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Author: Bernard F. Dick Publisher: University Press of Kentucky ISBN: 0813159512 Category : Biography & Autobiography Languages : en Pages : 336
Book Description
Hal Wallis (1898-1986) might not be as well known as David O. Selznick or Samuel Goldwyn, but the films he produced—Casablanca, Jezebel, Now, Voyager, The Life of Emile Zola, Becket, True Grit, and many other classics (as well as scores of Elvis movies)—have certainly endured. As producer of numerous films, Wallis made an indelible mark on the course of America's film industry, but his contributions are often overlooked. Bernard Dick offers the first comprehensive assessment of the producer's incredible career. A former office boy and salesman, Wallis first engaged with the film business as the manager of a Los Angeles movie theater in 1922. He attracted the notice of the Warner brothers, who hired him as a publicity assistant. Within three months he was director of the department, and appointments to studio manager and production executive quickly followed. Wallis went on to oversee dozens of productions and formed his own production company in 1944. Dick draws on numerous sources such as Wallis's personal production files and exclusive interviews with many of his contemporaries to finally tell the full story of his illustrious career. Dick combines his knowledge of behind-the-scenes Hollywood with fascinating anecdotes to create a portrait of one of Hollywood's early power players.
Author: Bernard F. Dick Publisher: University Press of Kentucky ISBN: 0813159512 Category : Biography & Autobiography Languages : en Pages : 336
Book Description
Hal Wallis (1898-1986) might not be as well known as David O. Selznick or Samuel Goldwyn, but the films he produced—Casablanca, Jezebel, Now, Voyager, The Life of Emile Zola, Becket, True Grit, and many other classics (as well as scores of Elvis movies)—have certainly endured. As producer of numerous films, Wallis made an indelible mark on the course of America's film industry, but his contributions are often overlooked. Bernard Dick offers the first comprehensive assessment of the producer's incredible career. A former office boy and salesman, Wallis first engaged with the film business as the manager of a Los Angeles movie theater in 1922. He attracted the notice of the Warner brothers, who hired him as a publicity assistant. Within three months he was director of the department, and appointments to studio manager and production executive quickly followed. Wallis went on to oversee dozens of productions and formed his own production company in 1944. Dick draws on numerous sources such as Wallis's personal production files and exclusive interviews with many of his contemporaries to finally tell the full story of his illustrious career. Dick combines his knowledge of behind-the-scenes Hollywood with fascinating anecdotes to create a portrait of one of Hollywood's early power players.
Author: Akira Kurosawa Publisher: Vintage ISBN: 030780321X Category : Biography & Autobiography Languages : en Pages : 241
Book Description
Translated by Audie E. Bock. "A first rate book and a joy to read.... It's doubtful that a complete understanding of the director's artistry can be obtained without reading this book.... Also indispensable for budding directors are the addenda, in which Kurosawa lays out his beliefs on the primacy of a good script, on scriptwriting as an essential tool for directors, on directing actors, on camera placement, and on the value of steeping oneself in literature, from great novels to detective fiction." --Variety "For the lover of Kurosawa's movies...this is nothing short of must reading...a fitting companion piece to his many dynamic and absorbing screen entertainments." --Washington Post Book World
Author: Jim Cullen Publisher: ISBN: 0195173252 Category : Business & Economics Languages : en Pages : 225
Book Description
Cullen particularly focuses on the founding fathers and the Declaration of Independence ("the charter of the American Dream"); Abraham Lincoln, with his rise from log cabin to White House and his dream for a unified nation; and Martin Luther King Jr.'s dream of racial equality. Our contemporary version of the American Dream seems rather debased in Cullen's eyes-built on the cult of Hollywood and its outlandish dreams of overnight fame and fortune.
Author: Robert Morris Seiler Publisher: Athabasca University Press ISBN: 1926836995 Category : History Languages : en Pages : 401
Book Description
In this authoritative work, Seiler and Seiler argues that the establishment and development of moviegoing and movie exhibition in Prairie Canada is best understood in the context of changing late-nineteenth-century and early-twentieth-century social, economic, and technological developments. From the first entrepreneurs who attempted to lure customers in to movie exhibition halls, to the digital revolution and its impact on moviegoing, Reel Time highlights the pivotal role of amusement venues in shaping the leisure activities of working- and middle-class people across North America.
