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Author: Spire Pitou Publisher: Greenwood ISBN: Category : Drama Languages : en Pages : 392
Book Description
This encyclopaedia of operas, ballets, composers and performers begins with an introductory essay which aims to provide an appropriate overview and a necessary framework within which the detailed entries may be placed. It emphasizes entries for works, including operas, diverse lyric compositions and ballets, and biographical sketches, including composers, librettists, performers, directors, choreographers and administrators. The volume also contains extended synopses of unusual and obscure operas, as well as a repertory list of works dating from 1671 to 1715 in the appendix.
Author: Spire Pitou Publisher: Greenwood ISBN: Category : Drama Languages : en Pages : 392
Book Description
This encyclopaedia of operas, ballets, composers and performers begins with an introductory essay which aims to provide an appropriate overview and a necessary framework within which the detailed entries may be placed. It emphasizes entries for works, including operas, diverse lyric compositions and ballets, and biographical sketches, including composers, librettists, performers, directors, choreographers and administrators. The volume also contains extended synopses of unusual and obscure operas, as well as a repertory list of works dating from 1671 to 1715 in the appendix.
Author: Spire Pitou Publisher: Greenwood ISBN: 0313243948 Category : Music Languages : en Pages : 0
Book Description
This second volume of The Paris Opera offers descriptions of balletic and lyrical compositions and biographical sketches of famous vocalists, dancers, choreographers, composers, and librettists. Each entry pertaining to an opera or ballet identifies its composer, librettist, choreographer, costumer, set designer, and the performers contributing to its creation and important revivals. Contents of scenarios and librettos are reported scene by scene or act by act. Basic bibliographies are provided with page references furnished for important books and periodicals. The appendix lists all lyric and choreographic works extant and first performed at the Opera between 1715 and 1815. The creators of each work are listed along with its title, genre, and the date of its world premiere or initial performance at the Opera.
Author: Richard Templar Semmens Publisher: Pendragon Press ISBN: 9781576470343 Category : Cooking Languages : en Pages : 228
Book Description
The range of possibilities for what was termed a ball in eighteenth-century France was quite considerable. At one extreme were the carefully regulated bals parés at the other were the elaborately staged bals masqués. Alternatively, a bal could also be an entirely impromptu affair. Throughout this colorful range of possibilities, the repertoire of dance styles and types was generally shared: danses figures, new as well as old, for couples; and group dances, among which the contredanse reigned supreme.There was another kind of ball, however, that has not yet been examined systematically by scholars. The bals publics held at the opera house in Paris were initiated not long after Louis XIV's death in 1715, and remained popular until the fall of the ancienne régime. This book explores the advent and early development of the bal public through 1763, when a fire destroyed the home of the Académie Royale de Musique (the 'Opera'). The bal public was unlike any other kind of ball, although, as with bals masqués, those in attendance were masked. This study aims, in part, to explore how the bal public might have influenced social dancing more generally. By 1744, there was a dramatic shift in social modeling from the royal balls at Versailles (and elsewhere) to the public balls at the Opera.
Book Description
Volume 4 is devoted to the last years (1857-64); while age and declining health saw a waning of the composer's personal optimism. It contains a series of glossaries listing his compositions and the musical and theatrical works he attended throughout his life, as well as a bibliography.
Author: Caroline Wood Publisher: Routledge ISBN: 1317132750 Category : Music Languages : en Pages : 221
Book Description
From the outset, French opera generated an enormous diversity of literature, familiarity with which greatly enhances our understanding of this unique art form. Yet relatively little of that literature is available in English, despite an upsurge of interest in the Lully-Rameau period during the past two decades. This book presents a wide-ranging and informative picture of the organization and evolution of French Baroque opera, its aims and aspirations, its strengths and weaknesses. Drawing on official documents, theoretical writings, letters, diaries, dictionary entries, contemporary reviews and commentaries, it provides an often entertaining insight into Lully’s once-proud Royal Academy of Music and the colourful characters who surrounded it. The translated passages are set in context, and readers are directed to further scholarly and critical writings in English. Readers will find this new, updated edition easier to use with its revised and expanded translations, supplementary explanatory content and new illustrations.
Author: James P. Cassaro Publisher: Routledge ISBN: 113584660X Category : Art Languages : en Pages : 305
Book Description
Gaetano Donizetti: A Research and Information Guide offers an annotated reference guide to the life and works of this important Italian opera composer. The book opens with a complete chronology of Donizetti's life (1797-1848) and career, relating it to contemporary events. The balance of the book details secondary resources and other works, including general sources, catalogs, correspondence, biographical sources, critical works; production/review sources, singers and theaters, and the individual operas.
Author: E. Joe Johnson Publisher: Cambridge Scholars Publishing ISBN: 1443843679 Category : Literary Criticism Languages : en Pages : 340
Book Description
This collection of essays was assembled to honor the memory of the late, eminent Voltaire scholar J. Patrick Lee. It includes seventeen essays by prominent scholars from the United States, Canada, the United Kingdom, and France on a variety of topics in French eighteenth-century studies. Essay titles include: “A New Genre: l’Opéra moral / Moral Opera in Eighteenth-Century France,” “Voltaire and the Uses of Censorship: The Example of the Lettres Philosophiques,” “Enlightenment Intertextuality: The Case of Heraldry in the Encyclopédie méthodique,” “Sex as Satire in Voltaire's Fiction,” “Violence, Levity, and the Dictionary in Old Regime France: Chaudon’s Dictionnaire anti-philosophique,” “L’abbé, l’amazone, le bon roi et les frelons,” “Greuze’s Self-Portraits: Figures of Artistic Identity,” “From Forest to Field: Sylvan Elegists of Eighteenth-Century France,” “The Falsification of Voltaire's Letters and the Public Persona of the Author: From the Lettres secrettes (1765) to the Commentaire historique (1776),” “The Baron de Saint-Castin, Bricaire de la Dixmerie, and Azakia (1765),” “John Law and the Rhetoric of Calculation,” “‘Le Roi des Bulgares’: Was Voltaire's Satire on Frederick the Great just too Opaque?” “Voltaire and the Voyage to Rome,” “Textual liaisons: Voltaire, Paméla and Don Quixote,” “Les petits livres du grand homme: polémique et combat philosophique chez Voltaire,” “Sentimental Horror: Enlightenment Tragedy and the Rise of the Genre Terrible,” “Voltaire and the Comic Genre: Polemics and Rhetoric.”
Author: Berthold Over Publisher: transcript Verlag ISBN: 3839448859 Category : Art Languages : en Pages : 799
Book Description
In Early Modern times, techniques of assembling, compiling and arranging pre-existing material were part of the established working methods in many arts. In the world of 18th-century opera, such practices ensured that operas could become a commercial success because the substitution or compilation of arias fitting the singer's abilities proved the best recipe for fulfilling the expectations of audiences. Known as »pasticcios« since the 18th-century, these operas have long been considered inferior patchwork. The volume collects essays that reconsider the pasticcio, contextualize it, define its preconditions, look at its material aspects and uncover its aesthetical principles.
Author: Ruth Bereson Publisher: Psychology Press ISBN: 0415278511 Category : Music Languages : en Pages : 238
Book Description
Bereson investigates the elite and privileged status of the closed-world of opera, and the way states have financed and supported it since its beginnings.
Author: Spire Pitou
Author: Spire Pitou
Author: Spire Pitou
Author: Spire Pitou
Author: Richard Templar Semmens
Author: Giacomo Meyerbeer
Author: Caroline Wood
Author: James P. Cassaro
Author: E. Joe Johnson
Author: Berthold Over
Author: Ruth Bereson