Author: Emily Brady
Publisher: Cambridge University Press
ISBN: 1107276268
Category : Philosophy
Languages : en
Pages : 241
Book Description
In The Sublime in Modern Philosophy: Aesthetics, Ethics, and Nature, Emily Brady takes a fresh look at the sublime and shows why it endures as a meaningful concept in contemporary philosophy. In a reassessment of historical approaches, the first part of the book identifies the scope and value of the sublime in eighteenth-century philosophy (with a focus on Kant), nineteenth-century philosophy and Romanticism, and early wilderness aesthetics. The second part examines the sublime's contemporary significance through its relationship to the arts; its position with respect to other aesthetic categories involving mixed or negative emotions, such as tragedy; and its place in environmental aesthetics and ethics. Far from being an outmoded concept, Brady argues that the sublime is a distinctive aesthetic category which reveals an important, if sometimes challenging, aesthetic-moral relationship with the natural world.
The Sublime in Modern Philosophy
Author: Emily Brady
Publisher: Cambridge University Press
ISBN: 1107276268
Category : Philosophy
Languages : en
Pages : 241
Book Description
In The Sublime in Modern Philosophy: Aesthetics, Ethics, and Nature, Emily Brady takes a fresh look at the sublime and shows why it endures as a meaningful concept in contemporary philosophy. In a reassessment of historical approaches, the first part of the book identifies the scope and value of the sublime in eighteenth-century philosophy (with a focus on Kant), nineteenth-century philosophy and Romanticism, and early wilderness aesthetics. The second part examines the sublime's contemporary significance through its relationship to the arts; its position with respect to other aesthetic categories involving mixed or negative emotions, such as tragedy; and its place in environmental aesthetics and ethics. Far from being an outmoded concept, Brady argues that the sublime is a distinctive aesthetic category which reveals an important, if sometimes challenging, aesthetic-moral relationship with the natural world.
Publisher: Cambridge University Press
ISBN: 1107276268
Category : Philosophy
Languages : en
Pages : 241
Book Description
In The Sublime in Modern Philosophy: Aesthetics, Ethics, and Nature, Emily Brady takes a fresh look at the sublime and shows why it endures as a meaningful concept in contemporary philosophy. In a reassessment of historical approaches, the first part of the book identifies the scope and value of the sublime in eighteenth-century philosophy (with a focus on Kant), nineteenth-century philosophy and Romanticism, and early wilderness aesthetics. The second part examines the sublime's contemporary significance through its relationship to the arts; its position with respect to other aesthetic categories involving mixed or negative emotions, such as tragedy; and its place in environmental aesthetics and ethics. Far from being an outmoded concept, Brady argues that the sublime is a distinctive aesthetic category which reveals an important, if sometimes challenging, aesthetic-moral relationship with the natural world.
The Sublime
Author: Philip Shaw
Publisher: Routledge
ISBN: 1134493185
Category : Literary Criticism
Languages : en
Pages : 192
Book Description
Often labelled as ‘indescribable’, the sublime is a term that has been debated for centuries amongst writers, artists, philosophers and theorists. Usually related to ideas of the great, the awe-inspiring and the overpowering, the sublime has become a complex yet crucial concept in many disciplines. Offering historical overviews and explanations, Philip Shaw looks at: the legacy of the earliest, classical theories of the sublime through the romantic to the postmodern and avant-garde sublimity the major theorists of the sublime such as Kant, Burke, Lyotard, Derrida, Lacan and Zizek, offering critical introductions to each the significance of the concept through a range of literary readings including the Old and New testaments, Homer, Milton and writing from the romantic era how the concept of the sublime has affected other art forms such as painting and film, from abstract expressionism to David Lynch’s neo-noir. This remarkably clear study of what is, in essence, a term which evades definition, is essential reading for students of literature, critical and cultural theory.
