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Author: Elizabeth B. Bearden Publisher: University of Toronto Press ISBN: 144269615X Category : History Languages : en Pages : 273
Book Description
The ancient Greek romances of Achilles Tatius and Heliodorus were widely imitated by early modern writers such as Miguel de Cervantes, Philip Sidney, and Mary Wroth. Like their Greek models, Renaissance romances used ekphrasis, or verbal descriptions of visual representation, as a tool for characterization. The Emblematics of the Self shows how the women, foreigners, and non-Christians of these tales reveal their identities and desires in their responses to the ‘verbal pictures’ of romance. Elizabeth B. Bearden illuminates how ‘verbal pictures’ enliven characterization in English, Spanish, and Neolatin romances from 1552 to 1621. She notes the capacity for change among characters — such as cross-dressed Amazons, shepherdish princesses, and white Mauritanians — who traverse transnational cultural and aesthetic environments. Engaging and rigorous, The Emblematics of the Self breaks new ground in understanding hegemonic and cosmopolitan European conceptions of the ‘other,’ as well as new possibilities for early modern identities, in an increasingly global Renaissance.
Author: Elizabeth B. Bearden Publisher: University of Toronto Press ISBN: 144269615X Category : History Languages : en Pages : 273
Book Description
The ancient Greek romances of Achilles Tatius and Heliodorus were widely imitated by early modern writers such as Miguel de Cervantes, Philip Sidney, and Mary Wroth. Like their Greek models, Renaissance romances used ekphrasis, or verbal descriptions of visual representation, as a tool for characterization. The Emblematics of the Self shows how the women, foreigners, and non-Christians of these tales reveal their identities and desires in their responses to the ‘verbal pictures’ of romance. Elizabeth B. Bearden illuminates how ‘verbal pictures’ enliven characterization in English, Spanish, and Neolatin romances from 1552 to 1621. She notes the capacity for change among characters — such as cross-dressed Amazons, shepherdish princesses, and white Mauritanians — who traverse transnational cultural and aesthetic environments. Engaging and rigorous, The Emblematics of the Self breaks new ground in understanding hegemonic and cosmopolitan European conceptions of the ‘other,’ as well as new possibilities for early modern identities, in an increasingly global Renaissance.
Author: Richard Hillman Publisher: Manchester University Press ISBN: 1526144093 Category : Drama Languages : en Pages : 317
Book Description
In exploring links between the early modern English theatre and France, Richard Hillman focuses on Shakespeare’s deployment of genres whose dominant Italian models and affinities might seem to leave little scope for French ones. The author draws on specific and unsuspected points of contact, whilst also pointing out a broad tendency by the dramatist, to draw on French material, both dramatic and non-dramatic, to inflect comic forms in potentially tragic directions. The resulting internal tensions are evident from the earliest comedies to the latest tragicomedies (or ‘romances’). While its many original readings will interest specialists and students of Shakespeare, this book will have broader appeal: it contributes significantly, from an unfamiliar angle, to the contemporary discourse concerned with early modern English culture within the European context. At the same time, it is accessible to a wide range of readers, with translations provided for all non-English citations.
Author: Heidi Brayman Hackel Publisher: Cambridge University Press ISBN: 9780521842518 Category : Design Languages : en Pages : 344
Book Description
Reading Material in Early Modern England rediscovers the practices and representations of sixteenth- and seventeenth-century English readers. By telling their stories and insisting upon their variety, Brayman Hackel displaces both the singular 'ideal' reader of literacy theory and the elite male reader of literacy history.
Author: Victor Skretkowicz Publisher: Manchester University Press ISBN: 1526135116 Category : Literary Criticism Languages : en Pages : 401
Book Description
European Erotic Romance examines the Renaissance publication and translation of the ancient Greek erotic romances, and English adaptations of the genre by Sir Philip Sidney, Shakespeare and Lady Mary Sidney Wroth. Providing fresh insight into the development of the novel, this study identifies the politicisation of erotic romance by the European philhellene (lovers of all things Greek) Protestant movement. To English translators and authors, the complex plots, well developed moralised characters (particularly female) and rhetorical styles of the ancient novels signify political and social reform. Generous quotation and translations ensure that European Erotic Romance is accessible to a broad spectrum of readers. Its organisation lends itself to use as a course text. It is suitable for use by senior undergraduates and specialists in Renaissance literature, translation, rhetoric and history.