Author: Greg Merritt Publisher: ISBN: 9781613747926 Category : BIOGRAPHY & AUTOBIOGRAPHY Languages : en Pages : 0
Book Description
"In 1921, one of the biggest movie stars in the world was accused of killing a woman. What followed was an unprecedented avalanche of press coverage, the original "trial of the century," and a wave of censorship that altered the course of Hollywood filmmaking. It began on Labor Day, when comic actor Roscoe "Fatty" Arbuckle, then at the pinnacle of his fame and fortune, hosted a party in San Francisco's best hotel. As the party raged, he was alone in room 1219 with Virginia Rappe, a minor actress. Four days later, she died, and he was charged with her murder. ROOM 1219 presents the crime story from the day of the "orgy" through the three trials. Relying on a careful examination of documents, the book finally reveals, after almost a century of wild speculation, what most likely occurred in room 1219. In addition, ROOM 1219 covers the creation of the film industry--from the first silent experiments to a studio-based system capable of making and, ultimately, breaking a beloved superstar"--
Author: Paul Hammond Publisher: City Lights Books ISBN: 9780872863767 Category : Art Languages : en Pages : 238
Book Description
The Shadow and Its Shadow is a classic collection of writings by the Surrealists on their mad love of moviegoing. The forty-odd theoretical, polemical, and poetical re-visions of the seventh art in this anthology document Surrealism's scandalous and nonreductive take on film. Writing between 1918 and 1977, the essayists include such names as Andréeacute; Breton, Louis Aragon, Robert Desnos, Salvador Dalíiacute;, Luis Buñntilde;uel, and man Ray, as well as many of the less famous though equally fascinating figures of the movement. Paul Hammond's introduction limns the history of Surrealist cinemania, highlighting how these revolutionary poets, artists, and philosophers sifted the silt of commercial-often Hollywood-cinema for the odd fleck of gold, the windfall movie that, somehow slipping past the censor, questioned the dominant order. Such prospecting pivoted around the notion of lyrical behavior-as depicted on the screen and as lived in the movie house. The representation of such behavior led the Surrealists to valorize the manifest content of such denigrated genres as silent and sound comedy, romantic melodrama, film noir, horror movies. As to lived experience, moviegoing Surrealists looked to the spectacle's latent meaning, reading films as the unwitting providers of redemptive sequences that could be mentally clipped out of their narrative context and inserted into daily life-there, to provoke new adventures. "Hammond's book is a reminder of the wealth and range of surrealist writings on the cinema. . . . [T]he work represented here is still challenging and genuinely eccentric, locating itself in an 'ethic' of love, reverie and revolt." --Sight & Sound "Hammond, who is the author of the invaluable anthology The Shadow and its Shadow: Surrealist Writing on the Cinema (1978), writes about cinema independently of the changing academic and cultural fashions of film theory and abhors the dogmas of contemporary border-patrol thought. His magnetically appealing free-wheeling form of erudite film-critical writing is recognisable for its iconoclastic humour, non-authoritarian verve and playful witty discursivity." --John Conomos, Senses of Cinema Paul Hammond is a writer, editor, and translator living in Barcelona. He is the author of Constellations of Miróoacute;, Breton which was published by City Lights.
Author: Robert Giroux Publisher: Knopf Publishing Group ISBN: Category : Performing Arts Languages : en Pages : 312
Book Description
Three unpublished typescripts of A Deed of death submitted to Alfred A. Knopf, publishers, New York, 1989, two of which bear the title The Taylor murder case with half-title A deed of death which became the published title. All copies include editorial notations. Three additional unpublished typescripts on the death of Taylor were apparently used by Giroux in his research for the book: Who killed William Desmond Taylor? by King Vidor, Who killed Bill (authorship undetermined), and one untitled work by Douglas J. Whitton. All three have notations, apparently by Giroux. These typescripts are included in the papers of Giroux located at Loyola University New Orleans.
Author: Ace Atkins Publisher: Penguin ISBN: 9780399155369 Category : Fiction Languages : en Pages : 374
Book Description
When silent-film star Roscoe Arbuckle is accused of crushing an actress to death during a wild 1920s party, Pinkerton agent Dashiell Hammett struggles to sort out fact from fiction in an array of conflicting witnesses testimonies; a case that is further complicated by an influential newspaper's demand for a guilty verdict.
Author: Bernard F. Dick
Author: Bernard F. Dick
Author: Akira Kurosawa
Author: Kenneth Anger
Author: Jim Cullen
Author: Robert Morris Seiler
Author: Greg Merritt
Author: Paul Hammond
Author: Robert Giroux
Author: Ace Atkins
Author: Elizabeth M. Whelan