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Author: Matthew P. Mayo Publisher: Rowman & Littlefield ISBN: 0762766964 Category : History Languages : en Pages : 321
Book Description
The story of New England is built on an endless armature of fascinating tales of Yankee ingenuity and hardy, intrepid characters. Bootleggers, Lobstermen, and Lumberjacks takes the top fifty wildest episodes in the region’s bygone days and presents them to the reader in one convenient, narrative-driven package. Including incredible but true tales of hardy Yankee hill folk and crusty seafarers engaged in all manner of amazing activity—from witch-hunting to log rolling, sometimes with tragic results—this book is a perfect stroll through New England’s past for resident and visitor alike. Yankee history is rife with all manner of shipwreck victims surviving any way they know how; Indian, pirate, and shark attacks, cougar and bear attacks, and, of course, rum runners and bootleggers doing what they do best.
Author: Matthew P. Mayo Publisher: Rowman & Littlefield ISBN: 0762766964 Category : History Languages : en Pages : 321
Book Description
The story of New England is built on an endless armature of fascinating tales of Yankee ingenuity and hardy, intrepid characters. Bootleggers, Lobstermen, and Lumberjacks takes the top fifty wildest episodes in the region’s bygone days and presents them to the reader in one convenient, narrative-driven package. Including incredible but true tales of hardy Yankee hill folk and crusty seafarers engaged in all manner of amazing activity—from witch-hunting to log rolling, sometimes with tragic results—this book is a perfect stroll through New England’s past for resident and visitor alike. Yankee history is rife with all manner of shipwreck victims surviving any way they know how; Indian, pirate, and shark attacks, cougar and bear attacks, and, of course, rum runners and bootleggers doing what they do best.
Author: Margaretta M. Lovell Publisher: Penn State Press ISBN: 0271093226 Category : Art Languages : en Pages : 599
Book Description
The impulse in much nineteenth-century American painting and culture was to describe nature as a wilderness on which the young nation might freely inscribe its future: the United States as a virgin land, that is, unploughed, unfenced, and unpainted. Insofar as it exhibited evidence of a past, its traces pointed to a geologic or cosmic past, not a human one. The work of the New England artist Fitz H. Lane, however, was decidedly different. In this important study, Margaretta Markle Lovell singles out the more modestly scaled, explicitly inhabited landscapes of Fitz H. Lane and investigates the patrons who supported his career, with an eye to understanding how New Englanders thought about their land, their economy, their history, and their links with widely disparate global communities. Lane’s works depict nature as productive and allied in partnership with humans to create a sustainable, balanced political economy. What emerges from this close look at Lane’s New England is a picture not of a “virgin wilderness” but of a land deeply resonant with its former uses—and a human history that incorporates, rather than excludes, Native Americans as shapers of land and as agents in that history. Calling attention to unexplored dimensions of nineteenth-century painting, Painting the Inhabited Landscape is a major intervention in the scholarship on American art of the period, examining how that body of work commented on American culture and informs our understanding of canon formation.
Author: Matthew P. Mayo
Author: Matthew P. Mayo
Author: Alfred Geer Hempstead
Author: Alfred Geer Hempstead
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Author: Mary R. Calvert
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Author: 
Author: Neil Rolde
Author: Margaretta M. Lovell
Author: Library of Congress