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Author: Hilary Radner Publisher: ISBN: 9781138186804 Category : Motion pictures for women Languages : en Pages : 0
Book Description
Cover -- Title -- Copyright -- Dedication -- CONTENTS -- List of Figures -- Acknowledgments -- Introduction: What Do Women Watch? -- 1 After the Woman's Picture: The New Woman's Film and the Chick Flick -- 2 The New Woman's Film in the Twenty-First Century: The Smart-Chick Film and Rachel Getting Married (Jonathan Demme, 2008) -- 3 Anticipating the Twenty-First Century: "Dirty Harry Bathed in a Romantic Glow?" and The Bridges of Madison Country (Clint Eastwood, 1995) -- 4 Nicole Holofcener as the American Female Auteur: "Keeping It Real"--Walking and Talking (1996), Lovely & Amazing (2002), Friends with Money (2006), Please Give (2010), Enough Said (2013) -- 5 Stardom, Celebrity and the New Woman's Film: Tilda Swinton and the Maternal Melodrama-"Winning an Oscar Was Wasted on Me"--6 Oscars for Women and the Films of Woody Allen: Blue Jasmine (Woody Allen, 2013) -- 7 The Girl Crush: Frances Ha (Noah Baumbach, 2012), "The Toast of Telluride"--8 Diversity, the Female Biopic and the New Woman's Film: Belle (Amma Asante, 2013) -- 9 A Past with a Future, the Ongoing Evolution of the New Woman's Film: From Top of the Lake (Sundance Channel, 2013- ) to Fifty Shades of Grey (Sam Taylor-Johnson, 2015) -- Coda: Feminism Redux -- Select Bibliography -- Index
Author: Hilary Radner Publisher: ISBN: 9781138186804 Category : Motion pictures for women Languages : en Pages : 0
Book Description
Cover -- Title -- Copyright -- Dedication -- CONTENTS -- List of Figures -- Acknowledgments -- Introduction: What Do Women Watch? -- 1 After the Woman's Picture: The New Woman's Film and the Chick Flick -- 2 The New Woman's Film in the Twenty-First Century: The Smart-Chick Film and Rachel Getting Married (Jonathan Demme, 2008) -- 3 Anticipating the Twenty-First Century: "Dirty Harry Bathed in a Romantic Glow?" and The Bridges of Madison Country (Clint Eastwood, 1995) -- 4 Nicole Holofcener as the American Female Auteur: "Keeping It Real"--Walking and Talking (1996), Lovely & Amazing (2002), Friends with Money (2006), Please Give (2010), Enough Said (2013) -- 5 Stardom, Celebrity and the New Woman's Film: Tilda Swinton and the Maternal Melodrama-"Winning an Oscar Was Wasted on Me"--6 Oscars for Women and the Films of Woody Allen: Blue Jasmine (Woody Allen, 2013) -- 7 The Girl Crush: Frances Ha (Noah Baumbach, 2012), "The Toast of Telluride"--8 Diversity, the Female Biopic and the New Woman's Film: Belle (Amma Asante, 2013) -- 9 A Past with a Future, the Ongoing Evolution of the New Woman's Film: From Top of the Lake (Sundance Channel, 2013- ) to Fifty Shades of Grey (Sam Taylor-Johnson, 2015) -- Coda: Feminism Redux -- Select Bibliography -- Index
Author: Christopher G. Rea Publisher: Columbia University Press ISBN: 0231547676 Category : Performing Arts Languages : en Pages : 454
Book Description
Winner, 2023 Choice Outstanding Academic Title Chinese Film Classics, 1922–1949 is an essential guide to the first golden age of Chinese cinema. Offering detailed introductions to fourteen films, this study highlights the creative achievements of Chinese filmmakers in the decades leading up to 1949, when the Communists won the civil war and began nationalizing cultural industries. Christopher Rea reveals the uniqueness and complexity of Republican China’s cinematic masterworks, from the comedies and melodramas of the silent era to the talkies and musicals of the 1930s and 1940s. Each chapter appraises the artistry of a single film, highlighting its outstanding formal elements, from cinematography to editing to sound design. Examples include the slapstick gags of Laborer’s Love (1922), Ruan Lingyu’s star turn in Goddess (1934), Zhou Xuan’s mesmerizing performance in Street Angels (1937), Eileen Chang’s urbane comedy of manners Long Live the Missus! (1947), the wartime epic Spring River Flows East (1947), and Fei Mu’s acclaimed work of cinematic lyricism, Spring in a Small Town (1948). Rea shares new insights and archival discoveries about famous films, while explaining their significance in relation to politics, society, and global cinema. Lavishly illustrated and featuring extensive guides to further viewings and readings, Chinese Film Classics, 1922–1949 offers an accessible tour of China’s early contributions to the cinematic arts.
