Author: Peter Maresca
Publisher: Fantagraphics Sunday Press Books
ISBN: 9780976888598
Category : Comics & Graphic Novels
Languages : en
Pages : 0
Book Description
Collect the greatest fantasy comic strips from the earliest days of comics. The dawn of the 20th century saw of technological advances that were only dreamed of decades before. One such advance was four-color printing, which brought to life stories inspired by both the technology of the time and the children's fiction enjoyed by a burgeoning middle class. This confluence brought about a unique genre within a new art form--the Fantasy Comic Strip. These pages were a Sunday staple for less than two decades, soon replaced by humorous family comics that more closely mirrored the modern society. But from 1900 to 1915, American newspapers offered some of the most fascinating comics ever printed. And while Winsor McCay's Little Nemo in Slumberland is known worldwide, many of the great fantasy comics have virtually vanished -- until now. Presented here in the original size and colors are the complete comics of Lyonel Feininger--The Kin-der-Kids and Wee Willie Winkie's World, along with the complete adventures of: The Explorigator by Henry Grant Dart; Nibsy the Newsboy by George McManus; Naughty Pete by Charles Forbell, plus full-color Dream of the Rarebit Fiend Sundays by Winsor McCay. With dozens more fantastical Sundays from, John Gruelle, Gustave Verbeek, Herbert Crowley, John R. Neill and others.
Forgotten Fantasy, Sunday Comics 1900-1915
Society Is Nix
Author: Peter Maresca
Publisher: Sunday Press (CA)
ISBN: 9780983550419
Category : Art
Languages : en
Pages : 151
Book Description
"Mit dose kids, society is nix!" So said the Inspector about the Katzenjammer kids, but he could have been speaking of all comic strips in their formative years at the turn of the last century. From the very first color Sunday supplement, comics were a driving force in newspaper sales, even though their crude and often offensive content placed them in a whirl of controversy. Sunday comics presented a wild parody of the world and the culture that surrounded them. Society didn't stand a chance. These are the origins of the American comic strip, born at a time when there were no set styles or formats, when artistic anarchy helped spawn a new medium. Here are the earliest offerings from known greats like R. F. Outcault, George McManus, Winsor McCay, and George Herriman, along with the creations of more than fifty other superb cartoonists; over 150 Sunday comics dating from 1895 to 1915.
Publisher: Sunday Press (CA)
ISBN: 9780983550419
Category : Art
Languages : en
Pages : 151
Book Description
"Mit dose kids, society is nix!" So said the Inspector about the Katzenjammer kids, but he could have been speaking of all comic strips in their formative years at the turn of the last century. From the very first color Sunday supplement, comics were a driving force in newspaper sales, even though their crude and often offensive content placed them in a whirl of controversy. Sunday comics presented a wild parody of the world and the culture that surrounded them. Society didn't stand a chance. These are the origins of the American comic strip, born at a time when there were no set styles or formats, when artistic anarchy helped spawn a new medium. Here are the earliest offerings from known greats like R. F. Outcault, George McManus, Winsor McCay, and George Herriman, along with the creations of more than fifty other superb cartoonists; over 150 Sunday comics dating from 1895 to 1915.
Our Antediluvian Ancestors
Author: Frederick Burr Opper
Publisher:
ISBN:
Category : Caricatures and cartoons
Languages : en
Pages : 216
Book Description
Publisher:
ISBN:
Category : Caricatures and cartoons
Languages : en
Pages : 216
Book Description
The Brinkley Girls
Author: Nell Brinkley
Publisher: Fantagraphics Books
ISBN: 1560979704
Category : Art
Languages : en
Pages : 138
Book Description
For over thirty years Nell Brinkley’s beautiful girls pirouetted, waltzed, Charlestoned, vamped and shimmied their way through the pages of William Randolph Hearst’s newspapers, captivating the American public with their innocent sexuality. This sumptuously designed oversized hardcover collects Brinkley’s breathtakingly spectacular, exquisitely colored full page art from 1913 to 1940. Here are her earliest silent movie serial-inspired adventure series, “Golden Eyes and Her Hero, Bill;” her almost too romantic series, “Betty and Billy and Their Love Through the Ages;” her snappy flapper comics from the 1920s; her 1937 pulp magazine-inspired “Heroines of Today.” Included are photos of Nell, reproductions of her hitherto unpublished paintings, and an informative introduction by the book’s editor, Trina Robbins. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.9px Arial; color: #424242}
Publisher: Fantagraphics Books
ISBN: 1560979704
Category : Art
Languages : en
Pages : 138
Book Description
For over thirty years Nell Brinkley’s beautiful girls pirouetted, waltzed, Charlestoned, vamped and shimmied their way through the pages of William Randolph Hearst’s newspapers, captivating the American public with their innocent sexuality. This sumptuously designed oversized hardcover collects Brinkley’s breathtakingly spectacular, exquisitely colored full page art from 1913 to 1940. Here are her earliest silent movie serial-inspired adventure series, “Golden Eyes and Her Hero, Bill;” her almost too romantic series, “Betty and Billy and Their Love Through the Ages;” her snappy flapper comics from the 1920s; her 1937 pulp magazine-inspired “Heroines of Today.” Included are photos of Nell, reproductions of her hitherto unpublished paintings, and an informative introduction by the book’s editor, Trina Robbins. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.9px Arial; color: #424242}
Little Nemo
Author: Winsor McCay
Publisher:
ISBN:
Category : Children's dreams
Languages : en
Pages : 263
Book Description
Publisher:
ISBN:
Category : Children's dreams
Languages : en
Pages : 263
Book Description
The Children's Encyclopedia
Author: Arthur Mee
Publisher:
ISBN:
Category : Children's encyclopedias and dictionaries
Languages : en
Pages : 690
Book Description
Publisher:
ISBN:
Category : Children's encyclopedias and dictionaries
Languages : en
Pages : 690
Book Description
Uncle Tom's Cabin
Author: Harriet Beecher Stowe
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 524
Book Description
In the nineteenth century Uncle Tom's Cabin sold more copies than any other book in the world except the Bible.
