial moment in the history of American art. Although Modernist artists adopted a wide range of styles, they were tied by a desire to interpret the rapidly changing nature of society, and to cast aside the conventions of representational art. Some, such as Stuart Davis and Joseph Stella, responded to consumerism, urbanism, and industrial technology, while others, such as Arthur Dove and Georgia O’Keeffe, found inspiration in nature and the traditional Native American culture of the Southwest. This magnificent new book presents the works of the Vilcek Collection, an unparalleled private collection of American Modernist art. Jan and Marica Vilcek acquired their first American Modernist work in 2001, and have since assembled an amazing collection of masterworks representative of a crucial moment in the history of American art. Art historian Lewis Kachur explores almost 100 rarely seen paintings, works on paper, and sculptures by more than 20 leading artists active during the first half of the last century, while William C. Agee contributes an authoritative introduction. Lavishly illustrated throughout, Masterpieces of American Modernism offers an outstanding overview of the radical shift in art that this movement represents.
Author: Keith F. Davis
Author: Keith F. Davis
Author: William C. Agee
Author: Barbara Haskell
Author: Esther Adler 
Author: Edward Hopper
Author: Mitra Abbaspour
Author: John T. Hill
Author: Katherine M. Bourguignon
Author: Alex Wellerstein
Author: William C. Agee