Publisher: Routledge
ISBN: 1134493185
Category : Literary Criticism
Languages : en
Pages : 192
Book Description
Often labelled as ‘indescribable’, the sublime is a term that has been debated for centuries amongst writers, artists, philosophers and theorists. Usually related to ideas of the great, the awe-inspiring and the overpowering, the sublime has become a complex yet crucial concept in many disciplines. Offering historical overviews and explanations, Philip Shaw looks at: the legacy of the earliest, classical theories of the sublime through the romantic to the postmodern and avant-garde sublimity the major theorists of the sublime such as Kant, Burke, Lyotard, Derrida, Lacan and Zizek, offering critical introductions to each the significance of the concept through a range of literary readings including the Old and New testaments, Homer, Milton and writing from the romantic era how the concept of the sublime has affected other art forms such as painting and film, from abstract expressionism to David Lynch’s neo-noir. This remarkably clear study of what is, in essence, a term which evades definition, is essential reading for students of literature, critical and cultural theory.
Beauty and the Contemporary Sublime
Author: Jeremy Gilbert-Rolfe
Publisher: Allworth Press
ISBN:
Category : Art
Languages : en
Pages : 188
Book Description
This book offers an unpredictable, humorous, and politically unconstrained perspective on today's heated debates about the meaning and role of beauty in art and contemporary society.
Publisher: Allworth Press
ISBN:
Category : Art
Languages : en
Pages : 188
Book Description
This book offers an unpredictable, humorous, and politically unconstrained perspective on today's heated debates about the meaning and role of beauty in art and contemporary society.
English Authorship and the Early Modern Sublime
Author: Patrick Cheney
Publisher: Cambridge University Press
ISBN: 1107049628
Category : Literary Criticism
Languages : en
Pages : 329
Book Description
Linking ecstasy with art and liberty, the book advances understanding of Renaissance literature as a field in the humanities today.
Publisher: Cambridge University Press
ISBN: 1107049628
Category : Literary Criticism
Languages : en
Pages : 329
Book Description
Linking ecstasy with art and liberty, the book advances understanding of Renaissance literature as a field in the humanities today.
The Sublime
Author: Timothy M. Costelloe
Publisher: Cambridge University Press
ISBN: 0521143675
Category : History
Languages : en
Pages : 319
Book Description
This volume offers readers a unique and comprehensive overview of different theoretical and interdisciplinary perspectives on 'the sublime'.
Publisher: Cambridge University Press
ISBN: 0521143675
Category : History
Languages : en
Pages : 319
Book Description
This volume offers readers a unique and comprehensive overview of different theoretical and interdisciplinary perspectives on 'the sublime'.
Contemporary Visual Culture and the Sublime
Author: Temenuga Trifonova
Publisher: Routledge Advances in Art and Visual Studies
ISBN: 9781138237728
Category : Arts, Modern
Languages : en
Pages : 236
Book Description
Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- List of Figures -- Editor's Introduction -- 1 The Event That Cannot (Not) Happen -- 2 Sublimity and the Dialectic of Horror and Spirituality -- 3 The Popular Sublime and the Notional Sublime -- 4 Of Fake and Real Sublimes -- 5 "Black and Glittering": The Inscrutable Sublime -- 6 Uncertainty Prone to Vulgarity -- 7 Recentering the Sublime: Cognitive and Neuropsychological Approaches -- 8 Flow, Freedom, and the Gamified Sublime -- 9 The Ambiguity Effects of the Techno-Sublime -- 10 From Diagrams to Deities: Evoking the Cosmological Sublime -- 11 Feeling Not at Home in the Twenty-First-Century World: The Sublimein Contemporary Environmental Aesthetics -- 12 The Sublime as a Mode of Address in Contemporary EnvironmentalPhotography -- 13 Magnificent Disasters: Sublime Landscapes in Post-Millennial Cinema -- 14 Psychedelia and the History of the Chemical Sublime -- 15 The Birds and the Bees -- List of Contributors -- Index
Publisher: Routledge Advances in Art and Visual Studies
ISBN: 9781138237728
Category : Arts, Modern
Languages : en
Pages : 236
Book Description
Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- List of Figures -- Editor's Introduction -- 1 The Event That Cannot (Not) Happen -- 2 Sublimity and the Dialectic of Horror and Spirituality -- 3 The Popular Sublime and the Notional Sublime -- 4 Of Fake and Real Sublimes -- 5 "Black and Glittering": The Inscrutable Sublime -- 6 Uncertainty Prone to Vulgarity -- 7 Recentering the Sublime: Cognitive and Neuropsychological Approaches -- 8 Flow, Freedom, and the Gamified Sublime -- 9 The Ambiguity Effects of the Techno-Sublime -- 10 From Diagrams to Deities: Evoking the Cosmological Sublime -- 11 Feeling Not at Home in the Twenty-First-Century World: The Sublimein Contemporary Environmental Aesthetics -- 12 The Sublime as a Mode of Address in Contemporary EnvironmentalPhotography -- 13 Magnificent Disasters: Sublime Landscapes in Post-Millennial Cinema -- 14 Psychedelia and the History of the Chemical Sublime -- 15 The Birds and the Bees -- List of Contributors -- Index
Sublime Noise
Author: Josh Epstein
Publisher: JHU Press
ISBN: 1421415232
Category : Literary Criticism
Languages : en
Pages : 381
Book Description
What is the significance of noise in modernist music and literature? When Stravinsky’s Rite of Spring premiered in Paris in 1913, the crowd rioted in response to the harsh dissonance and jarring rhythms of its score. This was noise, not music. In Sublime Noise, Josh Epstein examines the significance of noise in modernist music and literature. How—and why—did composers and writers incorporate the noises of modern industry, warfare, and big-city life into their work? Epstein argues that, as the creative class engaged with the racket of cityscapes and new media, they reconsidered not just the aesthetic of music but also its cultural effects. Noise, after all, is more than a sonic category: it is a cultural value judgment—a way of abating and categorizing the sounds of a social space or of new music. Pulled into dialogue with modern music’s innovative rhythms, noise signaled the breakdown of art’s autonomy from social life—even the “old favorites” of Beethoven and Wagner took on new cultural meanings when circulated in noisy modern contexts. The use of noise also opened up the closed space of art to the pressures of publicity and technological mediation. Building both on literary cultural studies and work in the “new musicology,” Sublime Noise examines the rich material relationship that exists between music and literature. Through close readings of modernist authors, including James Joyce, T. S. Eliot, Edith Sitwell, E. M. Forster, and Ezra Pound, and composers, including George Antheil, William Walton, Erik Satie, and Benjamin Britten, Epstein offers a radically contemporary account of musical-literary interactions that goes well beyond pure formalism. This book will be of interest to scholars of Anglophone literary modernism and to musicologists interested in how music was given new literary and cultural meaning during that complex interdisciplinary period.
Publisher: JHU Press
ISBN: 1421415232
Category : Literary Criticism
Languages : en
Pages : 381
Book Description
What is the significance of noise in modernist music and literature? When Stravinsky’s Rite of Spring premiered in Paris in 1913, the crowd rioted in response to the harsh dissonance and jarring rhythms of its score. This was noise, not music. In Sublime Noise, Josh Epstein examines the significance of noise in modernist music and literature. How—and why—did composers and writers incorporate the noises of modern industry, warfare, and big-city life into their work? Epstein argues that, as the creative class engaged with the racket of cityscapes and new media, they reconsidered not just the aesthetic of music but also its cultural effects. Noise, after all, is more than a sonic category: it is a cultural value judgment—a way of abating and categorizing the sounds of a social space or of new music. Pulled into dialogue with modern music’s innovative rhythms, noise signaled the breakdown of art’s autonomy from social life—even the “old favorites” of Beethoven and Wagner took on new cultural meanings when circulated in noisy modern contexts. The use of noise also opened up the closed space of art to the pressures of publicity and technological mediation. Building both on literary cultural studies and work in the “new musicology,” Sublime Noise examines the rich material relationship that exists between music and literature. Through close readings of modernist authors, including James Joyce, T. S. Eliot, Edith Sitwell, E. M. Forster, and Ezra Pound, and composers, including George Antheil, William Walton, Erik Satie, and Benjamin Britten, Epstein offers a radically contemporary account of musical-literary interactions that goes well beyond pure formalism. This book will be of interest to scholars of Anglophone literary modernism and to musicologists interested in how music was given new literary and cultural meaning during that complex interdisciplinary period.
