Author: Chicago History Museum
Publisher:
ISBN: 9780913820377
Category : African Americans
Languages : en
Pages : 140
Book Description
The Ebony Fashion Fair began in 1958, and over the next 50 years the traveling fashion show blossomed into an American institution that raised millions for charity and helped Johnson Publishing Company reach audiences. Show organizers overcame racial prejudice to bring the pinnacle of Europe's premier fashion to communities that were eager to see, in real time and space, a new vision of black America that was the hallmark of Ebony and Jet magazines. Eunice Johnson took over as producer and director in 1963, and under her direction, the traveling show took on new heights as she expanded her cachet and power within fashion circles. Inspiring Beauty: 50 Years of Ebony Fashion Fair recreates the experience of the Ebony Fashion Fair through the story of Mrs. Johnson and more than 60 garments from icons of the fashion industry such as Yves St. Laurent, Oscar de la Renta, Pierre Cardin, Emanuel Ungaro, Christian Lacroix, and Patrick Kelly among others.
Birds of North Carolina
Author: Thomas Gilbert Pearson
Publisher:
ISBN:
Category : Birds
Languages : en
Pages : 476
Book Description
Publisher:
ISBN:
Category : Birds
Languages : en
Pages : 476
Book Description
Inspiring Beauty
Author: Chicago History Museum
Publisher:
ISBN: 9780913820377
Category : African Americans
Languages : en
Pages : 140
Book Description
The Ebony Fashion Fair began in 1958, and over the next 50 years the traveling fashion show blossomed into an American institution that raised millions for charity and helped Johnson Publishing Company reach audiences. Show organizers overcame racial prejudice to bring the pinnacle of Europe's premier fashion to communities that were eager to see, in real time and space, a new vision of black America that was the hallmark of Ebony and Jet magazines. Eunice Johnson took over as producer and director in 1963, and under her direction, the traveling show took on new heights as she expanded her cachet and power within fashion circles. Inspiring Beauty: 50 Years of Ebony Fashion Fair recreates the experience of the Ebony Fashion Fair through the story of Mrs. Johnson and more than 60 garments from icons of the fashion industry such as Yves St. Laurent, Oscar de la Renta, Pierre Cardin, Emanuel Ungaro, Christian Lacroix, and Patrick Kelly among others.
Publisher:
ISBN: 9780913820377
Category : African Americans
Languages : en
Pages : 140
Book Description
The Ebony Fashion Fair began in 1958, and over the next 50 years the traveling fashion show blossomed into an American institution that raised millions for charity and helped Johnson Publishing Company reach audiences. Show organizers overcame racial prejudice to bring the pinnacle of Europe's premier fashion to communities that were eager to see, in real time and space, a new vision of black America that was the hallmark of Ebony and Jet magazines. Eunice Johnson took over as producer and director in 1963, and under her direction, the traveling show took on new heights as she expanded her cachet and power within fashion circles. Inspiring Beauty: 50 Years of Ebony Fashion Fair recreates the experience of the Ebony Fashion Fair through the story of Mrs. Johnson and more than 60 garments from icons of the fashion industry such as Yves St. Laurent, Oscar de la Renta, Pierre Cardin, Emanuel Ungaro, Christian Lacroix, and Patrick Kelly among others.
Thomas Day
Author: Patricia Phillips Marshall
Publisher: Univ of North Carolina Press
ISBN: 0807895717
Category : Design
Languages : en
Pages : 321
Book Description
Thomas Day (1801-61), a free man of color from Milton, North Carolina, became the most successful cabinetmaker in North Carolina--white or black--during a time when most blacks were enslaved and free blacks were restricted in their movements and activities. His surviving furniture and architectural woodwork still represent the best of nineteenth-century craftsmanship and aesthetics. In this lavishly illustrated book, Patricia Phillips Marshall and Jo Ramsay Leimenstoll show how Day plotted a carefully charted course for success in antebellum southern society. Beginning in the 1820s, he produced fine furniture for leading white citizens and in the 1840s and '50s diversified his offerings to produce newel posts, stair brackets, and distinctive mantels for many of the same clients. As demand for his services increased, the technological improvements Day incorporated into his shop contributed to the complexity of his designs. Day's style, characterized by undulating shapes, fluid lines, and spiraling forms, melded his own unique motifs with popular design forms, resulting in a distinctive interpretation readily identified to his shop. The photographs in the book document furniture in public and private collections and architectural woodwork from private homes not previously associated with Day. The book provides information on more than 160 pieces of furniture and architectural woodwork that Day produced for 80 structures between 1835 and 1861. Through in-depth analysis and generous illustrations, including over 240 photographs (20 in full color) and architectural photography by Tim Buchman, Marshall and Leimenstoll provide a comprehensive perspective on and a new understanding of the powerful sense of aesthetics and design that mark Day's legacy.
