Author: John Antes LatrobePublisher:
ISBN:
Category :
Languages : en
Pages : 496
Book Description
The music of the Church considered in its various branches
Author: John Antes LatrobeThe Music of the Church Considered in Its Various Branches, Congregational and Choral
Author: John Antes La Trobe (M.A., Incumbent of St. Thomas's Church, Kendal.)Publisher:
ISBN:
Category :
Languages : en
Pages : 482
Book Description
The Music of the Church Considered in Its Various Branches, Congregational and Choral
Author: John Antes LatrobePublisher: London : R.B. Seeley and W. Burnside
ISBN:
Category : Church music
Languages : en
Pages : 480
Book Description
DICTIONARY OF NATIONAL BIOGRAPHY
Author: SIDNEY LEEThe Christian guardian (and Church of England magazine).
Author: The British and Foreign Review
Author: The British and Foreign Review Or European Quarterly Journal
Author: Old Yorkshire
Author: Music in Nineteenth-Century Britain
Author: Rosemary GoldingPublisher: Taylor & Francis
ISBN: 1000564290
Category : History
Languages : en
Pages : 433
Book Description
This volume of primary source material examines music and society in Britian during the ninteenth century. Sources explore religion, politics, class, and gender. The collection of materials are accompanied by an introduction by Rosemary Golding, as well as headnotes contextualising the pieces. This collection will be of great value to students and scholars.
Music and the Cultural Production of Scale
Author: Phil DoddsPublisher: Springer Nature
ISBN: 3031362837
Category : Music
Languages : en
Pages : 113
Book Description
This open access book shows how geographical scales are made through music. Scales are sets of spatial frames, abstractions or categories that denote the size, proportion, level, extent or hierarchical relations of phenomena. They are neither natural nor neutral but actively produced, with real political effects. But what role do cultural practices play in the production of scale? Phil Dodds addresses this question by focusing on music, arguing that music scholarship has both most to gain from and most to offer to a fuller conceptualisation of how geographical scale is culturally produced. Dodds suggests that music scholars should treat scales as open questions, and as phenomena potentially made through musical practices, rather than as stable categories for framing other arguments about, say, ‘local’ or ‘global’ music. He analyses how the meaning of ‘the local’ is affected by the aesthetics of popular music, and how the relationship between the particular and the general is fused through common musical conventions. Music and the Cultural Production of Scale explores diverse musical examples – including Janelle Monáe’s concept albums, key tracks in the grime genre, protest songs at environmental and anti-fascist demonstrations, and nineteenth-century colonial hymn-singing – to demonstrate how we already live in a world whose scales are made by music. The book also shows that music has the potential to produce a world scaled otherwise.