Author: Arnold Hauser
Publisher: Routledge
ISBN: 1134889860
Category : Philosophy
Languages : en
Pages : 347
Book Description
First published in 1959, this book is concerned with the methodology of art history, and so with questions about historical thinking; it enquires what scientific history of art can accomplish, what are its mean and limitations? It contains philosophical reflections on history and begins with chapters on the scope and limitations of a sociology of art, and the concept of ideology in the history of art. The chapter on the concept of "art history without names" occupies the central position in the book — thoroughly discussing the basic philosophical outlook for the whole work. There are also further chapters on psychoanalysis, folk art and popular art. The chapter on the role of convention in the history of art points the way for further study.
The Philosophy of Art History (Routledge Revivals)
Author: Arnold Hauser
Publisher: Routledge
ISBN: 1134889860
Category : Philosophy
Languages : en
Pages : 347
Book Description
First published in 1959, this book is concerned with the methodology of art history, and so with questions about historical thinking; it enquires what scientific history of art can accomplish, what are its mean and limitations? It contains philosophical reflections on history and begins with chapters on the scope and limitations of a sociology of art, and the concept of ideology in the history of art. The chapter on the concept of "art history without names" occupies the central position in the book — thoroughly discussing the basic philosophical outlook for the whole work. There are also further chapters on psychoanalysis, folk art and popular art. The chapter on the role of convention in the history of art points the way for further study.
Publisher: Routledge
ISBN: 1134889860
Category : Philosophy
Languages : en
Pages : 347
Book Description
First published in 1959, this book is concerned with the methodology of art history, and so with questions about historical thinking; it enquires what scientific history of art can accomplish, what are its mean and limitations? It contains philosophical reflections on history and begins with chapters on the scope and limitations of a sociology of art, and the concept of ideology in the history of art. The chapter on the concept of "art history without names" occupies the central position in the book — thoroughly discussing the basic philosophical outlook for the whole work. There are also further chapters on psychoanalysis, folk art and popular art. The chapter on the role of convention in the history of art points the way for further study.
The Philosophy of Jean-Paul Sartre
Author: Jean-Paul Sartre
Publisher: Vintage
ISBN: 1400076323
Category : Philosophy
Languages : en
Pages : 515
Book Description
This unique selection presents the essential elements of Sartre's lifework -- organized systematically and made available in one volume for the first time in any language.
Publisher: Vintage
ISBN: 1400076323
Category : Philosophy
Languages : en
Pages : 515
Book Description
This unique selection presents the essential elements of Sartre's lifework -- organized systematically and made available in one volume for the first time in any language.
The Wildness Pleases (Routledge Revivals)
Author: Christopher Thacker
Publisher: Routledge
ISBN: 1317235835
Category : Literary Criticism
Languages : en
Pages : 316
Book Description
First published in 1983. This book charts the growth of Romanticism from the initial reactions to the authoritarian classicism of Louis XIV, through the ‘codification’ of the Sublime by Burke in the 1750s, to the fascination with mystery, fear and violence which dominated the writing of the late eighteenth century. The origins of the movement are found in the writings of Rousseau and admiration for the ‘noble savage’, the development of the landscape garden, discoveries in the South Seas, new approaches to ‘primitive’ poetry and enthusiasm for gothic art and literature. These attitudes are contrasted with the more classical views of writers like Samuel Johnson.
Publisher: Routledge
ISBN: 1317235835
Category : Literary Criticism
Languages : en
Pages : 316
Book Description
First published in 1983. This book charts the growth of Romanticism from the initial reactions to the authoritarian classicism of Louis XIV, through the ‘codification’ of the Sublime by Burke in the 1750s, to the fascination with mystery, fear and violence which dominated the writing of the late eighteenth century. The origins of the movement are found in the writings of Rousseau and admiration for the ‘noble savage’, the development of the landscape garden, discoveries in the South Seas, new approaches to ‘primitive’ poetry and enthusiasm for gothic art and literature. These attitudes are contrasted with the more classical views of writers like Samuel Johnson.
Impressionists in England (Routledge Revivals)
Author: Kate Flint
Publisher: Routledge
ISBN: 1317234839
Category : Art
Languages : en
Pages : 341
Book Description
First published in 1984. The late nineteenth and early twentieth centuries represent not only era of rapidly changing artistic methods but a crucial evolution in art criticism. This book gathers together a wide-range of the criticism that greeted the work of the Impressionists artists in the English Press. The selected examples of praise and antagonism reflect the sentiments expressed in the comments of prominent newspaper and periodical critics. The selection shows the importance of Impressionist art to English art criticism and wide comprehension of the formal qualities in painting. It also demonstrates how forward-looking critics created new criteria for the discussion of modern painting.
