Author: James HoggPublisher:
ISBN:
Category :
Languages : en
Pages : 250
Book Description
The mountain bard, ballads and songs
Author: James HoggThe Mountain Bard
Author: James HoggThe Mountain Bard
Author: James HoggPublisher: Gale and the British Library
ISBN:
Category : History
Languages : en
Pages : 242
Book Description
This is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the original versions are generally quite old, there may occasionally be certain imperfections within these reproductions. We're happy to make these classics available again for future generations to enjoy!
The Mountain Bard
Author: James HoggCatalogue of the Library of the Peabody Institute of the City of Baltimore ...
Author: Catalogue of the Library of the Peabody Institute of the City of Baltimore ...
Author: Johns Hopkins University. Peabody Institute. LibraryPublisher:
ISBN:
Category : Dictionary catalogs
Languages : en
Pages : 990
Book Description
Scotland from the Earliest Times to the Present Century
Author: John MackintoshPublisher:
ISBN:
Category : Scotland
Languages : en
Pages : 378
Book Description
Scotland
Author: John MacKintoshPublisher: Wildside Press LLC
ISBN: 1434475085
Category : Fiction
Languages : en
Pages : 362
Book Description
A history and study of Scotland from the arrival of the Celts to the modern literature of Scotland.
The Story of Scotland from the Earliest Times to the Present Century
Author: John MackintoshPublisher: New York Putnam 1894.
ISBN:
Category : Scotland
Languages : en
Pages : 380
Book Description
Napoleon and British Song, 1797-1822
Author: Oskar Cox JensenPublisher: Springer
ISBN: 1137555386
Category : History
Languages : en
Pages : 264
Book Description
This study offers a radical reassessment of a crucial period of political and cultural history. By looking at some 400 songs, many of which are made available to hear, and at their writers, singers, and audiences, it questions both our relationship with song, and ordinary Britons' relationship with Napoleon, the war, and the idea of Britain itself.