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 524
Book Description
In the nineteenth century Uncle Tom's Cabin sold more copies than any other book in the world except the Bible.
The Naps of Polly Sleepyhead (Comic Anthology)
Author: Peter Newell
Publisher:
ISBN: 9781480174009
Category :
Languages : en
Pages : 50
Book Description
Naps of Polly Sleepyhead comic anthology by Peter Newell in 1906.
Publisher:
ISBN: 9781480174009
Category :
Languages : en
Pages : 50
Book Description
Naps of Polly Sleepyhead comic anthology by Peter Newell in 1906.
Madge the Magician's Daughter
Author: W. O. Wilson
Publisher:
ISBN: 9781930585461
Category :
Languages : en
Pages : 56
Book Description
Madge the Magician's Daughter was a classic newspaper comic strip that ran from 1905-1910. 51 selected comics from 1906 and 1907 are reprinted in black and white. The comic showed the misadventures of a young girl who tried to perform magic with her father's wand, with amusing results.
Publisher:
ISBN: 9781930585461
Category :
Languages : en
Pages : 56
Book Description
Madge the Magician's Daughter was a classic newspaper comic strip that ran from 1905-1910. 51 selected comics from 1906 and 1907 are reprinted in black and white. The comic showed the misadventures of a young girl who tried to perform magic with her father's wand, with amusing results.
Sublime Noise
Author: Josh Epstein
Publisher: JHU Press
ISBN: 1421415232
Category : Literary Criticism
Languages : en
Pages : 381
Book Description
What is the significance of noise in modernist music and literature? When Stravinsky’s Rite of Spring premiered in Paris in 1913, the crowd rioted in response to the harsh dissonance and jarring rhythms of its score. This was noise, not music. In Sublime Noise, Josh Epstein examines the significance of noise in modernist music and literature. How—and why—did composers and writers incorporate the noises of modern industry, warfare, and big-city life into their work? Epstein argues that, as the creative class engaged with the racket of cityscapes and new media, they reconsidered not just the aesthetic of music but also its cultural effects. Noise, after all, is more than a sonic category: it is a cultural value judgment—a way of abating and categorizing the sounds of a social space or of new music. Pulled into dialogue with modern music’s innovative rhythms, noise signaled the breakdown of art’s autonomy from social life—even the “old favorites” of Beethoven and Wagner took on new cultural meanings when circulated in noisy modern contexts. The use of noise also opened up the closed space of art to the pressures of publicity and technological mediation. Building both on literary cultural studies and work in the “new musicology,” Sublime Noise examines the rich material relationship that exists between music and literature. Through close readings of modernist authors, including James Joyce, T. S. Eliot, Edith Sitwell, E. M. Forster, and Ezra Pound, and composers, including George Antheil, William Walton, Erik Satie, and Benjamin Britten, Epstein offers a radically contemporary account of musical-literary interactions that goes well beyond pure formalism. This book will be of interest to scholars of Anglophone literary modernism and to musicologists interested in how music was given new literary and cultural meaning during that complex interdisciplinary period.
Publisher: JHU Press
ISBN: 1421415232
Category : Literary Criticism
Languages : en
Pages : 381
Book Description
What is the significance of noise in modernist music and literature? When Stravinsky’s Rite of Spring premiered in Paris in 1913, the crowd rioted in response to the harsh dissonance and jarring rhythms of its score. This was noise, not music. In Sublime Noise, Josh Epstein examines the significance of noise in modernist music and literature. How—and why—did composers and writers incorporate the noises of modern industry, warfare, and big-city life into their work? Epstein argues that, as the creative class engaged with the racket of cityscapes and new media, they reconsidered not just the aesthetic of music but also its cultural effects. Noise, after all, is more than a sonic category: it is a cultural value judgment—a way of abating and categorizing the sounds of a social space or of new music. Pulled into dialogue with modern music’s innovative rhythms, noise signaled the breakdown of art’s autonomy from social life—even the “old favorites” of Beethoven and Wagner took on new cultural meanings when circulated in noisy modern contexts. The use of noise also opened up the closed space of art to the pressures of publicity and technological mediation. Building both on literary cultural studies and work in the “new musicology,” Sublime Noise examines the rich material relationship that exists between music and literature. Through close readings of modernist authors, including James Joyce, T. S. Eliot, Edith Sitwell, E. M. Forster, and Ezra Pound, and composers, including George Antheil, William Walton, Erik Satie, and Benjamin Britten, Epstein offers a radically contemporary account of musical-literary interactions that goes well beyond pure formalism. This book will be of interest to scholars of Anglophone literary modernism and to musicologists interested in how music was given new literary and cultural meaning during that complex interdisciplinary period.