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Author: Craig W. McLuckie Publisher: Lynne Rienner Publishers ISBN: 9780894108839 Category : Biography & Autobiography Languages : en Pages : 318
Book Description
"The authors examine Saro-Wiwa's literary output both in terms of literary criticism and within a political framework. They give equal attention to his more public roles, including public reaction within Nigeria to his work."--BOOK JACKET.
Author: Craig W. McLuckie Publisher: Lynne Rienner Publishers ISBN: 9780894108839 Category : Biography & Autobiography Languages : en Pages : 318
Book Description
"The authors examine Saro-Wiwa's literary output both in terms of literary criticism and within a political framework. They give equal attention to his more public roles, including public reaction within Nigeria to his work."--BOOK JACKET.
Author: J.Timothy Hunt Publisher: McClelland & Stewart ISBN: 1551992639 Category : Political Science Languages : en Pages : 410
Book Description
On November 10, 1995, Nigeria’s military dictatorship executed nine environmental activists. Among them was Ken Saro-Wiwa, the charismatic spokesman of the Ogoni people, whose land in the fertile Niger River delta has been grotesquely polluted by the Royal Dutch Shell Corporation. During Ken’s incarceration, his brother, Dr. Owens Wiwa, fought valiantly to save his life. When his quest failed, Owens narrowly escaped Nigeria with his life, first to London, and then to Toronto. His story is a heart-stopping saga of personal courage and official corruption, of individual selflessness and corporate greed.
Author: Publisher: BRILL ISBN: 9401207844 Category : Literary Criticism Languages : en Pages : 410
Book Description
This collection ranges far and wide, as befits the personality and accomplishments of the dedicatee, Geoffrey V. Davis, German studies and exile literature scholar, postcolonialist (if there are ‘specialties’, then Australia, Canada, India, South Africa, Black Britain), journal and book series editor.... Themes covered include publishing in Africa, charisma in African drama, the rediscovery of apartheid-era South African literature, Truth and Reconciliation commissions, South African cinema, children’s theatre in England and Eritrea, and the Third Chimurenga in literary anthologies. Surveyed are texts from Botswana, Nigeria, South Africa, Tanzania, and Zimbabwe. Writers discussed (or interviewed: Angela Makholwa) include Ayi Kwei Armah, Seydou Badian, J.M. Coetzee, Chielo Zona Eze, Ruth First, Abdulrazak Gurnah, Bessie Head, Ian Holding, Kavevangua Kahengua, Njabulo Ndebele, Lara Foot Newton, Ngũgĩ wa Thiong’o/Micere Githae Mugo, Sol Plaatje, Ken Saro–Wiwa, Mongane Wally Serote, Wole Soyinka, and Ed¬gar Wallace, together with essays on the artist Sokari Douglas Camp and the filmmaker Rayda Jacobs. Because Geoff’s commitment to literature has always been ‘hands-on’, the book closes with a selection of poems and an entertaining travelogue/memoir.
Author: Annemette Kirkegaard Publisher: Nordic Africa Institute ISBN: 9789171064967 Category : Music Languages : en Pages : 188
Book Description
The musics of Africa play a particularly important role in expressing and forming identities. This book brings together African and Nordic scholars from both musicology and other disciplines in an attempt to analyse various aspects of the complex playing with volatile identities in music in Africa today. Taken together the papers put new light on the assumed or real dichotomies between countryside and city, collective and individual, tradition and modernity, authentic and alien. The papers are based on contributions for a conference organized by the research project “Cultural Images in and of Africa†of the Nordic Africa Institute together with the Sibelius Museum/Department of Musicology and the Centre for Continuing Education at Ã...bo Akademi University in Ã...bo (Turku), Finland in October 2000. The book includes a keynote speech by Christopher Waterman (UCLA), and an introduction by Annemette Kirkegaard, Copenhagen University. Southern, West and East Africa are represented in the studies, which cover a great variety of musics.
