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Author: Michelle Ray Publisher: Poppy ISBN: 0316134422 Category : Young Adult Fiction Languages : en Pages : 229
Book Description
Passion, romance, drama, humor, and tragedy intertwine in this compulsively readable Hamlet retelling, from the perspective of a strong-willed, modern-day Ophelia. Meet Ophelia, high school senior, daughter of the Danish king's most trusted adviser, and longtime girlfriend of Prince Hamlet of Denmark. She lives a glamorous life and has a royal social circle, and her beautiful face is splashed across magazines and television screens. But it comes with a price--her life is ruled not only by Hamlet's fame and his overbearing royal family but also by the paparazzi who hound them wherever they go. After the sudden and suspicious death of his father, the king, the devastatingly handsome Hamlet spirals dangerously toward madness, and Ophelia finds herself torn, with no one to turn to. All Ophelia wants is to live a normal life. But when you date a prince, you have to play your part. Ophelia rides out this crazy roller coaster life, and lives to tell her story in live television interviews.
Author: Michelle Ray Publisher: Poppy ISBN: 0316134422 Category : Young Adult Fiction Languages : en Pages : 229
Book Description
Passion, romance, drama, humor, and tragedy intertwine in this compulsively readable Hamlet retelling, from the perspective of a strong-willed, modern-day Ophelia. Meet Ophelia, high school senior, daughter of the Danish king's most trusted adviser, and longtime girlfriend of Prince Hamlet of Denmark. She lives a glamorous life and has a royal social circle, and her beautiful face is splashed across magazines and television screens. But it comes with a price--her life is ruled not only by Hamlet's fame and his overbearing royal family but also by the paparazzi who hound them wherever they go. After the sudden and suspicious death of his father, the king, the devastatingly handsome Hamlet spirals dangerously toward madness, and Ophelia finds herself torn, with no one to turn to. All Ophelia wants is to live a normal life. But when you date a prince, you have to play your part. Ophelia rides out this crazy roller coaster life, and lives to tell her story in live television interviews.
Author: BookCaps Publisher: BookCaps Study Guides ISBN: 1610427297 Category : Drama Languages : en Pages : 326
Book Description
Hamlet is arguably one of the greatest plays ever written; it has been staged countless times, adapted into movies, and inspired thousands of artist--but let's face it..if you don't understand it, then you are not alone. If you have struggled in the past reading Shakespeare, then BookCaps can help you out. This book is a modern translation of Hamlet. The original text is also presented in the book, along with a comparable version of both text. We all need refreshers every now and then. Whether you are a student trying to cram for that big final, or someone just trying to understand a book more, BookCaps can help. We are a small, but growing company, and are adding titles every month. This book was last updated 2/18/12.
Author: William Shakespeare Publisher: ISBN: 9781331523789 Category : History Languages : en Pages : 486
Book Description
Excerpt from A New Variorum Edition of Shakespeare The Shakespeare Club, - 'many millions strong' as Christopher North says, - is made up of readers of Shakespeare and students of Shakespeare. All are readers, and some at times students. When reading Shakespeare, we resign ourselves to the mighty current, and let it bear us along whithersoever it will; we see no shoals, heed no rocks, need no pilot. Whether spoken from rude boards or printed in homely form, the words are Shakespeare's, the hour is his, and a thought of texts is an impertinence. But when we study Shakespeare, then (r.u mood changes; no longer are we 'sitting at a play, ' the passive recipients of impressions through the eye and ear, but we weigh every word, analyse every expression, sift every phrase, that no grain of art or beauty which we can assimilate shall escape. To do this to our best advantage we must have Shakespeare's own words before us. No other words will avail, even though they be those of the wisest and most inspired of our day and generation. We must have Shakespeare's own text; or, failing this, the nearest possible approach to it. We shall be duly grateful to the wise and learned, who, where phrases are obscure, give us the words which they believe to have been Shakespeare's; but, as students, we must have under our eyes the original text, which, however stubborn it may seem at times, may yet open its treasures to our importunity, and reveal charms before undreamed of. This original text is to be found in the First edition of his Works, published in 1623, and usually known as the First Folio, which was presumably printed from the words written by Shakespeare's own hand, or from Stage copies adapted from his manuscripts. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: William J. Rolfe Publisher: Forgotten Books ISBN: 9780364272404 Category : Drama Languages : en Pages : 292
Book Description
