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Author: George Ewart Evans Publisher: Faber & Faber ISBN: 0571286879 Category : History Languages : en Pages : 208
Book Description
Following his two classics, Ask the Fellows Who Cut the Hay and The Horse in the Furrow, renowned oral historian George Ewart Evans continues his study of the vanishing customs, working habits and rich language of the farming communities of East Anglia with The Pattern Under the Plough (Faber, 1966). Although based on East Anglia, this book was and remains of wider interest, for - as the author pointed out at the time - similar changes were occurring in North America, and also happening with remarkable speed in Africa. In chronicling the old culture George Ewart Evans has taken its two chief aspects, the home and the farm. He describes the house with its fascinating constructional details, the magic invoked for its protection, the mystique of the hearth, the link of the bees with the people of the house, and some of their fears and pre-occupations. Among the chapters on the farm is one of Evans's most original pieces of research: the description of the secret horse societies. Beautifully illustrated by David Gentleman, this book is important not only for the material it reveals about the past but for the implications for present-day society. 'As real (and as valuable) as the evidence unearthed by the spadework of archaeology.' Observer
Author: George Ewart Evans Publisher: Faber & Faber ISBN: 0571286879 Category : History Languages : en Pages : 208
Book Description
Following his two classics, Ask the Fellows Who Cut the Hay and The Horse in the Furrow, renowned oral historian George Ewart Evans continues his study of the vanishing customs, working habits and rich language of the farming communities of East Anglia with The Pattern Under the Plough (Faber, 1966). Although based on East Anglia, this book was and remains of wider interest, for - as the author pointed out at the time - similar changes were occurring in North America, and also happening with remarkable speed in Africa. In chronicling the old culture George Ewart Evans has taken its two chief aspects, the home and the farm. He describes the house with its fascinating constructional details, the magic invoked for its protection, the mystique of the hearth, the link of the bees with the people of the house, and some of their fears and pre-occupations. Among the chapters on the farm is one of Evans's most original pieces of research: the description of the secret horse societies. Beautifully illustrated by David Gentleman, this book is important not only for the material it reveals about the past but for the implications for present-day society. 'As real (and as valuable) as the evidence unearthed by the spadework of archaeology.' Observer
Author: George Ewart Evans Publisher: Faber & Faber ISBN: 9780571243792 Category : Languages : en Pages : 270
Book Description
Following his two classics, Ask the Fellows Who Cut the Hay and The Horse in the Furrow, renowned oral historian George Ewart Evans continues his study of the vanishing customs, working habits and rich language of the farming communities of East Anglia with The Pattern Under the Plough (Faber, 1966). Although based on East Anglia, this book was and remains of wider interest, for - as the author pointed out at the time - similar changes were occurring in North America, and also happening with remarkable speed in Africa. In chronicling the old culture George Ewart Evans has taken its two chief aspects, the home and the farm. He describes the house with its fascinating constructional details, the magic invoked for its protection, the mystique of the hearth, the link of the bees with the people of the house, and some of their fears and pre-occupations. Among the chapters on the farm is one of Evans's most original pieces of research: the description of the secret horse societies. Beautifully illustrated by David Gentleman, this book is important not only for the material it reveals about the past but for the implications for present-day society. 'As real (and as valuable) as the evidence unearthed by the spadework of archaeology.' Observer
Author: Helen Billinghurst Publisher: Triarchy Press ISBN: 1911193910 Category : Art Languages : en Pages : 208
Book Description
Artists Helen Billinghurst and Phil Smith offer a handbook for exploration, embodiment and art making in strange times. Uncovering a tattoo in the landscape, they describe the secrets of 'web-walking' and a journey of remarkable encounters.
Author: Paul Newland Publisher: Manchester University Press ISBN: 1526104695 Category : Performing Arts Languages : en Pages : 318
Book Description
British rural landscapes on film offers insights into how rural areas in Britain have been represented on film, from the silent era, through both world wars, and on into the twenty-first century. It is the first book to exclusively deal with representations of the British countryside on film. The contributors demonstrate that the countryside has provided Britain (and its constituent nations and regions) with a dense range of spaces in which cultural identities have been (and continue to be) worked through. British rural landscapes on film demonstrates that British cinema provides numerous examples of how national identity and the identity of the countryside have been partly constructed through filmic representation, and how British rural films can allow us to further understand the relationship between the cultural identities of specific areas of Britain and the landscapes they inhabit.
Author: Robert A. Manners Publisher: Routledge ISBN: 1351496530 Category : Social Science Languages : en Pages : 672
Book Description
This festschrift commemorates Julian H. Steward. The essays were contributed by former students, colleagues, and other anthropologists whose research or thinking has been influenced by him. There was no preconceived attempt to give the volume any greater sense of unity or to impose upon the contributors any restrictions as to subject matter. On the contrary, each author was urged to write on an anthropological topic of greatest current interest to himself. Many of the essays could be placed just as handily within a division other than the one to which they have arbitrarily been assigned in the book. This kind of interchangeability may reflect, in some measure, the interrelatedness of Steward's contributions to anthropological theory. The broad relevance of all the selections to Steward's work could reflect also the extent to which his interests continue to be reflected in the work of anthropologists influenced by him. It could also reflect a parallelism of theoretical concerns within the profession that stem from the cultural ambience that produced Steward himself. Parallelisms and convergence are aspects of the kind of cultural determinism which has claimed Steward's attention during the many years that he fought a fairly lonely battle to establish the respectability of evolutionism in anthropology. Now that respectability has been achieved--with an almost bandwagon fervor--it is clear that Steward, as much as anyone else in anthropology, was "responsible" for the change. The essays in this collection are at once a vindication of his patience, an evidence of the high status he enjoys among anthropologists, and a testimony to the impact of his unusual creativity on his colleagues.
Author: George Ewart Evans
Author: George Ewart Evans
Author: George Ewart Evans
Author: Helen Billinghurst
Author: Paul Newland
Author: Colin Mackenzie
Author: 
Author: Ernest Gellner
Author: Greg Rigby
Author: David L. Clarke
Author: Robert A. Manners