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Author: Benjamin E. Mays Publisher: Wipf and Stock Publishers ISBN: 1608997774 Category : Religion Languages : en Pages : 279
Book Description
The ideas of God in Negro literature are developed along three principal lines: (1) Ideas of God that are used to support or give adherence to traditional, compensatory patterns; (2) Ideas, whether traditional or otherwise, that are developed and interpreted to support a growing consciousness of social and psychological adjustment needed; (3) Ideas of God that show a tendency or threat to abandon the idea of God as a 'useful instrument' in perfecting social change. From Chapter IX, Summation
Author: Benjamin E. Mays Publisher: Wipf and Stock Publishers ISBN: 1608997774 Category : Religion Languages : en Pages : 279
Book Description
The ideas of God in Negro literature are developed along three principal lines: (1) Ideas of God that are used to support or give adherence to traditional, compensatory patterns; (2) Ideas, whether traditional or otherwise, that are developed and interpreted to support a growing consciousness of social and psychological adjustment needed; (3) Ideas of God that show a tendency or threat to abandon the idea of God as a 'useful instrument' in perfecting social change. From Chapter IX, Summation
Author: Wallace D. Best Publisher: NYU Press ISBN: 1479832758 Category : Religion Languages : en Pages : 309
Book Description
Winner of the 2018 Award for Excellence in the Study of Religion in Textual Studies, presented by the American Academy of Religion 2018 Outstanding Academic Title, given by Choice Magazine A new perspective on the role of religion in the work of Langston Hughes Langston's Salvation offers a fascinating exploration into the religious thought of Langston Hughes. Known for his poetry, plays, and social activism, the importance of religion in Hughes’ work has historically been ignored or dismissed. This book puts this aspect of Hughes work front and center, placing it into the wider context of twentieth-century American and African American religious cultures. Best brings to life the religious orientation of Hughes work, illuminating how this powerful figure helped to expand the definition of African American religion during this time. Best argues that contrary to popular perception, Hughes was neither an avowed atheist nor unconcerned with religious matters. He demonstrates that Hughes’ religious writing helps to situate him and other black writers as important participants in a broader national discussion about race and religion in America. Through a rigorous analysis that includes attention to Hughes’s unpublished religious poems, Langston’s Salvation reveals new insights into Hughes’s body of work, and demonstrates that while Hughes is seen as one of the most important voices of the Harlem Renaissance, his writing also needs to be understood within the context of twentieth-century American religious liberalism and of the larger modernist movement. Combining historical and literary analyses with biographical explorations of Langston Hughes as a writer and individual, Langston’s Salvation opens a space to read Langston Hughes’ writing religiously, in order to fully understand the writer and the world he inhabited.
Author: Donald H. Matthews Publisher: Oxford University Press ISBN: 019535804X Category : Religion Languages : en Pages : 188
Book Description
Donald Matthews affirms once and for all the African foundation of African-American religious practice. His analysis of the methods employed by historians, social scientists, and literary critics in the study of African-American religion and the Negro spiritual leads him to develop a methodology that encompasses contemporary scholarship without compromising the integrity of African-American religion and culture. Because the Negro spiritual is the earliest extant body of African-American folk religious narration, Matthews believes that it holds the key to understanding African-American religion. He explores the works of such seminal black scholars as W. E. B. DuBois, Melville Herskovits, and Zora Neale Hurston, tracing the early development of the African-centered approach to the interpretation of African-American religion. This approach involves "cultural/structuralism", the author's term for the method used by DuBois, Herskovits, and Hurston that emphasizes the thick reading of narrative expressions. Such a reading allows the scholar to identify the cultural significance of particular oral and written texts and serves as a point of identification and a cultural link between African and African-American religion. Matthews' close analysis of the spiritual employs a dialectical and postmodernist reading and reveals a religious philosophy that addresses the deepest concerns and desires of Africans in America. These concerns are cultural, political, and psychological, but are ultimately related to African religious structures of meaning. This book poses a challenge to end the battle between Afrocentrists and multiculturalists by acknowledging their common intellectual heritage in the works of DuBois, Herskovits, and Hurston. It will be of great interest to students and scholars of African-American religion and culture and those interested in Afrocentric literature.