Publisher: Routledge
ISBN: 1317234839
Category : Art
Languages : en
Pages : 341
Book Description
First published in 1984. The late nineteenth and early twentieth centuries represent not only era of rapidly changing artistic methods but a crucial evolution in art criticism. This book gathers together a wide-range of the criticism that greeted the work of the Impressionists artists in the English Press. The selected examples of praise and antagonism reflect the sentiments expressed in the comments of prominent newspaper and periodical critics. The selection shows the importance of Impressionist art to English art criticism and wide comprehension of the formal qualities in painting. It also demonstrates how forward-looking critics created new criteria for the discussion of modern painting.
Aesthetics and the Sociology of Art
Author: Janet Wolff
Publisher: Routledge
ISBN: 1000376745
Category : Art
Languages : en
Pages : 121
Book Description
First published in 1983, Aesthetics and the Sociology of Art provides a lucid account of two divergent tendencies in the study of aesthetics. At the one extreme, traditional aestheticians have assumed that art and literature are wholly independent, following only the laws and inspirations of artists and artistic movements, and that the question of aesthetic value is accordingly unproblematic. At the other extreme, some sociologists have treated works of art as no more than manifestations of the socio-economic circumstances which produce them, arguing that aesthetic value is therefore entirely relative matter. Janet Wolff shows how both the extreme positions are untenable, and argues convincingly that we must accept that the conceptions and criteria of aesthetic value are socially constructed and inevitably ideological, while stopping short of the reductionist alternative which fails to recognise the irreducible questions of pleasure and of aesthetic discourse. This book provides an invaluably clear guide both to old debates and to otherwise obscure modern controversies, which will be welcomed both by students and scholars in the sociology of art, in aesthetics, in art history, and in literary criticism.
Publisher: Routledge
ISBN: 1000376745
Category : Art
Languages : en
Pages : 121
Book Description
First published in 1983, Aesthetics and the Sociology of Art provides a lucid account of two divergent tendencies in the study of aesthetics. At the one extreme, traditional aestheticians have assumed that art and literature are wholly independent, following only the laws and inspirations of artists and artistic movements, and that the question of aesthetic value is accordingly unproblematic. At the other extreme, some sociologists have treated works of art as no more than manifestations of the socio-economic circumstances which produce them, arguing that aesthetic value is therefore entirely relative matter. Janet Wolff shows how both the extreme positions are untenable, and argues convincingly that we must accept that the conceptions and criteria of aesthetic value are socially constructed and inevitably ideological, while stopping short of the reductionist alternative which fails to recognise the irreducible questions of pleasure and of aesthetic discourse. This book provides an invaluably clear guide both to old debates and to otherwise obscure modern controversies, which will be welcomed both by students and scholars in the sociology of art, in aesthetics, in art history, and in literary criticism.
Consuming the Past
Author: Elizabeth Emery
Publisher: Routledge
ISBN: 0429840640
Category : History
Languages : en
Pages : 400
Book Description
First published in 2003 Consuming the Past covers pilgrimages to popular festivals, from modern spectacles to advertising, from the work of avant-garde painters to the novels of Emile Zola, and explores the complexity of the fin-de-siècle French fascination with the Middle Ages. The authors map the cultural history of the period from the end of the Franco-Prussian war to the 1905 separation of Church and State illuminating the powerful appeal that the medieval past held for a society undergoing the rapid changes of industrialisation.
Publisher: Routledge
ISBN: 0429840640
Category : History
Languages : en
Pages : 400
Book Description
First published in 2003 Consuming the Past covers pilgrimages to popular festivals, from modern spectacles to advertising, from the work of avant-garde painters to the novels of Emile Zola, and explores the complexity of the fin-de-siècle French fascination with the Middle Ages. The authors map the cultural history of the period from the end of the Franco-Prussian war to the 1905 separation of Church and State illuminating the powerful appeal that the medieval past held for a society undergoing the rapid changes of industrialisation.
Artists in Uniform
Author: Max Eastman
Publisher: Routledge
ISBN: 1000370739
Category : History
Languages : en
Pages : 260
Book Description
First published in 1934, Artists in Uniform confronts what the author describes as ‘two of the worst features of the Soviet experiment’ following Lenin’s death – bigotry and bureaucratism – and shows how they have functioned in the sphere of arts and letters. It is divided into three parts: The Artist’s International; A Literary Inquisition; and Art and the Marxian Philosophy.
Publisher: Routledge
ISBN: 1000370739
Category : History
Languages : en
Pages : 260
Book Description
First published in 1934, Artists in Uniform confronts what the author describes as ‘two of the worst features of the Soviet experiment’ following Lenin’s death – bigotry and bureaucratism – and shows how they have functioned in the sphere of arts and letters. It is divided into three parts: The Artist’s International; A Literary Inquisition; and Art and the Marxian Philosophy.
The Politics of the Unpolitical
Author: Herbert Read
Publisher:
ISBN: 9781317487029
Category : LITERARY COLLECTIONS
Languages : en
Pages :
Book Description
In this collection of fourteen essays, first published in 1943, Herbert Read extends and amplifies the points of view expressed in his successful pamphlet To Hell with Culture, which has been reprinted here. The 'politics of the unpolitical' are the politics of those who strive for human values and not for national or sectional interests. Herbert Read defines these values and demands their recognition as a solvent of social and cultural crises', and looks forward to the future with constructive vision. This book will be of interest to students of politics, history, and philosophy.