Publisher: Univ of North Carolina Press
ISBN: 0807895717
Category : Design
Languages : en
Pages : 321
Book Description
Thomas Day (1801-61), a free man of color from Milton, North Carolina, became the most successful cabinetmaker in North Carolina--white or black--during a time when most blacks were enslaved and free blacks were restricted in their movements and activities. His surviving furniture and architectural woodwork still represent the best of nineteenth-century craftsmanship and aesthetics. In this lavishly illustrated book, Patricia Phillips Marshall and Jo Ramsay Leimenstoll show how Day plotted a carefully charted course for success in antebellum southern society. Beginning in the 1820s, he produced fine furniture for leading white citizens and in the 1840s and '50s diversified his offerings to produce newel posts, stair brackets, and distinctive mantels for many of the same clients. As demand for his services increased, the technological improvements Day incorporated into his shop contributed to the complexity of his designs. Day's style, characterized by undulating shapes, fluid lines, and spiraling forms, melded his own unique motifs with popular design forms, resulting in a distinctive interpretation readily identified to his shop. The photographs in the book document furniture in public and private collections and architectural woodwork from private homes not previously associated with Day. The book provides information on more than 160 pieces of furniture and architectural woodwork that Day produced for 80 structures between 1835 and 1861. Through in-depth analysis and generous illustrations, including over 240 photographs (20 in full color) and architectural photography by Tim Buchman, Marshall and Leimenstoll provide a comprehensive perspective on and a new understanding of the powerful sense of aesthetics and design that mark Day's legacy.
North Carolina’s Free People of Color, 1715–1885
Author: Warren Eugene Milteer Jr.
Publisher: LSU Press
ISBN: 0807173770
Category : History
Languages : en
Pages : 312
Book Description
In North Carolina’s Free People of Color, 1715–1885, Warren Eugene Milteer Jr. examines the lives of free persons categorized by their communities as “negroes,” “mulattoes,” “mustees,” “Indians,” “mixed-bloods,” or simply “free people of color.” From the colonial period through Reconstruction, lawmakers passed legislation that curbed the rights and privileges of these non-enslaved residents, from prohibiting their testimony against whites to barring them from the ballot box. While such laws suggest that most white North Carolinians desired to limit the freedoms and civil liberties enjoyed by free people of color, Milteer reveals that the two groups often interacted—praying together, working the same land, and occasionally sharing households and starting families. Some free people of color also rose to prominence in their communities, becoming successful businesspeople and winning the respect of their white neighbors. Milteer’s innovative study moves beyond depictions of the American South as a region controlled by a strict racial hierarchy. He contends that although North Carolinians frequently sorted themselves into races imbued with legal and social entitlements—with whites placing themselves above persons of color—those efforts regularly clashed with their concurrent recognition of class, gender, kinship, and occupational distinctions. Whites often determined the position of free nonwhites by designating them as either valuable or expendable members of society. In early North Carolina, free people of color of certain statuses enjoyed access to institutions unavailable even to some whites. Prior to 1835, for instance, some free men of color possessed the right to vote while the law disenfranchised all women, white and nonwhite included. North Carolina’s Free People of Color, 1715–1885 demonstrates that conceptions of race were complex and fluid, defying easy characterization. Despite the reductive labels often assigned to them by whites, free people of color in the state emerged from an array of backgrounds, lived widely varied lives, and created distinct cultures—all of which, Milteer suggests, allowed them to adjust to and counter ever-evolving forms of racial discrimination.
