Author: James Anthony Froude
Publisher:
ISBN:
Category : Free thought
Languages : en
Pages : 184
Book Description
The Nemesis of Faith Or the History of Markham Sutherland
Author: James Anthony Froude
Publisher:
ISBN:
Category : Free thought
Languages : en
Pages : 184
Book Description
Publisher:
ISBN:
Category : Free thought
Languages : en
Pages : 184
Book Description
The Nemesis of Fait
Author: James Anthony Froude
Publisher:
ISBN:
Category : Free thought
Languages : en
Pages : 184
Book Description
Publisher:
ISBN:
Category : Free thought
Languages : en
Pages : 184
Book Description
The Nemesis of Faith
Author: James Anthony Froude
Publisher: London : G. W.Scott Pub.Company1904.
ISBN:
Category : Free thought
Languages : en
Pages : 148
Book Description
Publisher: London : G. W.Scott Pub.Company1904.
ISBN:
Category : Free thought
Languages : en
Pages : 148
Book Description
The Nemesis of Faith
Author: James Anthony Froude
Publisher:
ISBN:
Category : Christian fiction
Languages : en
Pages : 280
Book Description
Publisher:
ISBN:
Category : Christian fiction
Languages : en
Pages : 280
Book Description
The Nemesis of Faith. Second Edition
Author: James Anthony Froude
Publisher:
ISBN:
Category :
Languages : en
Pages : 258
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 258
Book Description
The English Novel In History 1840-1895
Author: Elizabeth Ermarth
Publisher: Routledge
ISBN: 1134980248
Category : Literary Criticism
Languages : en
Pages : 264
Book Description
The construction of history as a social common denominator is a powerful achievement of the nineteenth-century novel, a form dedicated to experimenting with democratic social practice as it conflicts with economic and feudal visions of social order. Through revisionary readings of familiar nineteenth-century texts The English Novel in History 1840-1895 takes a multidisciplinary approach to literary history. It highlights how narrative shifts from one construction of time to another and reformulates fundamental ideas of identity, nature and society. Elizabeth Ermarth discusses the range of novels alongside other cultural material, including painting, science, religious, political and economic theory. She explores the problems of how a society, as defined in democratic terms, can accommodate political, gender and class differences without resorting to hierarchy; and how narrowly conceived economic agendas compete with social cohesion. Students, advanced undergraduates, postgraduates and specialists will find this text invaluable.
Publisher: Routledge
ISBN: 1134980248
Category : Literary Criticism
Languages : en
Pages : 264
Book Description
The construction of history as a social common denominator is a powerful achievement of the nineteenth-century novel, a form dedicated to experimenting with democratic social practice as it conflicts with economic and feudal visions of social order. Through revisionary readings of familiar nineteenth-century texts The English Novel in History 1840-1895 takes a multidisciplinary approach to literary history. It highlights how narrative shifts from one construction of time to another and reformulates fundamental ideas of identity, nature and society. Elizabeth Ermarth discusses the range of novels alongside other cultural material, including painting, science, religious, political and economic theory. She explores the problems of how a society, as defined in democratic terms, can accommodate political, gender and class differences without resorting to hierarchy; and how narrowly conceived economic agendas compete with social cohesion. Students, advanced undergraduates, postgraduates and specialists will find this text invaluable.
The Publisher
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The Figure of Music in Nineteenth-Century British Poetry
Author: Phyllis Weliver
Publisher: Routledge
ISBN: 1351544543
Category : Music
Languages : en
Pages : 281
Book Description
How was music depicted in and mediated through Romantic and Victorian poetry? This is the central question that this specially commissioned volume of essays sets out to explore in order to understand better music's place and its significance in nineteenth-century British culture. Analysing how music took part in and commented on a wide range of scientific, literary, and cultural discourses, the book expands our knowledge of how music was central to the nineteenth-century imagination. Like its companion volume, The Idea of Music in Victorian Fiction (Ashgate, 2004) edited by Sophie Fuller and Nicky Losseff, this book provides a meeting place for literary studies and musicology, with contributions by scholars situated in each field. Areas investigated in these essays include the Romantic interest in national musical traditions; the figure of the Eolian harp in the poetry of Coleridge and Shelley; the recurring theme of music in Blake's verse; settings of Tennyson by Parry and Elgar that demonstrate how literary representations of musical ideas are refigured in music; George Eliot's use of music in her poetry to explore literary and philosophical themes; music in the verse of Christina and Dante Gabriel Rossetti; the personification of lyric (Sappho) in a song cycle by Granville and Helen Bantock; and music and sexual identity in the poetry of Wilde, Symons, Michael Field, Beardsley, Gray and Davidson.
Publisher: Routledge
ISBN: 1351544543
Category : Music
Languages : en
Pages : 281
Book Description
How was music depicted in and mediated through Romantic and Victorian poetry? This is the central question that this specially commissioned volume of essays sets out to explore in order to understand better music's place and its significance in nineteenth-century British culture. Analysing how music took part in and commented on a wide range of scientific, literary, and cultural discourses, the book expands our knowledge of how music was central to the nineteenth-century imagination. Like its companion volume, The Idea of Music in Victorian Fiction (Ashgate, 2004) edited by Sophie Fuller and Nicky Losseff, this book provides a meeting place for literary studies and musicology, with contributions by scholars situated in each field. Areas investigated in these essays include the Romantic interest in national musical traditions; the figure of the Eolian harp in the poetry of Coleridge and Shelley; the recurring theme of music in Blake's verse; settings of Tennyson by Parry and Elgar that demonstrate how literary representations of musical ideas are refigured in music; George Eliot's use of music in her poetry to explore literary and philosophical themes; music in the verse of Christina and Dante Gabriel Rossetti; the personification of lyric (Sappho) in a song cycle by Granville and Helen Bantock; and music and sexual identity in the poetry of Wilde, Symons, Michael Field, Beardsley, Gray and Davidson.
Fortunes of History
Author: Donald R. Kelley
Publisher: Yale University Press
ISBN: 0300128290
Category : History
Languages : en
Pages : 440
Book Description
In Fortunes of History Donald R. Kelley offers an authoritative examination of historical writing during the “long nineteenth century”—the years from the French Revolution to those just after the First World War. He provides a comprehensive analysis of the theories and practices of British, French, German, Italian, and American schools of historical thought, their principal figures, and their distinctive methods and self-understandings. Kelley treats the modern traditions of European world and national historiography from the Enlightenment to the “new histories” of the twentieth century, attending not only to major authors and schools but also to methods, scholarship, criticisms, controversies, ideological questions, and relations to other disciplines.
Publisher: Yale University Press
ISBN: 0300128290
Category : History
Languages : en
Pages : 440
Book Description
In Fortunes of History Donald R. Kelley offers an authoritative examination of historical writing during the “long nineteenth century”—the years from the French Revolution to those just after the First World War. He provides a comprehensive analysis of the theories and practices of British, French, German, Italian, and American schools of historical thought, their principal figures, and their distinctive methods and self-understandings. Kelley treats the modern traditions of European world and national historiography from the Enlightenment to the “new histories” of the twentieth century, attending not only to major authors and schools but also to methods, scholarship, criticisms, controversies, ideological questions, and relations to other disciplines.