Author: Samuel Foster DamonPublisher:
ISBN:
Category : African Americans
Languages : en
Pages : 46
Book Description
The Negro in Early American Songsters
Author: Samuel Foster DamonPublisher:
ISBN:
Category : African Americans
Languages : en
Pages : 46
Book Description
Slave Songs of the United States
Author: William Francis AllenPublisher: Applewood Books
ISBN: 1557094349
Category : African Americans
Languages : en
Pages : 170
Book Description
Originally published in 1867, this book is a collection of songs of African-American slaves. A few of the songs were written after the emancipation, but all were inspired by slavery. The wild, sad strains tell, as the sufferers themselves could, of crushed hopes, keen sorrow, and a dull, daily misery, which covered them as hopelessly as the fog from the rice swamps. On the other hand, the words breathe a trusting faith in the life after, to which their eyes seem constantly turned.
The Music of Black Americans
Author: Eileen SouthernPublisher: W. W. Norton & Company
ISBN: 9780393038439
Category : Music
Languages : en
Pages : 710
Book Description
Beginning with the arrival of the first Africans in the English colonies, Eileen Southern weaves a fascinating narrative of intense musical activity. As singers, players, and composers, black American musicians are fully chronicled in this landmark book. Now in the third edition, the author has brought the entire text up to date and has added a wealth of new material covering the latest developments in gospel, blues, jazz, classical, crossover, Broadway, and rap as they relate to African American music.
Sonidos Negros
Author: K. Meira GoldbergPublisher:
ISBN: 019046691X
Category : Music
Languages : en
Pages : 316
Book Description
How is the politics of Blackness figured in the flamenco dancing body? What does flamenco dance tell us about the construction of race in the Atlantic world? Sonidos Negros traces how, in the span between 1492 and 1933, the vanquished Moor became Black, and how this figure, enacted in terms of a minstrelized Gitano, paradoxically came to represent Spain itself. The imagined Gypsy about which flamenco imagery turns dances on a knife's edge delineating Christian and non-Christian, White and Black worlds. This figure's subversive teetering undermines Spain's symbolic linkage of religion with race, a prime weapon of conquest. Flamenco's Sonidos Negros live in this precarious balance, amid the purposeful confusion and ruckus cloaking embodied resistance, the lament for what has been lost, and the values and aspirations of those rendered imperceptible by enslavement and colonization.
White People Do Not Know how to Behave at Entertainments Designed for Ladies & Gentlemen of Colour
Author: Marvin Edward McAllisterPublisher: Univ of North Carolina Press
ISBN: 9780807854501
Category : Performing Arts
Languages : en
Pages : 260
Book Description
McAllister offers a history of black theater pioneer William Brown's career and places his productions within the broader context of U.S. social, political, and cultural history.
Slavery & Race in American Popular Culture
Author: William L. Van DeburgPublisher: Univ of Wisconsin Press
ISBN: 9780299096342
Category : Biography & Autobiography
Languages : en
Pages : 284
Book Description
Spanning more than three centuries, from the colonial era to the present, Van Deburg's overview analyzes the works of American historians, dramatists, novelists, poets, lyricists, and filmmakers -- and exposes, through those artists' often disquieting perceptions, the cultural underpinnings of American current racial attitudes and divisions. Crucial to Van Deburg's analysis is his contrast of black and white attitudes toward the Afro-American slave experience. There has, in fact, been a persistent dichotomy between the two races' literary, historical, and theatrical representations of slavery. If white culture-makers have stressed the "unmanning" of the slaves and encouraged such steteotypes as the Noble Savage and the comic minstrel to justify the blacks' subordination, Afro-Americans have emphasized a counter self-image that celebrates the slaves' creativity, dignity, pride, and assertiveness. ISBN 0-299-09634-3 (pbk.) : $12.50.
Well of Souls: Uncovering the Banjo's Hidden History
Author: Kristina R. GaddyPublisher: W. W. Norton & Company
ISBN: 0393866815
Category : Music
Languages : en
Pages : 261
Book Description
One of The New Yorker’s Best Books of the Year Named one of the Most Memorable Music Books of the Year by No Depression: The Journal of Roots Music “Compelling.… [R]eveals [an instrument] intimately rooted in the African diaspora and capable of expressing flights of sorrow and joy.” —David Yezzi, Wall Street Journal An illuminating history of the banjo, revealing its origins at the crossroads of slavery, religion, and music. In an extraordinary story unfolding across two hundred years, Kristina Gaddy uncovers the banjo’s key role in Black spirituality, ritual, and rebellion. Through meticulous research in diaries, letters, archives, and art, she traces the banjo’s beginnings from the seventeenth century, when enslaved people of African descent created it from gourds or calabashes and wood. Gaddy shows how the enslaved carried this unique instrument as they were transported and sold by slaveowners throughout the Americas, to Suriname, the Caribbean, and the colonies that became U.S. states, including Louisiana, South Carolina, Maryland, and New York. African Americans came together at rituals where the banjo played an essential part. White governments, rightfully afraid that the gatherings could instigate revolt, outlawed them without success. In the mid-nineteenth century, Blackface minstrels appropriated the instrument for their bands, spawning a craze. Eventually the banjo became part of jazz, bluegrass, and country, its deepest history forgotten.
The Voices that Are Gone
Author: Jon W. FinsonPublisher: Oxford University Press
ISBN: 019535432X
Category : Music
Languages : en
Pages : 367
Book Description
In this unique and readable study, Jon Finson views the mores and values of nineteenth-century Americans as they appear in their popular songs. The author sets forth lyricists' and composers' notions of courtship, technology, death, African Americans, Native Americans, and European ethnicity by grouping songs topically. He goes on to explore the interaction between musical style and lyrics within each topic. The lyrics and changing musical styles present a vivid portrait of nineteenth-century America. The composers discussed in the book range from Henry Russell ("Woodman, Spare That Tree"), Stephen Foster ("Oh! Susanna"), and Dan Emmett ("I Wish I Was in Dixie's Land"), to George M. Cohan and Maude Nugent ("Sweet Rosie O'Grady"), and Gussie Lord Davis ("In the Baggage Coach Ahead"). Readers will recognize songs like "Pop Goes the Weasel," "The Yellow Rose of Texas," "The Fountain in the Park," "After the Ball," "A Bicycle Built for Two," and many others which gain significance by being placed in the larger context of American history.
Inside the Minstrel Mask
Author: Annemarie BeanPublisher: Wesleyan University Press
ISBN: 9780819563002
Category : History
Languages : en
Pages : 332
Book Description
A sourcebook of contemporary and historical commentary on America's first popular mass entertainment.
The Limits of the Human
Author: Felicity NussbaumPublisher: Cambridge University Press
ISBN: 9780521016421
Category : Literary Criticism
Languages : en
Pages : 356
Book Description
Felicity Nussbaum examines literary and cultural representations of human difference in England and its empire during the long eighteenth century. With a special focus on women s writing, Nussbaum analyzes canonical and lesser-known novels and plays from the Restoration to abolition. She considers a range of anomalies (defects, disease, and disability) as they intermingle with ideas of femininity, masculinity, and race to define normalcy as national identity. Incorporating writings by Behn, Burney, and the Bluestockings, as well as Southerne, Shaftesbury, Johnson, Sterne, and Equiano, Nussbaum treats a range of disabilities - being mute, blind, lame - and physical oddities such as eunuchism and giantism as they are inflected by emerging notions of a racial femininity and masculinity. She shows that these corporeal features, perceived as aberrant and extraordinary, combine in the popular imagination to reveal a repertory of differences located between the extremes of splendid and horrid novelty.