The Origin of the Cruciform Plan of Cairene Madrasas PDF Download

Author: Sir Keppel Archibald Cameron Creswell
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 96

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Author: K A C (Keppel Archibald Creswell
Publisher: Legare Street Press
ISBN: 9781019900369
Category :
Languages : en
Pages : 0

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This book delves into the architecture of madrasas in Cairo, Egypt during the Mamluk Dynasty and the origins of their unique cruciform plan. Through meticulous research and analysis, the author uncovers the historical and cultural context behind this architectural innovation. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Author: Yasser Tabbaa
Publisher: Penn State Press
ISBN: 9780271043319
Category : Architecture
Languages : en
Pages : 356

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Tabbaa argues that the intense palatial and religious architectural activity of the period was intended to create a royal image of the Ayyubid state while also fostering links between it and the urban population. His study is based on an entirely new evaluation of the architectural and epigraphic aspects of the standing monuments of the period. It presents for the first time full photographic coverage of these monuments, as well as many new plans and other renderings, and pays close attention to monumental inscriptions, correcting and augmenting previous studies. The book utilizes the full panoply of the available literary sources, including topographies, chronicles, travel accounts, and poetry.

Author: Ernest Tatham Richmond
Publisher:
ISBN:
Category : Architecture, Isalmic
Languages : en
Pages : 178

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Author: Dogan Kuban
Publisher: BRILL
ISBN: 9004666036
Category : Art
Languages : en
Pages : 103

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Author: Ann Gunter
Publisher: BRILL
ISBN: 9047406583
Category : History
Languages : en
Pages : 654

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As archaeologist, philologist, and historian, German scholar Ernst Herzfeld (1879–1948) significantly shaped the study of the prehistoric to Islamic Near East. His life and work are reassessed and situated within decisive developments in research and politics in the 20th century, providing new insights into the historiography of the Near East.

Author: Pamela Berger
Publisher: BRILL
ISBN: 9004203001
Category : Religion
Languages : en
Pages : 394

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"The Crescent on the Temple" elucidates how the Dome of the Rock came to stand for the Temple of Solomon in Christian, Muslim, and Jewish art. That “Temple,” represented as the Muslim shrine, is often surmounted by a crescent.

Author:
Publisher:
ISBN:
Category : Asia
Languages : en
Pages : 180

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Author: Keppel Archibald Cameron Creswell
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 562

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Author: Yasser Tabbaa
Publisher: University of Washington Press
ISBN: 0295803932
Category : History
Languages : en
Pages : 224

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The transformation of Islamic architecture and ornament during the eleventh and twelfth centuries signaled profound cultural changes in the Islamic world. Yasser Tabbaa explores with exemplary lucidity the geometric techniques that facilitated this transformation, and investigates the cultural processes by which meaning was produced within the new forms. Iran, Iraq, and Syria saw the development of proportional calligraphy, vegetal and geometric arabesque, muqarnas (stalactite) vaulting, and other devices that became defining features of medieval Islamic architecture. Ultimately, the forms and themes described in this book shaped the development of Mamluk architecture in Egypt and Syria, and by extension, the entire course of North African and Andalusian architecture as well. These innovations developed and were disseminated in a highly charged atmosphere of confrontation between the Seljuk and post-Seljuk proponents of the traditionalist Sunni revival and their main opponents in Fatimid Egypt. These forms stood as visual signs of allegiance to the orthodox Abbasid caliphate and of difference from the heterodox Fatimids. Tabbaa proposes that their rapid spread throughout the Islamic world operated within a system of reciprocating, ceremonial gestures, which conveyed a new and formal language that helped negotiate the gap between the myth of a unified Sunni Islam and its actual political fragmentation. In subject matter and approach, The Transformation of Islamic Art during the Sunni Revival makes original contributions to the study of art, revealing that this relatively neglected sector of medieval art and architecture is of critical importance for reevaluating the entire field of Islamic studies. It challenges the essentialist and positivist approaches that still permeate the study of Islamic art, and offers a historical and semiotic alternative for exploring meaning within ruptures of change.