Author: Hilary Radner Publisher: Taylor & Francis ISBN: 1317286480 Category : Performing Arts Languages : en Pages : 224
Book Description
With the chick flick arguably in decline, film scholars may well ask: what has become of the woman’s film? Little attention has been paid to the proliferation of films, often from the independent sector, that do not sit comfortably in either the category of popular culture or that of high art––films that are perhaps the corollary of the middle-brow novel, or "smart-chick flicks". This book seeks to fill this void by focusing on the steady stream of films about and for women that emerge out of independent American and European cinema, and that are designed to address an international female audience. The new woman's film as a genre includes narratives with strong ties to the woman’s film of classical Hollywood while constituting a new distinctive cycle of female-centered films that in many ways continue the project of second-wave feminism, albeit in a modified form. Topics addressed include: The Bridges of Madison County (Clint Eastwood, 1995); the feature-length films of Nicole Holofcener, 1996-2013; the film roles of Tilda Swinton; Rachel Getting Married (Jonathan Demme, 2008); Blue Jasmine (Woody Allen, 2013); Frances Ha (Noah Baumbach, 2012), Belle (Amma Asante, 2013), Fifty Shades of Grey (Sam Taylor-Johnson, 2015) and Jane Campion’s Top of the Lake (Sundance Channel, 2013-).
Author: Maya Montañez Smukler Publisher: Rutgers University Press ISBN: 0813587492 Category : Performing Arts Languages : en Pages : 364
Book Description
Winner of the 2018 Richard Wall Memorial Award from the Theater Library Association Liberating Hollywood examines the professional experiences and creative output of women filmmakers during a unique moment in history when the social justice movements that defined the 1960s and 1970s challenged the enduring culture of sexism and racism in the U.S. film industry. Throughout the 1970s feminist reform efforts resulted in a noticeable rise in the number of women directors, yet at the same time the institutionalized sexism of Hollywood continued to create obstacles to closing the gender gap. Maya Montañez Smukler reveals that during this era there were an estimated sixteen women making independent and studio films: Penny Allen, Karen Arthur, Anne Bancroft, Joan Darling, Lee Grant, Barbara Loden, Elaine May, Barbara Peeters, Joan Rivers, Stephanie Rothman, Beverly Sebastian, Joan Micklin Silver, Joan Tewkesbury, Jane Wagner, Nancy Walker, and Claudia Weill. Drawing on interviews conducted by the author, Liberating Hollywood is the first study of women directors within the intersection of second wave feminism, civil rights legislation, and Hollywood to investigate the remarkable careers of these filmmakers during one of the most mythologized periods in American film history.
Author: Pisters Patricia Pisters Publisher: Edinburgh University Press ISBN: 1474466982 Category : Performing Arts Languages : en Pages : 349
Book Description
Since the turn of the millennium, a growing number of female filmmakers have appropriated the aesthetics of horror for their films. In this book, Patricia Pisters investigates contemporary women directors such as Ngozi Onwurah, Claire Denis, Lucile Hadzihalilovic and Ana Lily Amirpour, who put 'a poetics of horror' to new use in their work, expanding the range of gendered and racialised perspectives in the horror genre. Exploring themes such as rage, trauma, sexuality, family ties and politics, New Blood in Contemporary Cinema takes on avenging women, bloody vampires, lustful witches, scary mothers, terrifying offspring and female Frankensteins. By following a red trail of blood, the book illuminates a new generation of women directors who have enlarged the general scope and stretched the emotional spectrum of the genre.
