Author: Charles Edward Pickett
Publisher:
ISBN:
Category : California
Languages : en
Pages : 30
Book Description
Includes arguments for having California represented at the upcoming Paris Universal Exposition of 1878, criticisms of political misrule in California and San Francisco, and information about Pickett's role in the early history of California and the Oregon Territory.
The Paris Exposition and Other Expositions
Author: Charles Edward Pickett
Publisher:
ISBN:
Category : California
Languages : en
Pages : 30
Book Description
Includes arguments for having California represented at the upcoming Paris Universal Exposition of 1878, criticisms of political misrule in California and San Francisco, and information about Pickett's role in the early history of California and the Oregon Territory.
Publisher:
ISBN:
Category : California
Languages : en
Pages : 30
Book Description
Includes arguments for having California represented at the upcoming Paris Universal Exposition of 1878, criticisms of political misrule in California and San Francisco, and information about Pickett's role in the early history of California and the Oregon Territory.
Art in Paris, 1845-1862
Author: Charles Baudelaire
Publisher: Phaidon Press
ISBN: 9780714833675
Category : Art
Languages : en
Pages : 328
Book Description
Charles Baudelaire, one of the greatest French poets of the nineteenth century, has been described as the father of modern criticism. Rejecting a cold, mathematical, heartless approach, Baudelaire demanded a criticism that was partial, passionate, and political' and, he added, amusing and poetic. His starting point was always the shock of pleasure experienced in front of a work of art, and his writing conveys the excitement of first-hand experience expressed with liveliness and originality.
Publisher: Phaidon Press
ISBN: 9780714833675
Category : Art
Languages : en
Pages : 328
Book Description
Charles Baudelaire, one of the greatest French poets of the nineteenth century, has been described as the father of modern criticism. Rejecting a cold, mathematical, heartless approach, Baudelaire demanded a criticism that was partial, passionate, and political' and, he added, amusing and poetic. His starting point was always the shock of pleasure experienced in front of a work of art, and his writing conveys the excitement of first-hand experience expressed with liveliness and originality.
World of Fairs
Author: Robert W. Rydell
Publisher: University of Chicago Press
ISBN: 0226732371
Category : History
Languages : en
Pages : 281
Book Description
In the depths of the Great Depression, when America's future seemed bleak, nearly one hundred million people visited expositions celebrating the "century of progress." These fairs fired the national imagination and served as cultural icons on which Americans fixed their hopes for prosperity and power. World of Fairs continues Robert W. Rydell's unique cultural history—begun in his acclaimed All the World's a Fair—this time focusing on the interwar exhibitions. He shows how the ideas of a few—particularly artists, architects, and scientists—were broadcast to millions, proclaiming the arrival of modern America—a new empire of abundance build on old foundations of inequality. Rydell revisits several fairs, highlighting the 1926 Philadelphia Sesquicentennial, the 1931 Paris Colonial Exposition, the 1933-34 Chicago Century of Progress Exposition, the 1935-36 San Diego California Pacific Exposition, the 1936 Dallas Texas Centennial Exposition, the 1937 Cleveland Great Lakes and International Exposition, the 1939-40 San Francisco Golden Gate International Exposition, the 1939-40 New York World's Fair, and the 1958 Brussels Universal Exposition.
Publisher: University of Chicago Press
ISBN: 0226732371
Category : History
Languages : en
Pages : 281
Book Description
In the depths of the Great Depression, when America's future seemed bleak, nearly one hundred million people visited expositions celebrating the "century of progress." These fairs fired the national imagination and served as cultural icons on which Americans fixed their hopes for prosperity and power. World of Fairs continues Robert W. Rydell's unique cultural history—begun in his acclaimed All the World's a Fair—this time focusing on the interwar exhibitions. He shows how the ideas of a few—particularly artists, architects, and scientists—were broadcast to millions, proclaiming the arrival of modern America—a new empire of abundance build on old foundations of inequality. Rydell revisits several fairs, highlighting the 1926 Philadelphia Sesquicentennial, the 1931 Paris Colonial Exposition, the 1933-34 Chicago Century of Progress Exposition, the 1935-36 San Diego California Pacific Exposition, the 1936 Dallas Texas Centennial Exposition, the 1937 Cleveland Great Lakes and International Exposition, the 1939-40 San Francisco Golden Gate International Exposition, the 1939-40 New York World's Fair, and the 1958 Brussels Universal Exposition.
International Exhibitions and Urbanism
Author: Javier Monclús
Publisher: Routledge
ISBN: 1317114159
Category : Political Science
Languages : en
Pages : 205
Book Description
International Exhibitions and Urbanism provides an insightful and comprehensive historical review of international exhibitions in its first half, which is then illustrated with a thorough technical analysis of the Zaragoza 2008 project in its second half. The first half offers a comparative analysis of nearly 50 events which haven taken place over the past 150 years, as well as exploring the relationships with urbanism from a planning perspective Underpinned by the first-hand information that the author has as one of the event's organizers the second half is devoted to the Zaragoza project for the 2008 Exposition. After giving contextual (historical and demographic) information, the Expo's master plan and building projects are then described.