Virginia Woolf and the Modern Sublime
Author: Daniel T. O'Hara
Publisher: Springer
ISBN: 1137580062
Category : Literary Criticism
Languages : en
Pages : 134
Book Description
Sublime Woolf was written in a burst of enthusiasm after the author, Daniel T. O'Hara was finally able to teach Virginia Woolf's modernist classics again. This book focuses on those uncanny visionary passages when in elaborating 'a moment of being,' as Woolf terms it, supplements creatively the imaginative resonance of the scene.
Publisher: Springer
ISBN: 1137580062
Category : Literary Criticism
Languages : en
Pages : 134
Book Description
Sublime Woolf was written in a burst of enthusiasm after the author, Daniel T. O'Hara was finally able to teach Virginia Woolf's modernist classics again. This book focuses on those uncanny visionary passages when in elaborating 'a moment of being,' as Woolf terms it, supplements creatively the imaginative resonance of the scene.
The Modern Sublime
Author: Norman Lloyd Wendth
Publisher:
ISBN:
Category : Literature, Modern
Languages : en
Pages : 300
Book Description
Publisher:
ISBN:
Category : Literature, Modern
Languages : en
Pages : 300
Book Description
The Sublime
Author: Philip Shaw
Publisher: Taylor & Francis
ISBN: 1317508874
Category : Literary Criticism
Languages : en
Pages : 251
Book Description
Related to ideas of the great, the awe-inspiring and the overpowering, the sublime has been debated for centuries amongst writers, artists, philosophers and theorists and has become a complex yet crucial concept in many disciplines. In this thoroughly updated edition, Philip Shaw looks at: Early modern and post-Romantic conceptions of the sublime in two brand new chapters The legacy of the earliest classical theories, through those of the long eighteenth century to modernist, postmodernist and avant-garde conceptions of the sublime Critical Introductions to major theorists of the sublime such as Longinus, Burke, Kant, Schopenhauer, Nietzsche, Derrida, Lyotard, Lacan and Žižek The significance of the concept through a range of literary readings, including the Old and New Testaments, Homer, Milton and writing from the Romantic period to the present day How the concept of the sublime has affected other art forms such as painting and film, from abstract expressionism to David Lynch’s neo-noir The influence of the sublime on recent debates in the fields of politics, theology and psychoanalysis. Offering historical overviews and explanations, this remarkably clear study is essential reading for students of literature, critical and cultural theory.
Publisher: Taylor & Francis
ISBN: 1317508874
Category : Literary Criticism
Languages : en
Pages : 251
Book Description
Related to ideas of the great, the awe-inspiring and the overpowering, the sublime has been debated for centuries amongst writers, artists, philosophers and theorists and has become a complex yet crucial concept in many disciplines. In this thoroughly updated edition, Philip Shaw looks at: Early modern and post-Romantic conceptions of the sublime in two brand new chapters The legacy of the earliest classical theories, through those of the long eighteenth century to modernist, postmodernist and avant-garde conceptions of the sublime Critical Introductions to major theorists of the sublime such as Longinus, Burke, Kant, Schopenhauer, Nietzsche, Derrida, Lyotard, Lacan and Žižek The significance of the concept through a range of literary readings, including the Old and New Testaments, Homer, Milton and writing from the Romantic period to the present day How the concept of the sublime has affected other art forms such as painting and film, from abstract expressionism to David Lynch’s neo-noir The influence of the sublime on recent debates in the fields of politics, theology and psychoanalysis. Offering historical overviews and explanations, this remarkably clear study is essential reading for students of literature, critical and cultural theory.