Author: American Music Center (New York, N.Y.)Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 332
Book Description
The National Endowment for the Arts Composer/Librettist Program Collection at the American Music Center
Author: American Music Center (New York, N.Y.)Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 332
Book Description
Composer/librettist Fellowships
Author: Music
Author: Publisher:
ISBN:
Category : Federal aid to the arts
Languages : en
Pages : 260
Book Description
Composers
Author: New Music Performance and Chamber Music
Author: National Endowment for the ArtsPublisher:
ISBN:
Category : Chamber music
Languages : en
Pages : 44
Book Description
Ask the Experts
Author: Michael Sy UyPublisher: Oxford University Press
ISBN: 0197510469
Category : Music
Languages : en
Pages : 277
Book Description
From the end of the Second World War through the U.S. Bicentennial, the National Endowment for the Arts, the Rockefeller Foundation, and the Ford Foundation granted close to $300 million (approximately $2.3 billion in 2017 dollars) in the field of music alone. In deciding what to fund, these three grantmaking institutions decided to "ask the experts," adopting seemingly objective, scientific models of peer review and specialist evaluation. They recruited music composers at elite institutions, professors from prestigious universities, and leaders of performing arts organizations. Among the most influential expert-consultants were Leonard Bernstein, Aaron Copland, Lukas Foss, and Milton Babbitt. The significance was two-fold: not only were male, Western art composers put in charge of directing large and unprecedented channels of public and private funds, but in doing so they also determined and defined what was meant by artistic excellence. They decided the fate of their peers and shaped the direction of music-making in this country. By asking the experts, the grantmaking institutions produced a concentrated and interconnected field of artists and musicians. Officers and directors utilized ostensibly objective financial tools like matching grants and endowments in an attempt to diversify and stabilize applicants' sources of funding, as well as the number of applicants they funded. Such economics-based strategies, however, relied more on personal connections among the wealthy and elite, rather than local community citizens. Ultimately, this history demonstrates how "expertise" served as an exclusionary form of cultural and social capital that prevented racial minorities and non-dominant groups from fully participating.
Opera-musical Theater
Author: Music Recording
Author: Bibliographical Handbook of American Music
Author: Donald William KrummelPublisher: University of Illinois Press
ISBN: 9780252014505
Category : Music
Languages : en
Pages : 288
Book Description
Foundations in Music Bibliography
Author: Richard D GreenPublisher: Routledge
ISBN: 1136586695
Category : Music
Languages : en
Pages : 413
Book Description
As more and more music literature is published each year, librarians, scholars, and bibliographers are turning to music bibliography to retain control over the flood of information. Based on the Conference of Music Bibliography, this timely book provides vital information on the most important aspects of the scholarly practice of music bibliography. Foundations in Music Bibliography provides librarians with great insight into bibliographic issues they face every day including bibliographic control of primary and secondary sources, the emergence of enumerative and analytical bibliography, bibliographic instruction, and bibliographic lacunae. Foundations in Music Bibliography features the perspectives of prominent scholars and music librarians on contemporary issues in music bibliography often encountered by music librarians. It offers practical insights and includes chapters on teaching students how to use microcomputer programs to search music bibliographies, organizing a graduate course in music bibliography, and researching film music bibliography. The book also provides a supplement to Steven D. Westcott’s A Comprehensive Bibliography of Music for Film and Television. This insightful volume demonstrates the many ways that bibliography relates music publications to each other and endows grander meaning to individual scholarly observations. Some of the fascinating topics covered by Foundations in Music Bibliography include: the history of thematic catalogs indexing Gregorian chant manuscripts general principles of bibliographic instruction analyses of Debussy discographies musical ephemera and their importance in various types of musicological research bibliographical lacunae (i.e. lack of access to visual sources, failure to control primary sources, and lack of communication with the rest of the performing arts) Foundations in Music Bibliography shows librarians how bibliography can be used to help music students and researchers find the information they need among the innumerable available sources. It is an indispensable asset to the shelves of all music reference libraries that wish to provide their patrons with the latest bibliographic tools.