Author: Jonathan Willis Publisher: Routledge ISBN: 1317166248 Category : History Languages : en Pages : 315
Book Description
'Church Music and Protestantism in Post-Reformation England' breaks new ground in the religious history of Elizabethan England, through a closely focused study of the relationship between the practice of religious music and the complex process of Protestant identity formation. Hearing was of vital importance in the early modern period, and music was one of the most prominent, powerful and emotive elements of religious worship. But in large part, traditional historical narratives of the English Reformation have been distinctly tone deaf. Recent scholarship has begun to take increasing notice of some elements of Reformed musical practice, such as the congregational singing of psalms in meter. This book marks a significant advance in that area, combining an understanding of theory as expressed in contemporary religious and musical discourse, with a detailed study of the practice of church music in key sites of religious worship. Divided into three sections - 'Discourses', 'Sites', and 'Identities' - the book begins with an exploration of the classical and religious discourses which underpinned sixteenth-century understandings of music, and its use in religious worship. It then moves on to an investigation of the actual practice of church music in parish and cathedral churches, before shifting its attention to the people of Elizabethan England, and the ways in which music both served and shaped the difficult process of Protestantisation. Through an exploration of these issues, and by reintegrating music back into the Elizabethan church, we gain an expanded and enriched understanding of the complex evolution of religious identities, and of what it actually meant to be Protestant in post-Reformation England.
Author: Jon Benson Publisher: Nedward LLC ISBN: 0997089911 Category : Fiction Languages : en Pages : 654
Book Description
The historical record for William Shakespeare being bare, The Death of Shakespeare imagines how the 17th Earl of Oxford wrote the plays, with occasional help from Shakespeare. The Reader's Companion to The Death of Shakespeare contains notes made while writing the novel that was distilled into The Reader’s Companion to help separate fact from fiction.
Author: Kirk Melnikoff Publisher: University of Toronto Press ISBN: 1487502230 Category : Drama Languages : en Pages : 310
Book Description
Outlining the full range of practises that publishers performed, including the acquisition of copy and titles, compiling, alteration to texts, and reissuing, Elizabethan Publishing and the Makings of Literary Culture considers links between the book trade and the literary culture of Elizabethan England.
Author: Patrick Cheney Publisher: Oxford University Press ISBN: 0191077798 Category : Literary Criticism Languages : en Pages : 752
Book Description
The Oxford History of Classical Reception (OHCREL) is designed to offer a comprehensive investigation of the numerous and diverse ways in which literary texts of the classical world have stimulated responses and refashioning by English writers. Covering the full range of English literature from the early Middle Ages to the present day, OHCREL both synthesizes existing scholarship and presents cutting-edge new research, employing an international team of expert contributors for each of the five volumes. OHCREL endeavours to interrogate, rather than inertly reiterate, conventional assumptions about literary 'periods', the processes of canon-formation, and the relations between literary and non-literary discourse. It conceives of 'reception' as a complex process of dialogic exchange and, rather than offering large cultural generalizations, it engages in close critical analysis of literary texts. It explores in detail the ways in which English writers' engagement with classical literature casts as much light on the classical originals as it does on the English writers' own cultural context. This second volume covers the years 1558-1660, and explores the reception of the ancient genres and authors in English Renaissance literature, engaging with the major, and many of the minor, writers of the period, including Shakespeare, Marlowe, Spenser, and Jonson. Separate chapters examine the Renaissance institutions and contexts which shape the reception of antiquity, and an annotated bibliography provides substantial material for further reading.
Author: Elizabeth B. Bearden
Author: Elizabeth B. Bearden
Author: Richard Hillman
Author: Heidi Brayman Hackel
Author: Paul Hammond
Author: Victor Skretkowicz
Author: Jonathan Willis
Author: Achilles Tatius
Author: Jon Benson
Author: Kirk Melnikoff
Author: Patrick Cheney