Publisher: Routledge
ISBN: 1317114159
Category : Political Science
Languages : en
Pages : 205
Book Description
International Exhibitions and Urbanism provides an insightful and comprehensive historical review of international exhibitions in its first half, which is then illustrated with a thorough technical analysis of the Zaragoza 2008 project in its second half. The first half offers a comparative analysis of nearly 50 events which haven taken place over the past 150 years, as well as exploring the relationships with urbanism from a planning perspective Underpinned by the first-hand information that the author has as one of the event's organizers the second half is devoted to the Zaragoza project for the 2008 Exposition. After giving contextual (historical and demographic) information, the Expo's master plan and building projects are then described.
International Exhibitions and Urbanism
Author: Francisco Javier Monclús
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754676508
Category : Science
Languages : en
Pages : 230
Book Description
International Exhibitions and Urbanism provides an insightful and comprehensive historical review of international exhibitions in its first half, which is then illustrated with a thorough technical analysis of the Zaragoza 2008 project in its second half.
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754676508
Category : Science
Languages : en
Pages : 230
Book Description
International Exhibitions and Urbanism provides an insightful and comprehensive historical review of international exhibitions in its first half, which is then illustrated with a thorough technical analysis of the Zaragoza 2008 project in its second half.
The Paris Exposition of 1900
Author: James Penny Boyd
Publisher:
ISBN:
Category : Exposition universelle de 1889
Languages : en
Pages : 594
Book Description
Publisher:
ISBN:
Category : Exposition universelle de 1889
Languages : en
Pages : 594
Book Description
American Lumberman
Grand Illusion
Author: Karen Fiss
Publisher: University of Chicago Press
ISBN: 0226252019
Category : Architecture
Languages : en
Pages : 297
Book Description
Franco-German cultural exchange reached its height at the 1937 Paris World’s Fair, where the Third Reich worked to promote an illusion of friendship between the two countries. Through the prism of this decisive event, Grand Illusion examines the overlooked relationships among Nazi elites and French intellectuals. Their interaction, Karen Fiss argues, profoundly influenced cultural production and normalized aspects of fascist ideology in 1930s France, laying the groundwork for the country’s eventual collaboration with its German occupiers. Tracing related developments across fine arts, film, architecture, and mass pageantry, Fiss illuminates the role of National Socialist propaganda in the French decision to ignore Hitler’s war preparations and pursue an untenable policy of appeasement. France’s receptiveness toward Nazi culture, Fiss contends, was rooted in its troubled identity and deep-seated insecurities. With their government in crisis, French intellectuals from both the left and the right demanded a new national culture that could rival those of the totalitarian states. By examining how this cultural exchange shifted toward political collaboration, Grand Illusion casts new light on the power of art to influence history.
Publisher: University of Chicago Press
ISBN: 0226252019
Category : Architecture
Languages : en
Pages : 297
Book Description
Franco-German cultural exchange reached its height at the 1937 Paris World’s Fair, where the Third Reich worked to promote an illusion of friendship between the two countries. Through the prism of this decisive event, Grand Illusion examines the overlooked relationships among Nazi elites and French intellectuals. Their interaction, Karen Fiss argues, profoundly influenced cultural production and normalized aspects of fascist ideology in 1930s France, laying the groundwork for the country’s eventual collaboration with its German occupiers. Tracing related developments across fine arts, film, architecture, and mass pageantry, Fiss illuminates the role of National Socialist propaganda in the French decision to ignore Hitler’s war preparations and pursue an untenable policy of appeasement. France’s receptiveness toward Nazi culture, Fiss contends, was rooted in its troubled identity and deep-seated insecurities. With their government in crisis, French intellectuals from both the left and the right demanded a new national culture that could rival those of the totalitarian states. By examining how this cultural exchange shifted toward political collaboration, Grand Illusion casts new light on the power of art to influence history.
Great Exhibitions
Author: Jonathan Meyer
Publisher: Antique Collectors Club Dist
ISBN:
Category : Art
Languages : en
Pages : 344
Book Description
The need for peoples to come together to celebrate their industry, demonstrate their skills and to trade the results of this industry has existed sin ce man first organized himself into socially cohes ive units.This eventually found universal expressi ion in the extended series of international exhibi tions which began in London in 1851 and has contin
Publisher: Antique Collectors Club Dist
ISBN:
Category : Art
Languages : en
Pages : 344
Book Description
The need for peoples to come together to celebrate their industry, demonstrate their skills and to trade the results of this industry has existed sin ce man first organized himself into socially cohes ive units.This eventually found universal expressi ion in the extended series of international exhibi tions which began in London in 1851 and has contin
Musical Encounters at the 1889 Paris World's Fair
Author: Annegret Fauser
Publisher: Boydell & Brewer
ISBN: 1580461859
Category : Music
Languages : en
Pages : 417
Book Description
The 1889 Exposition universelle in Paris is famous as a turning point in the history of French music, and modern music generally. This book explores the ways in which music was used, exhibited, listened to, and written about during the Exposition universelle. It also reveals the sociopolitical uses of music in France during the 19th century.
Publisher: Boydell & Brewer
ISBN: 1580461859
Category : Music
Languages : en
Pages : 417
Book Description
The 1889 Exposition universelle in Paris is famous as a turning point in the history of French music, and modern music generally. This book explores the ways in which music was used, exhibited, listened to, and written about during the Exposition universelle. It also reveals the sociopolitical uses of music in France during the 19th century.