Author: Laura Mulvey Publisher: Reaktion Books ISBN: 178914163X Category : Performing Arts Languages : en Pages : 287
Book Description
Marking a return for Laura Mulvey to questions of film theory and feminism, as well as a reconsideration of new and old film technologies, this urgent and compelling collection of essays is essential reading for anyone interested in the power and pleasures of moving images. Its title, Afterimages, alludes to the dislocation of time that runs through many of the films and works it discusses as well as to the way we view them. Beginning with a section on the theme of woman as spectacle, a shift in focus leads to films from across the globe, directed by women and about women, all adopting radical cinematic strategies. Mulvey goes on to consider moving image works made for art galleries, arguing that the aesthetics of cinema have persisted into this environment. Structured in three main parts, Afterimages also features an appendix of ten frequently asked questions on her classic feminist essay “Visual Pleasure and Narrative Cinema,” in which Mulvey addresses questions of spectatorship, autonomy, and identity that are crucial to our era today.
Author: Lisa V. Mazey Publisher: Vernon Press ISBN: 1622739213 Category : Language Arts & Disciplines Languages : en Pages : 161
Book Description
Women have fulfilled film roles that exhibit their historically subservient or sexualised positions in society, among others. Over the decades, the gender identity of women has fluctuated to include powerful women, emotionally strong women, lesbian women, and even neurologically atypical women. These identities reflect the change in societal norms and what is now acknowledged as more likely and more mainstream. The evolution of society’s views of women can be mapped through these roles; from 1950’s America where women were depicted as the counterpart to male characters and their masculinity either as a threat or support to the patriarchal norms; to more recent times, where these norms have been questioned, challenged, deconstructed and reconstructed to include women in a more equitable balance. The fight for equal access, equal pay and equal standing still exists in all walks of life and different cultures requiring continued scrutiny of the norms that made that fight necessary. The essays offer a unique vantage of the changing culture and conversations that allowed, encouraged, and praised an evolution of women’s roles. They strive to represent the issues faced by women, from the early heyday of Hollywood through to films as recent as 2007; examining depictions of the masculine gaze, mental and physical oppression, the mother figure, as well as how these roles may develop in the future. The book contains valuable material for film students at an undergraduate or post-graduate level, as well as scholars from a range of disciplines including cultural studies, media studies, film studies and women’s and gender studies.
Author: Laura Di Bianco Publisher: Indiana University Press ISBN: 0253064678 Category : Social Science Languages : en Pages : 268
Book Description
Wandering Women: Urban Ecologies of Italian Feminist Filmmaking explores the work of contemporary Italian women directors from feminist and ecological perspectives. Mostly relegated to the margins of the cultural scene, and concerned with women's marginality, the compelling films Wandering Women sheds light on tell stories of displacement and liminality that unfold through the act of walking in the city. The unusual emptiness of the cities that the nomadic female protagonists traverse highlights the absence of, and their wish for, life-sustaining communities. Laura Di Bianco contends that women's urban filmmaking—while articulating a claim for belonging and asserting cinematic and social agency—brings into view landscapes of the Anthropocene, where urban decay and the erasure of nature intersect with human alienation. Though a minor cinema, it is also a powerful movement of resistance against the dominant male narratives about the world we inhabit. Based on interviews with directors, Wandering Women deepens the understanding of contemporary Italian cinema while enriching the field of feminist ecocritical literature.
Author: Genevieve Yue Publisher: Fordham University Press ISBN: 0823289583 Category : Performing Arts Languages : en Pages : 240
Book Description
Girl Head shows how gender has had a surprising and persistent role in film production processes, well before the image ever appears onscreen. For decades, feminist film criticism has focused on issues of representation: images of women in film. But what are the feminist implications of the material object underlying that image, the filmstrip itself? What does feminist analysis have to offer in understanding the film image before it enters the realm of representation? Girl Head explores how gender and sexual difference have been deeply embedded within film materiality. In rich archival and technical detail, Yue examines three sites of technical film production: the film laboratory, editing practices, and the film archive. Within each site, she locates a common motif, the vanishing female body, which is transformed into material to be used in the making of a film. The book develops a theory of gender and film materiality through readings of narrative film, early cinema, experimental film, and moving image art. This original work of feminist media history shows how gender has had a persistent role in film production processes, well before the image ever appears onscreen.
Author: Hilary Radner
Author: Hilary Radner
Author: Christopher G. Rea
Author: Hilary Radner
Author: Maya Montañez Smukler
Author: Elizabeth Otto
Author: Pisters Patricia Pisters
Author: Laura Mulvey
Author: Lisa V. Mazey
Author: Laura Di Bianco
Author: Genevieve Yue