Publisher: LSU Press
ISBN: 0807173770
Category : History
Languages : en
Pages : 312
Book Description
In North Carolina’s Free People of Color, 1715–1885, Warren Eugene Milteer Jr. examines the lives of free persons categorized by their communities as “negroes,” “mulattoes,” “mustees,” “Indians,” “mixed-bloods,” or simply “free people of color.” From the colonial period through Reconstruction, lawmakers passed legislation that curbed the rights and privileges of these non-enslaved residents, from prohibiting their testimony against whites to barring them from the ballot box. While such laws suggest that most white North Carolinians desired to limit the freedoms and civil liberties enjoyed by free people of color, Milteer reveals that the two groups often interacted—praying together, working the same land, and occasionally sharing households and starting families. Some free people of color also rose to prominence in their communities, becoming successful businesspeople and winning the respect of their white neighbors. Milteer’s innovative study moves beyond depictions of the American South as a region controlled by a strict racial hierarchy. He contends that although North Carolinians frequently sorted themselves into races imbued with legal and social entitlements—with whites placing themselves above persons of color—those efforts regularly clashed with their concurrent recognition of class, gender, kinship, and occupational distinctions. Whites often determined the position of free nonwhites by designating them as either valuable or expendable members of society. In early North Carolina, free people of color of certain statuses enjoyed access to institutions unavailable even to some whites. Prior to 1835, for instance, some free men of color possessed the right to vote while the law disenfranchised all women, white and nonwhite included. North Carolina’s Free People of Color, 1715–1885 demonstrates that conceptions of race were complex and fluid, defying easy characterization. Despite the reductive labels often assigned to them by whites, free people of color in the state emerged from an array of backgrounds, lived widely varied lives, and created distinct cultures—all of which, Milteer suggests, allowed them to adjust to and counter ever-evolving forms of racial discrimination.
Betrayal at Cross Creek
Author: Kathleen Ernst
Publisher: American Girl Publishing Incorporated
ISBN: 9781584858782
Category : Detective and mystery stories
Languages : en
Pages : 0
Book Description
Twelve-year-old Elspeth Monro, a Scottish settler and weaver's apprentice on the North Carolina frontier in 1775, must find out who is betraying her Loyalist family during the months before the start of the Revolutionary War.
Publisher: American Girl Publishing Incorporated
ISBN: 9781584858782
Category : Detective and mystery stories
Languages : en
Pages : 0
Book Description
Twelve-year-old Elspeth Monro, a Scottish settler and weaver's apprentice on the North Carolina frontier in 1775, must find out who is betraying her Loyalist family during the months before the start of the Revolutionary War.
North Carolina Quilts
Author: Ellen Fickling Eanes
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 240
Book Description
This magnificent volume features color photographs of more than 100 quilts crafted in North Carolina between the early nineteenth century and 1976. Included are chintz applique quilts, intricately pieced and appliqued quilts, crazy quilts, and examples of ingenious thrift in quilting with found and salvaged materials. The quilts were chosen from more than 10,000 that owners brought to be recorded by the North Carolina Quilt Project during a series of statewide Quilt Documentation Days in 1985-86. Because the quilts are privately owned, many have never been seen publicly. The text presents the lives and times of the quiltmakers, accompanied by many vintage photographs from family collections. Whether these women made quilts to pass the time, warm their families, beautify their lives, or serve as symbols of love and togetherness, they used their fabric with uncommon artistry and craftsmanship.
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 240
Book Description
This magnificent volume features color photographs of more than 100 quilts crafted in North Carolina between the early nineteenth century and 1976. Included are chintz applique quilts, intricately pieced and appliqued quilts, crazy quilts, and examples of ingenious thrift in quilting with found and salvaged materials. The quilts were chosen from more than 10,000 that owners brought to be recorded by the North Carolina Quilt Project during a series of statewide Quilt Documentation Days in 1985-86. Because the quilts are privately owned, many have never been seen publicly. The text presents the lives and times of the quiltmakers, accompanied by many vintage photographs from family collections. Whether these women made quilts to pass the time, warm their families, beautify their lives, or serve as symbols of love and togetherness, they used their fabric with uncommon artistry and craftsmanship.
North Carolina Pottery
Author: Barbara Stone Perry
Publisher: University of North Carolina Press
ISBN:
Category : Architecture
Languages : en
Pages : 234
Book Description
North Carolina Pottery: The Collection of The Mint Museums
Publisher: University of North Carolina Press
ISBN:
Category : Architecture
Languages : en
Pages : 234
Book Description
North Carolina Pottery: The Collection of The Mint Museums
The Heritage of Cherokee County, North Carolina
Author: Alice Davis White
Publisher:
ISBN:
Category : Cherokee County (N.C.)
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category : Cherokee County (N.C.)
Languages : en
Pages :
Book Description
The North Carolina Historical Review
Homage to the Square
Author: Josef Albers
Publisher: Rm
ISBN: 9788492480388
Category : Color in art
Languages : en
Pages : 0
Book Description
Published on the occasion of an exhibition at Casa Luis Barragan, Mexico City.
Publisher: Rm
ISBN: 9788492480388
Category : Color in art
Languages : en
Pages : 0
Book Description
Published on the occasion of an exhibition at Casa Luis Barragan, Mexico City.