Author: James H. Evans Publisher: Fortress Press ISBN: 9780800626723 Category : Religion Languages : en Pages : 196
Book Description
In this, the first full-scale black systematic theology in twenty years, James Evans emerges as a major and distinctive voice in American theology.Seeking to overcome the chasm between church practice and theological reflection, Evans situates theology squarely in the nexus of faith with freedom. There, with a sure touch, he uplifts revelatory aspects of black religious experience that reanimate classical areas of theology, and he creates a theology with a heart, a soul and a voice that speaks directly to our condition.
Author: Craig R. Prentiss Publisher: NYU Press ISBN: 0814708218 Category : Religion Languages : en Pages : 234
Book Description
In the years between the Harlem Renaissance and World War II, African American playwrights gave birth to a vital black theater movement in the U.S. It was a movement overwhelmingly concerned with the role of religion in black identity. In a time of profound social transformation fueled by a massive migration from the rural south to the urban‑industrial centers of the north, scripts penned by dozens of black playwrights reflected cultural tensions, often rooted in class, that revealed competing conceptions of religion's role in the formation of racial identity. Black playwrights pointed in quite different ways toward approaches to church, scripture, belief, and ritual that they deemed beneficial to the advancement of the race. Their plays were important not only in mirroring theological reflection of the time, but in helping to shape African American thought about religion in black communities. The religious themes of these plays were in effect arguments about the place of religion in African American lives. In Staging Faith, Craig R. Prentiss illuminates the creative strategies playwrights used to grapple with religion. With a lively and engaging style, the volume brings long forgotten plays to life as it chronicles the cultural and religious fissures that marked early twentieth century African American society. Craig R. Prentiss is Professor of Religious Studies at Rockhurst University in Kansas City, Missouri. He is the editor of Religion and the Creation of Race and Ethnicity: An Introduction (New York University Press, 2003).
Author: Lawrence Edward Carter Publisher: Mercer University Press ISBN: 9780865546042 Category : Biography & Autobiography Languages : en Pages : 464
Book Description
Mays, president of Morehouse College for over 25 years, "inspired generations of students to strive for moral and academic excellence and to work for racial justice in America." Mays was born in Ninety Six, South Carolina.--Jacket.
Author: Josef Sorett Publisher: Oxford University Press ISBN: 0190606827 Category : History Languages : en Pages : 313
Book Description
Most of the major black literary and cultural movements of the twentieth century have been understood and interpreted as secular, secularizing and, at times, profane. In this book, Josef Sorett demonstrates that religion was actually a formidable force within these movements, animating and organizing African American literary visions throughout the years between the New Negro Renaissance of the 1920s and the Black Arts movement of the 1960s. Sorett unveils the contours of a literary history that remained preoccupied with religion even as it was typically understood by authors, readers, and critics alike to be modern and, therefore, secular. Spirit in the Dark offers an account of the ways in which religion, especially Afro-Protestantism, remained pivotal to the ideas and aspirations of African American literature across much of the twentieth century. From the dawn of the New Negro Renaissance until the ascendance of the Black Arts movement, black writers developed a spiritual grammar for discussing race and art by drawing on terms such as "church" and "spirit" that were part of the landscape and lexicon of American religious history. Sorett demonstrates that religion and spirituality have been key categories for identifying and interpreting what was (or was not) perceived to constitute or contribute to black literature and culture. By examining figures and movements that have typically been cast as "secular," he offers theoretical insights that trouble the boundaries of what counts as "sacred" in scholarship on African American religion and culture. Ultimately, Spirit in the Dark reveals religion to be an essential ingredient, albeit one that was always questioned and contested, in the forging of an African American literary tradition.
Author: Benjamin E. Mays
Author: Benjamin E. Mays
Author: Wallace D. Best
Author: James A. Emanuel
Author: Donald H. Matthews
Author: James H. Evans
Author: Craig R. Prentiss
Author: Lawrence Edward Carter
Author: Josef Sorett
Author: Miriam Thaggert
Author: Benjamin E. Mays