Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The National Museum of China PDF full book. Access full book title The National Museum of China by China. Guo jia bo wu guan. Download full books in PDF and EPUB format.
Author: China. Guo jia bo wu guan Publisher: Scala Arts Publishers Incorporated ISBN: 9781857596540 Category : Art objects Languages : en Pages : 0
Book Description
The reopening of the National Museum of China on the east side of Tian'anmen Square in Beijing in October will be by far and away the most significant event in the museum world in 2011. The interior of the original building, one of 10 famous architectural landmarks built in 1959 to mark the 10th anniversary of the Revolution, has been completely redesigned. The famous façade has been retained. The new museum will combine the original national collection of the Museum of Chinese History with that of the Museum of the Chinese Revolution. It therefore tells the entire history of Chinese civilization, from Yuanmou man (1,700,000 years old) through the overthrow of the last dynasty in 1911 to the Revolution of 1949 and then the founding of the People's Republic. The collection of historical objects is of the highest and most comprehensive nature - giving a complete history of Chinese art and culture. The modern collection comprises a fascinating selection of objects, documents charts, models and paintings to illustrate the rise of modern China. SELLING POINTS: *Beautiful volume to celebrate the reconstruction and reopening of China's national collection - a major event in the international museum world *Comprehensive illustration of the art and history of China, both ancient and modern 350 colour illustrations
Author: China. Guo jia bo wu guan Publisher: Scala Arts Publishers Incorporated ISBN: 9781857596540 Category : Art objects Languages : en Pages : 0
Book Description
The reopening of the National Museum of China on the east side of Tian'anmen Square in Beijing in October will be by far and away the most significant event in the museum world in 2011. The interior of the original building, one of 10 famous architectural landmarks built in 1959 to mark the 10th anniversary of the Revolution, has been completely redesigned. The famous façade has been retained. The new museum will combine the original national collection of the Museum of Chinese History with that of the Museum of the Chinese Revolution. It therefore tells the entire history of Chinese civilization, from Yuanmou man (1,700,000 years old) through the overthrow of the last dynasty in 1911 to the Revolution of 1949 and then the founding of the People's Republic. The collection of historical objects is of the highest and most comprehensive nature - giving a complete history of Chinese art and culture. The modern collection comprises a fascinating selection of objects, documents charts, models and paintings to illustrate the rise of modern China. SELLING POINTS: *Beautiful volume to celebrate the reconstruction and reopening of China's national collection - a major event in the international museum world *Comprehensive illustration of the art and history of China, both ancient and modern 350 colour illustrations
Author: Metropolitan Museum of Art (New York, N.Y.) Publisher: Metropolitan Museum of Art ISBN: 0870992260 Category : Bronze age Languages : en Pages : 408
Book Description
Describes the Chinese Bronze Age, including the development of the Chinese state, writing, religion and architecture.
Author: Marzia Varutti Publisher: Boydell & Brewer Ltd ISBN: 1843838885 Category : History Languages : en Pages : 206
Book Description
An examination of museums in China, surveying their development from the nineteenth century, and looking in particular at their incredible recent proliferation. Museums in China have undergone tremendous transformations since they first appeared in the country in the late nineteenth century. Futuristic, state-of-the-art museums have today become symbols of China's global cultural, economic and technological prominence, and over the last two decades, the number of Chinese museums has increased at an unprecedented rate, with China set to become the country with the highest number of museums in the world. But why have museums become so important? This book, based on extensive research in a number of the museums themselves, examines recent changes in their display methods, narratives, actors and architectural style. It also considers their representations of Chinese national identity, millenarian history and extraordinary cultural diversity. Through an analysis of the changes affecting not only what we observe through museums, but also the very medium of observation (i.e. museums themselves), this book provides a unique, original and timely exploration of the ongoing changes affecting Chinese society, and an evaluation of their consequences. Dr Marzia Varutti is apost-doctoral fellow at the Centre for Museum Studies, Department of Culture Studies and Oriental Languages, University of Oslo.
Author: Gail Dexter Lord Publisher: Rowman & Littlefield ISBN: 1538109980 Category : Business & Economics Languages : en Pages : 161
Book Description
The growth of the number and scale of Chinese museums in the 21st century, from about 1,400 at the turn of the century to over 5,000 to date, reflects the government’s Museum Development Plan for 2011-2020 to open one museum per 250,000 inhabitants, with the goal of attracting one billion visitors at the end of the decade. It is not just the numbers but the speed of development of Chinese museums that takes our breath away—with nearly one new museum per day being opened or expanded in this huge country. What are the motivations for the rapid development of museums in China? How is the public responding? Who pays for these museums and how? What has been the impact of china’s urbanization? How do Chinese museums balance education, scientific research, social cohesion, cultural diplomacy and tourism both internal and external? These are issues that continue to be discussed and debated among western museum professionals in the context of our 200-year history of modern museology. How are these debates evolving in China, which has its own history of museology over that same period from colonialism to communism and from isolation to opening up to the world? This book explores these issues while introducing English-language readers to a sample of the new Chinese museums in case studies and photographs. To accomplish this goal, Lord Cultural Associates partnered with the Chinese Museums Association who engaged leading Chinese museologists, museum directors, academics and architects to provide chapters and case studies on the history of museums in China, on evolving national museum policies, museum exhibitions and cultural diplomacy, the role of private museums, and the impact of museums on society. The four sections of this book build our knowledge of the roles of China’s museums through social and political changes, the systems of governance, the complex relationships between private and public sectors and many levels of government. Section One places the current building boom in context. Section Two addresses how China’s rapid urbanization has fueled the museum building boom, framed it, formed it and in some cases financed it. Section Three analyzes how Chinese exhibitions are tools for cultural diplomacy and key elements of soft power The six case studies in Section Four provide perspectives on the diversity of innovative approaches in the sector. Museum Development in China --- a beautiful, full-color book --- is the product of an international collaboration to discover how much East and West can learn from each other about museum roles, our publics, how we preserve, what we conserve, and our future sustainability—even as we marvel at the accomplishments of China’s museum building boom.