Author: Joni Adamson Publisher: University of Arizona Press ISBN: 9780816522071 Category : Nature Languages : en Pages : 412
Book Description
A collection of essays on the environmental justice movement, examining the various ways that teaching, art, and political action affect change in environmental awareness and policies.
Author: Cyril I. Obi Publisher: Nordic Africa Institute ISBN: 9789171064714 Category : Business & Economics Languages : en Pages : 136
Book Description
"The Niger delta region of Nigeria which is at the heart of the country's oil industry, has a long history of struggles for self-determination dating back to the early years of the 20[superscript th] century. In the 1980s and 1990s, these struggles, unfolding as they did within the context of military authoritarianism and structural adjustment, took the form of widespread agitation for greater control by local communities of the revenues accruing to the Nigerian state from exploration and extraction of oil." "This study attempts to capture the transformations in ethnic minority identity politics in the oil-producing areas of the Niger delta. In doing this, attention is simultaneously drawn to the factors informing the shift from peaceful agitation to violent protest as well as the dynamic of decay and renewal in the various ethnic minority movements that are active in the delta. It is suggested that part of the solution to the crisis in the delta will involve not only a thorough-going restructuring of the Nigerian state but also the re-orientation of the mode of operation of the giant oil multinationals in order to make them both more sensitive and accountable to the local communities."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Erin James Publisher: U of Nebraska Press ISBN: 0803243987 Category : Literary Criticism Languages : en Pages : 307
Book Description
“Storyworlds,” mental models of context and environment within which characters function, is a concept used to describe what happens in narrative. Narratologists agree that the concept of storyworlds best captures the ecology of narrative interpretation by allowing a fuller appreciation of the organization of both space and time, by recognizing reading as a process that encourages readers to compare the world of a text to other possible worlds, and by highlighting the power of narrative to immerse readers in new and unfamiliar environments. Focusing on the work of writers from Trinidad and Nigeria, such as Sam Selvon and Ben Okri, The Storyworld Accord investigates and compares the storyworlds of nonrealist and postmodern postcolonial texts to show how such narratives grapple with the often-collapsed concerns of subjectivity, representation, and environment, bringing together these narratological and ecocritical concerns via a mode that Erin James calls econarratology. Arguing that postcolonial ecocriticism, like ecocritical studies, has tended to neglect imaginative representations of the environment in postcolonial literatures, James suggests that readings of storyworlds in postcolonial texts helps narrative theorists and ecocritics better consider the ways in which culture, ideologies, and social and environmental issues are articulated in narrative forms and structures, while also helping postcolonial scholars more fully consider the environment alongside issues of political subjectivity and sovereignty.
Author: Andrew Apter Publisher: University of Chicago Press ISBN: 0226023567 Category : Social Science Languages : en Pages : 345
Book Description
When Nigeria hosted the Second World Black and African Festival of Arts and Culture (FESTAC) in 1977, it celebrated a global vision of black nationhood and citizenship animated by the exuberance of its recent oil boom. Andrew Apter's The Pan-African Nation tells the full story of this cultural extravaganza, from Nigeria's spectacular rebirth as a rapidly developing petro-state to its dramatic demise when the boom went bust. According to Apter, FESTAC expanded the horizons of blackness in Nigeria to mirror the global circuits of its economy. By showcasing masks, dances, images, and souvenirs from its many diverse ethnic groups, Nigeria forged a new national culture. In the grandeur of this oil-fed confidence, the nation subsumed all black and African cultures within its empire of cultural signs and erased its colonial legacies from collective memory. As the oil economy collapsed, however, cultural signs became unstable, contributing to rampant violence and dissimulation. The Pan-African Nation unpacks FESTAC as a historically situated mirror of production in Nigeria. More broadly, it points towards a critique of the political economy of the sign in postcolonial Africa.
Author: Craig W. McLuckie
Author: Craig W. McLuckie
Author: J.Timothy Hunt
Author: 
Author: Annemette Kirkegaard
Author: Derek Jones
Author: Joni Adamson
Author: Cyril I. Obi
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Author: Erin James
Author: Andrew Apter