Publisher:
ISBN: 9781317487029
Category : LITERARY COLLECTIONS
Languages : en
Pages :
Book Description
In this collection of fourteen essays, first published in 1943, Herbert Read extends and amplifies the points of view expressed in his successful pamphlet To Hell with Culture, which has been reprinted here. The 'politics of the unpolitical' are the politics of those who strive for human values and not for national or sectional interests. Herbert Read defines these values and demands their recognition as a solvent of social and cultural crises', and looks forward to the future with constructive vision. This book will be of interest to students of politics, history, and philosophy.
Philosophy of the Arts
Author: Gordon Graham
Publisher: Routledge
ISBN: 1134563671
Category : Philosophy
Languages : en
Pages : 248
Book Description
A new edition of this bestselling introduction to aesthetics and the philosophy of art. Includes new sections on digital music and environmental aesthetics. All other chapters have been thoroughly revised and updated.
Publisher: Routledge
ISBN: 1134563671
Category : Philosophy
Languages : en
Pages : 248
Book Description
A new edition of this bestselling introduction to aesthetics and the philosophy of art. Includes new sections on digital music and environmental aesthetics. All other chapters have been thoroughly revised and updated.
The Origin and Goal of History
Author: Karl Jaspers
Publisher: Routledge
ISBN: 1000357791
Category : Education
Languages : en
Pages : 259
Book Description
Karl Jaspers (1883–1969) was a German psychiatrist and philosopher and one of the most original European thinkers of the twentieth century. As a major exponent of existentialism in Germany, he had a strong influence on modern theology, psychiatry and philosophy. He was Hannah Arendt’s supervisor before her emigration to the United States in the 1930s and himself experienced the consequences of Nazi persecution. He was removed from his position at the University of Heidelberg in 1937, due to his wife being Jewish. Published in 1949, the year in which the Federal Republic of Germany was founded, The Origin and Goal of History is a vitally important book. It is renowned for Jaspers' theory of an 'Axial Age', running from the 8th to the 3rd century BCE. Jaspers argues that this period witnessed a remarkable flowering of new ways of thinking that appeared in Persia, India, China and the Greco-Roman world, in striking parallel development but without any obvious direct cultural contact between them. Jaspers identifies key thinkers from this age, including Confucius, Buddha, Zarathustra, Homer and Plato, who had a profound influence on the trajectory of future philosophies and religions. For Jaspers, crucially, it is here that we see the flowering of diverse philosophical beliefs such as scepticism, materialism, sophism, nihilism, and debates about good and evil, which taken together demonstrate human beings' shared ability to engage with universal, humanistic questions as opposed to those mired in nationality or authoritarianism. At a deeper level, The Origin and Goal of History provides a crucial philosophical framework for the liberal renewal of German intellectual life after 1945, and indeed of European intellectual life more widely, as a shattered continent attempted to find answers to what had happened in the preceding years. This Routledge Classics edition includes a new Foreword by Christopher Thornhill.
Publisher: Routledge
ISBN: 1000357791
Category : Education
Languages : en
Pages : 259
Book Description
Karl Jaspers (1883–1969) was a German psychiatrist and philosopher and one of the most original European thinkers of the twentieth century. As a major exponent of existentialism in Germany, he had a strong influence on modern theology, psychiatry and philosophy. He was Hannah Arendt’s supervisor before her emigration to the United States in the 1930s and himself experienced the consequences of Nazi persecution. He was removed from his position at the University of Heidelberg in 1937, due to his wife being Jewish. Published in 1949, the year in which the Federal Republic of Germany was founded, The Origin and Goal of History is a vitally important book. It is renowned for Jaspers' theory of an 'Axial Age', running from the 8th to the 3rd century BCE. Jaspers argues that this period witnessed a remarkable flowering of new ways of thinking that appeared in Persia, India, China and the Greco-Roman world, in striking parallel development but without any obvious direct cultural contact between them. Jaspers identifies key thinkers from this age, including Confucius, Buddha, Zarathustra, Homer and Plato, who had a profound influence on the trajectory of future philosophies and religions. For Jaspers, crucially, it is here that we see the flowering of diverse philosophical beliefs such as scepticism, materialism, sophism, nihilism, and debates about good and evil, which taken together demonstrate human beings' shared ability to engage with universal, humanistic questions as opposed to those mired in nationality or authoritarianism. At a deeper level, The Origin and Goal of History provides a crucial philosophical framework for the liberal renewal of German intellectual life after 1945, and indeed of European intellectual life more widely, as a shattered continent attempted to find answers to what had happened in the preceding years. This Routledge Classics edition includes a new Foreword by Christopher Thornhill.