Author: Peter WarlockPublisher:
ISBN:
Category : Composers
Languages : en
Pages : 180
Book Description
The Occasional Writings of Philip Heseltine (Peter Warlock): Musical criticism (2)
Author: Peter WarlockPublisher:
ISBN:
Category : Composers
Languages : en
Pages : 180
Book Description
The Occasional Writings of Philip Heseltine (Peter Warlock): Miscellaneous writings
Author: Peter WarlockPublisher:
ISBN:
Category : Composers
Languages : en
Pages : 132
Book Description
The Occasional Writings of Philip Heseltine (Peter Warlock): Musical criticism (1)
Author: Peter WarlockPublisher:
ISBN:
Category : Composers
Languages : en
Pages : 176
Book Description
The Occasional Writings of Philip Heseltine (Peter Warlock): Early music
Author: Peter WarlockPublisher:
ISBN:
Category : Composers
Languages : en
Pages : 182
Book Description
Two Centuries of British Symphonism
Author: Jürgen SchaarwächterPublisher: Georg Olms Verlag
ISBN: 3487152282
Category : Music
Languages : en
Pages : 619
Book Description
Die britische Sinfonik ist erst in jüngster Zeit ins allgemeine Interesse gerückt. Ein Überblick über die sinfonische Entwicklung im Vereinigten Königreich seit den Anfängen im 18. Jahrhundert bis ins 20. Jahrhundert blieb aber bis heute ein Desideratum. Der hier vorgelegte Überblick zeigt, wie sich die Identität einer britischen Sinfonik über mehr als hundert Jahre entwickelte, geprägt durch Einflüsse vom europäischen Kontinent und von dem Bedürfnis, eigene Wege zu finden. Gegen Ende des 19. Jahrhunderts nahm das sinfonische Schaffen in Großbritannien stark zu, brachte jedoch erst mit Edward Elgar einen prominenten Vertreter von internationalem Rang hervor. Ein besonderer Schwerpunkt dieser Publikation liegt auf jenen Werken, die zu einem gewissen Grade von anderen überschattet wurden, unveröffentlicht oder unaufgeführt blieben. Das Ergebnis ist das Bild einer vielgestaltigen sinfonischen Landschaft Großbritanniens, das die ästhetischen Perspektiven der einzelnen Komponisten wie auch ihre soziokulturellen Kontexte erhellt. Ein umfangreiches Verzeichnis aller bekannten Werke und eine ausführliche Bibliographie laden zu weiterer Erkundung des Sujets ein. Only in relatively recent times has any real attention been given to British symphonies. So a comprehensive survey, showing what exists and how the situation in the United Kingdom developed, from the beginnings in the 18th century until well into the 20th century, is long overdue. The preliminary survey presented here shows how a British symphonic identity gradually took shape over more than a century, through influences from abroad and, at home, enterprising attempts to find new ways of expression. By the end of the 19th century, British symphonists had produced an impressive body of work, yet only with the appearance of Elgar’s two symphonies in the following decade did this flourishing school find a champion of international renown. In this publication, light is shone on those works that have to some extent been overshadowed, as well as on those that have remained unpublished or unperformed. The result is a multi-faceted panorama of British symphonism, offering many insights into the composers’ thinking and their socio-cultural contexts. A comprehensive catalogue of all known works and an extensive bibliography invite readers to delve further into the subject.
Lateness and Modernism
Author: Sarah CollinsPublisher: Cambridge University Press
ISBN: 1108481493
Category : Juvenile Nonfiction
Languages : en
Pages : 193
Book Description
Examines the role of musical figures within 'late modernism', presenting a new understanding of the politics and aesthetics of lateness.
Twentieth-Century British Authors and the Rise of Opera in Britain
Author: Dr Irene MorraPublisher: Ashgate Publishing, Ltd.
ISBN: 1409489884
Category : Literary Criticism
Languages : en
Pages : 154
Book Description
This book is the first to examine in depth the contributions of major British authors such as W. H. Auden and E. M. Forster, as critics and librettists, to the rise of British opera in the twentieth century. The perceived literary values of British authors, as much as the musical innovations of British composers, informed the aesthetic development of British opera. Indeed, British opera emerged as a simultaneously literary and musical project. Too often, operatic adaptations are compared superficially to their original sources. This is a particular problem for British opera, which has become increasingly defined artistically by the literary sophistication of its narrative sources. The resulting collaborations between literary figures and composers have crucial implications for the development of both opera and literature. Twentieth-Century British Authors and the Rise of Opera in Britain reveals the importance of this literary involvement in operatic adaptation to literature and literary studies, to music and musicology, and to cultural and theoretical studies.
A New English Music
Author: Tim RaybornPublisher: McFarland
ISBN: 1476624941
Category : Music
Languages : en
Pages : 313
Book Description
The turn of the 20th century was a time of great change in Britain. The empire saw its global influence waning and its traditional social structures challenged. There was a growing weariness of industrialism and a desire to rediscover tradition and the roots of English heritage. A new interest in English folk song and dance inspired art music, which many believed was seeing a renaissance after a period of stagnation since the 18th century. This book focuses on the lives of seven composers--Ralph Vaughan Williams, Gustav Holst, Ernest Moeran, George Butterworth, Philip Heseltine (Peter Warlock), Gerald Finzi and Percy Grainger--whose work was influenced by folk songs and early music. Each chapter provides an historical background and tells the fascinating story of a musical life.
Author: Ian Alfred Copley
Author: Augener