Author: Kirk A. Denton Publisher: University of Hawaii Press ISBN: 0824840062 Category : History Languages : en Pages : 362
Book Description
During the Mao era, China’s museums served an explicit and uniform propaganda function, underlining official Party history, eulogizing revolutionary heroes, and contributing to nation building and socialist construction. With the implementation of the post-Mao modernization program in the late 1970s and 1980s and the advent of globalization and market reforms in the 1990s, China underwent a radical social and economic transformation that has led to a vastly more heterogeneous culture and polity. Yet China is dominated by a single Leninist party that continues to rely heavily on its revolutionary heritage to generate political legitimacy. With its messages of collectivism, self-sacrifice, and class struggle, that heritage is increasingly at odds with Chinese society and with the state’s own neoliberal ideology of rapid-paced development, glorification of the market, and entrepreneurship. In this ambiguous political environment, museums and their curators must negotiate between revolutionary ideology and new kinds of historical narratives that reflect and highlight a neoliberal present. In Exhibiting the Past, Kirk Denton analyzes types of museums and exhibitionary spaces, from revolutionary history museums, military museums, and memorials to martyrs to museums dedicated to literature, ethnic minorities, and local history. He discusses red tourism—a state sponsored program developed in 2003 as a new form of patriotic education designed to make revolutionary history come alive—and urban planning exhibition halls, which project utopian visions of China’s future that are rooted in new conceptions of the past. Denton’s method is narratological in the sense that he analyzes the stories museums tell about the past and the political and ideological implications of those stories. Focusing on “official” exhibitionary culture rather than alternative or counter memory, Denton reinserts the state back into the discussion of postsocialist culture because of its centrality to that culture and to show that state discourse in China is neither monolithic nor unchanging. The book considers the variety of ways state museums are responding to the dramatic social, technological, and cultural changes China has experienced over the past three decades.
Author: 國立故宮博物院 Publisher: Metropolitan Museum of Art ISBN: 0810964945 Category : Art Languages : en Pages : 666
Book Description
A major scholarly work, published in conjunction with the exhibition titled "Splendors of Imperial China: Treasures from the National Palace Museum, Taipei" (on display at the Metropolitan Museum of Art during 1996, and scheduled for several other American cities during 1996-1997). Written by scholars of both Chinese and Western cultural backgrounds and conceived as a cultural history, the book synthesizes scholarship of the past three decades to present the historical and cultural significance of individual works of art and analyses of their aesthetic content, as well as reevaluation of the cultural dynamics of Chinese history. Includes some 600 illustrations, 436 in color. Annotation copyright by Book News, Inc., Portland, OR
Author: Simon Knell Publisher: Routledge ISBN: 1317723147 Category : Social Science Languages : en Pages : 504
Book Description
National Museums is the first book to explore the national museum as a cultural institution in a range of contrasting national contexts. Composed of new studies of countries that rarely make a showing in the English-language studies of museums, this book reveals how these national museums have been used to create a sense of national self, place the nation in the arts, deal with the consequences of political change, remake difficult pasts, and confront those issues of nationalism, ethnicity and multiculturalism which have come to the fore in national politics in recent decades. National Museums combines research from both leading and new researchers in the fields of history, museum studies, cultural studies, sociology, history of art, media studies, science and technology studies, and anthropology. It is an interrogation of the origins, purpose, organisation, politics, narratives and philosophies of national museums.
Author: Daisy Yiyou Wang Publisher: ISBN: 9780300237085 Category : ART Languages : en Pages : 0
Book Description
"Empresses of China's Forbidden City: 1644-1912 accompanies the exhibition of the same title organized by the Peabody Essex Museum in Salem, Massachusetts, the Freer]Sackler, Smithsonian Institution, in Washington, DC, and the Palace Museum, Beijing, China."
Author: Chui-Fun Selina Ho Publisher: ISBN: 9789463723527 Category : Art museums Languages : en Pages : 0
Book Description
This book challenges the museum enterprise in China as a state monopoly and considers it as a new cultural agency that has emerged in the early twenty-first century. Following a constructive and multi-perspectival approach, it discusses the roles of political and cultural-economic agents, museum intermediaries, and museum publics in the interlinked processes of regulation, cultural production and consumption, and the issues of identity and representation faced by the art museums in the Greater Pearl River Delta Region. It broadly traces the art museum from its origin as a tool of nationalism and adoption as a vehicle of modernization in both nationalist and early communist periods, until its role in the present, as it reflects the contested and alternative representations, diverse publics, and fissured identities of the post-economic reform period of China.
Author: China. Guo jia bo wu guan
Author: China. Guo jia bo wu guan
Author: Metropolitan Museum of Art (New York, N.Y.)
Author: Marzia Varutti
Author: Gail Dexter Lord
Author: Kirk A. Denton
Author: 國立故宮博物院
Author: Simon Knell
Author: 故宮博物院
Author: Daisy Yiyou Wang
Author: Chui-Fun Selina Ho