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Author: John H. Baron Publisher: LSU Press ISBN: 0807150843 Category : Music Languages : en Pages : 645
Book Description
During the nineteenth century, New Orleans thrived as the epicenter of classical music in America, outshining New York, Boston, and San Francisco before the Civil War and rivaling them thereafter. While other cities offered few if any operatic productions, New Orleans gained renown for its glorious opera seasons. Resident composers, performers, publishers, teachers, instrument makers, and dealers fed the public's voracious cultural appetite. Tourists came from across the United States to experience the city's thriving musical scene. Until now, no study has offered a thorough history of this exciting and momentous era in American musical performance history. John H. Baron's Concert Life in Nineteenth-Century New Orleans impressively fills that gap. Baron's exhaustively researched work details all aspects of New Orleans's nineteenth-century musical renditions, including the development of orchestras; the surrounding social, political, and economic conditions; and the individuals who collectively made the city a premier destination for world-class musicians. Baron includes a wide-ranging chronological discussion of nearly every documented concert that took place in the Crescent City in the 1800s, establishing Concert Life in Nineteenth-Century New Orleans as an indispensable reference volume.
Author: John H. Baron Publisher: LSU Press ISBN: 0807150843 Category : Music Languages : en Pages : 645
Book Description
During the nineteenth century, New Orleans thrived as the epicenter of classical music in America, outshining New York, Boston, and San Francisco before the Civil War and rivaling them thereafter. While other cities offered few if any operatic productions, New Orleans gained renown for its glorious opera seasons. Resident composers, performers, publishers, teachers, instrument makers, and dealers fed the public's voracious cultural appetite. Tourists came from across the United States to experience the city's thriving musical scene. Until now, no study has offered a thorough history of this exciting and momentous era in American musical performance history. John H. Baron's Concert Life in Nineteenth-Century New Orleans impressively fills that gap. Baron's exhaustively researched work details all aspects of New Orleans's nineteenth-century musical renditions, including the development of orchestras; the surrounding social, political, and economic conditions; and the individuals who collectively made the city a premier destination for world-class musicians. Baron includes a wide-ranging chronological discussion of nearly every documented concert that took place in the Crescent City in the 1800s, establishing Concert Life in Nineteenth-Century New Orleans as an indispensable reference volume.
Author: Publisher: Univ. Press of Mississippi ISBN: 9781617034978 Category : Architecture Languages : en Pages : 256
Book Description
The author, a native of New Orleans, displays his passion for the "French Quarter" of the city in 106 color photographs highlighting Old World architecture, style, and history that has made this section of the city famous throughout the world.
Author: Charlotte Bentley Publisher: University of Chicago Press ISBN: 0226823083 Category : History Languages : en Pages : 265
Book Description
A history of nineteenth-century New Orleans and the people who made it a vital, if unexpected, part of an emerging operatic world. New Orleans and the Creation of Transatlantic Opera, 1819–1859 explores the thriving operatic life of New Orleans in the first half of the nineteenth century, drawing out the transatlantic connections that animated it. By focusing on a variety of individuals, their extended webs of human contacts, and the materials that they moved along with them, this book pieces together what it took to bring opera to New Orleans and the ways in which the city’s operatic life shaped contemporary perceptions of global interconnection. The early chapters explore the process of bringing opera to the stage, taking a detailed look at the management of New Orleans’s Francophone theater, the Théâtre d’Orléans, as well as the performers who came to the city and the reception they received. But opera’s significance was not confined to the theater, and later chapters of the book examine how opera permeated everyday life in New Orleans, through popular sheet music, novels, magazines and visual culture, and dancing in its many ballrooms. Just as New Orleans helped to create transatlantic opera, opera in turn helped to create the city of New Orleans.
Author: Mary Lou Widmer Publisher: Pelican Publishing ISBN: Category : History Languages : en Pages : 166
Book Description
In this, her fifth book in the series describing past decades in New Orleans' history, local author and historian Mary Lou Widmer offers readers unique glimpses into the turbulent and triumphal 1960s. The decade of the sixties was one that confounded America like no period before. It ushered in a time of social change and tension. In New Orleans, this period was visible in the city's skyline as the face of New Orleans began to change. Tourism became a major concern, construction on the Superdome began, some of the biggest buildings were built, and the Saints came marching in. Packed with photographs and reminiscences of an important decade in the evolution of this American metropolis, New Orleans in the Sixties is a unique accomplishment that will interest both residents and lovers of the Crescent City.
Author: Richard Campanella Publisher: Rizzoli Publications ISBN: 1909815608 Category : Photography Languages : en Pages : 146
Book Description
Lost New Orleans is the latest in the series from Pavilion Books that traces the cherished places in a city that time, progress and fashion have swept aside before concerned citizens or the National Register of Historic Places could save them from the wrecker's ball.Organised chronologically, starting with the earliest losses and ending with the latest, the book features much-loved New Orleans insitutions that failed to stand the test of time. Grand buildings erected in the Victorian era that were too costly to be refurbished, or movie theaters that the age of television made redundant are featured. Alongside the city's iconic and much-missed buildings, Lost New Orleans also looks at the industries that have declined or left town.Sites include:Ursuline Convent Compound; St. Louis Hotel and Exchange; Horticultural Hall; Old French Opera House; New Orleans Cotton Exchange; Old Masonic Temple; Poydras Market; Chess, Checkers, and Whist Club; Charity Hospital; Olivier Plantation House; Washington Artillery Hall; Union Railroad Depot; New Orleans Public Library; Solari’s Delicatessen; Sugar and Rice Exchange; Godchaux’s; Tulane Stadium; Rivergate Exhibition Hall; Lower Ninth Ward; Le Beau House.
Author: Suzanne Aspden Publisher: University of Chicago Press ISBN: 022659601X Category : Music Languages : en Pages : 328
Book Description
Since its origin, opera has been identified with the performance and negotiation of power. Once theaters specifically for opera were established, that connection was expressed in the design and situation of the buildings themselves, as much as through the content of operatic works. Yet the importance of the opera house’s physical situation, and the ways in which opera and the opera house have shaped each other, have seldom been treated as topics worthy of examination. Operatic Geographies invites us to reconsider the opera house’s spatial production. Looking at opera through the lens of cultural geography, this anthology rethinks the opera house’s landscape, not as a static backdrop, but as an expression of territoriality. The essays in this anthology consider moments across the history of the genre, and across a range of geographical contexts—from the urban to the suburban to the rural, and from the “Old” world to the “New.” One of the book’s most novel approaches is to consider interactions between opera and its environments—that is, both in the domain of the traditional opera house and in less visible, more peripheral spaces, from girls’ schools in late seventeenth-century England, to the temporary arrangements of touring operatic troupes in nineteenth-century Calcutta, to rural, open-air theaters in early twentieth-century France. The essays throughout Operatic Geographies powerfully illustrate how opera’s spatial production informs the historical development of its social, cultural, and political functions.
Author: John H. Baron
Author: John H. Baron
Author: 
Author: Charlotte Bentley
Author: Leonard Victor Huber
Author: Mary Lou Widmer
Author: Giacomo Meyerbeer
Author: Richard Campanella
Author: Suzanne Aspden
Author: Bizier, Richard
Author: Eliza Ripley