The Musical Language of Pierre Boulez PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Musical Language of Pierre Boulez PDF full book. Access full book title The Musical Language of Pierre Boulez by Jonathan Goldman. Download full books in PDF and EPUB format.
Author: Pierre Boulez Publisher: University of Chicago Press ISBN: 022667259X Category : Music Languages : en Pages : 689
Book Description
Music Lessons marks the first publication in English of a groundbreaking group of writings by French composer Pierre Boulez, his yearly lectures prepared for the Collège de France between 1976 and 1995. The lectures presented here offer a sustained intellectual engagement with themes of creativity in music by a widely influential cultural figure, who has long been central to the conversation around contemporary music. In his essays Boulez explores, among other topics, the process through which a musical idea is realized in a full-fledged composition, the complementary roles of craft and inspiration, and the degree to which the memory of other musical works can influence and change the act of creation. Boulez also gives a penetrating account of problems in classical music that are still present today, such as the often crippling conservatism of established musical institutions. Woven into the discussion are stories of his own compositions and those of fellow composers whose work he championed, as both a critic and conductor: from Stravinsky to Stockhausen and Varèse, from Bartók to Berg, Debussy to Mahler and Wagner, and all the way back to Bach. Including a foreword by famed semiologist Jean-Jacques Nattiez, who was for years a close collaborator and friend of the composer, this edition is also enriched by an illuminating preface by Jonathan Goldman. With a masterful translation retaining Boulez’s fierce convictions, cutting opinions, and signature wit, Music Lessons will be an essential and entertaining volume.
Author: Lev Koblyakov Publisher: Routledge ISBN: 1136608494 Category : Music Languages : en Pages : 236
Book Description
In this significant study of the music of Pierre Boulez, Dr. Koblyakov provides a complete analysis of Le Marteau sand Maître and deals with the development of serial music in the twentieth century and the problems of serial organization in general. He reaches stimulating conclusions about serial thinking and harmony in themusic of Pierre Boulez, thus enabling an understanding of the intricacies of this major composer's compositional techniques.
Author: Peter O'Hagan Publisher: Taylor & Francis ISBN: 1315517841 Category : Music Languages : en Pages : 365
Book Description
Pierre Boulez's first piano pieces date from his youth, prior to his studies in Paris with Messiaen, and his subsequent meteoric rise to international acclaim as the leader of the musical avant-garde during the 1950s. His most recent published work is a solo piano piece, Une page d’éphéméride, written some sixty years after his first attempts at composition. The piano has remained central to Boulez's creative work throughout his career, and although his renown as a conductor has to some extent overshadowed his other achievements, it was as a performer of his own piano music that his practical gifts first found expression. Peter O'Hagan has given performances of various unpublished piano works by Boulez, including Antiphonie from the Third Sonata and Trois Psalmodies. In this study, he considers Boulez's writing for the piano in the context of the composer's stylistic evolution throughout the course of his development. Each of the principal works is considered in detail, not only on its own terms, but also as a stage in Boulez's ongoing quest to invent radical solutions to the renewal of musical language and to reinvigorate tradition. The volume includes reference to hitherto unpublished source material, which sheds light on his working methods and on the interrelationship between works.
Author: Georgina Born Publisher: Univ of California Press ISBN: 0520202163 Category : History Languages : en Pages : 415
Book Description
As a year-long participant-observer, Born studied the social and cultural economy of an institution for research and production of avant-garde and computer music. She gives a unique portrait of IRCAM's composers, computer scientists, technicians, and secretaries, interrogating the effects of the cultural philosophy of the controversial avant-garde composer, Pierre Boulez, who directed the institute until 1992.
Author: Pierre Boulez Publisher: Oxford University Press on Demand ISBN: 9780193112100 Category : Music Languages : en Pages : 316
Book Description
Pierre Boulez (born 1925) is a major figure in French musical life, being not only the leading French composer of his generation, but also an outstanding conductor. He is also a prolific writer on music, and this is a translation of his first collection of essays, published in France in 1966. In these essays Boulez worked out many of his most significant ideas about music, and he sets forth his views with characteristic intellectual vigour and acuity. The essays are divided into four parts, the first three concerned with a common preoccupation (aesthetic, technical, polemical), thelast a collection of entries intended for a music encyclopaedia. Boulez writes mainly on the giants of twentieth-century music - Stravinsky, Schoenberg, Berg, Webern, Debussy, Messiaen, Ravel - and he offers penetrating and at times provocative analyses of some of their music and musical styles,such as neo-classicism and serialism. His illuminating comments arise from intimate knowledge of the music, and the resulting collection is an essential document of post-war modern music.
Author: Simon Emmerson Publisher: Springer ISBN: 1349184926 Category : Music Languages : en Pages : 229
Book Description
Since the inception of electroacoustic music in 1948, much has been written about technical developments. This book is one of the first to examine aesthetic issues central to this rapidly developing genre. It brings together composers from leading academic departments and studios in Britain, the United States, Canada and Paris with a wide range of approaches and opinions, resulting in a study which is likely to have a marked impact on current debates on the future of electroacoustic music. The book is divided into three sections. The first, Culture and Language, considers the relationship between music and the listener's perception and expectation. Materials and Lanugage looks at the types of materials available to composers and the way in which the internal structure of the sound can have implications for the overall structure of a piece. The final section, The Influence of New Technology, considers the relationship between computer systems and the music they are helping to create.
Author: Caroline Potter Publisher: Routledge ISBN: 1351566474 Category : Music Languages : en Pages : 388
Book Description
French Music Since Berlioz explores key developments in French classical music during the nineteenth and twentieth centuries. This volume draws on the expertise of a range of French music scholars who provide their own perspectives on particular aspects of the subject. D dre Donnellon's introduction discusses important issues and debates in French classical music of the period, highlights key figures and institutions, and provides a context for the chapters that follow. The first two of these are concerned with opera in the nineteenth and twentieth centuries respectively, addressed by Thomas Cooper for the nineteenth century and Richard Langham Smith for the twentieth. Timothy Jones's chapter follows, which assesses the French contribution to those most Germanic of genres, nineteenth-century chamber music and symphonies. The quintessentially French tradition of the nineteenth-century salon is the subject of James Ross's chapter, while the more sacred setting of Paris's most musically significant churches and the contribution of their organists is the focus of Nigel Simeone's essay. The transition from the nineteenth to the twentieth century is explored by Roy Howat through a detailed look at four leading figures of this time: Faur Chabrier, Debussy and Ravel. Robert Orledge follows with a later group of composers, Satie & Les Six, and examines the role of the media in promoting French music. The 1930s, and in particular the composers associated with Jeune France, are discussed by Deborah Mawer, while Caroline Potter investigates Parisian musical life during the Second World War. The book closes with two chapters that bring us to the present day. Peter O'Hagan surveys the enormous contribution to French music of Pierre Boulez, and Caroline Potter examines trends since 1945. Aimed at teachers and students of French music history, as well as performers and the inquisitive concert- and opera-goer, French Music Since Berlioz is an essential companion for an
Author: Jonathan Goldman
Author: Jonathan Goldman
Author: Pierre Boulez
Author: Lev Koblyakov
Author: Peter O'Hagan
Author: Edward Campbell
Author: Georgina Born
Author: Pierre Boulez
Author: Pierre Boulez
Author: Simon Emmerson
Author: Caroline Potter