Excerpt from Shakespeare's Tragedy of Hamlet, Prince of Denmark: Edited, With Notes The text of this edition of Hamlet is based upon a careful collation of the quarto of 1604 and the folio of 1623 with the other early editions and the leading modern ones. All the important Daria: lertz'ones are given in the Notes; so that the reader, If he considers my text too conservative, has all the materials necessary for making one to suit himself. In the Notes my indebtedness to Furness is acknowledged on almost every page, and yet is by no means fully recorded. His edition furnishes an abstract and epitome of the vast literature of Hamlet, and is indis pensable to the teacher and the critical scholar. He found it no easy task to condense his material into two octavo volumes; and in carrying out my more modest plan I have found a like difiiculty in keeping within my limited space. The play is one of the longest (about twice as long as mamatli), and the amount that has been written about it far exceeds that on any other of Shakespeare's works. Furness does not exaggerate when he says N 0 one Of mortal mould (save iiim whose blessed feet were nailed for our advantage to the bitter cross') ever trod this earth, commanding such absorbing interest as this Hamlet, this mere creation of a poet's brain. NO sxllable that be u hispers, no word let fall by any one near him, but is caught and pondered as no nords ever have been, cxcept of Holy Writ. Upon no throne built by mortal hands has ever 'beat so fierce a light' as upon that airy fabric reared at Elsinore. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: William Shakespeare Publisher: Prestwick House Inc ISBN: 9781580495912 Category : Drama Languages : en Pages : 140
Book Description
'?what is this quintessence of dust?In Shakespeare's most famous play, a young prince, alienated and betrayed, struggles to make a decision; in a court where every friend is a spy, and every loving act somehow leads to murder, the sanest person is he who pretends to be mad. A brilliantly controlled plot, complex and convincing characters, and, above all, wonderful poetry have won Hamlet a deserved place as Shakespeare's most popular and frequently-performed play. Any young person who has been deceived or disappointed by an adult has been the young prince; anyone who has ever felt alone in the modern world has wandered the castle at Elsinore. Thus Hamlet, who asks, ?Why am I here? is a hero for our times, as well as his own. To make Hamlet more accessible for the modern reader, our Prestwick House Literary Touchstone Edition includes a glossary of the more difficult words, as well as convenient sidebar notes to enlighten the reader on aspects that may be confusing or overlooked. In doing this, it is our intention that the reader may more fully enjoy the beauty of the verse, the wisdom of the insights, and the impact of the play.
Author: Jonathan Bate Publisher: Princeton University Press ISBN: 0691210144 Category : Literary Criticism Languages : en Pages : 378
Book Description
"This book grew from the inaugural E. H. Gombrich Lectures in the Classical Tradition that I delivered in the autumn of 2013 at the Warburg Institute of the University of London, under the title, "Ancient Strength: Shakespeare and the Classical Tradition"--Preface, page ix.
Author: William Shakespeare Publisher: Oxford Paperbacks ISBN: 9780199535811 Category : Drama Languages : en Pages : 416
Book Description
Hamlet's combination of violence and introspection is unusual among Shakespeare's tragedies. It is also full of curious riddles and fascinating paradoxes, making it one of his most widely discussed plays. Professor Hibbard's illuminating and original introduction explains the process by which variant texts were fused together in the eighteenth century to create the most commonly used text of today. Drawing on both critical and theatrical history, he shows how this fusion makes Hamlet seem a much more `problematic' play than it was when it originally appeared in the First Folio of 1623. The Oxford Shakespeare edition presents a radically new text, based on that First Folio, which printed Shakespeare's own revision of an earlier version. The result is a `theatrical' and highly practical edition for students and performers alike.
Author: William Shakespeare Publisher: Bloomsbury Publishing ISBN: 1408198789 Category : Drama Languages : en Pages : 1382
Book Description
This revised edition of the Arden Shakespeare Complete Works includes the full text of Double Falsehood, which was published in the Arden Third series to critical acclaim in 2010. The play is an eighteenth century rewrite of Shakespeare's "lost" play Cardenio and as such is a fascinating testament to the original. A short introduction outlines its complex textual history and the arguments for including it within the Shakespeare canon. The Complete Works contains the texts of all Shakespeare's plays, poems and sonnets, edited by leading Shakespeare scholars for the renowned Arden series. A general introduction gives the reader an overall view of how and why Shakespeare has become such an influential cultural icon, and how perceptions of his work have changed in the intervening four centuries. The introduction summarises the known facts about the dramatist's life, his reading and use of sources, and the nature of theatrical performance during his lifetime. Brief introductions to each play, written specially for this volume by the Arden General Editors, discuss the date and contemporary context of the play, its position within Shakespeare's oeuvre, and its subsequent performance history. An extensive glossary explains vocabulary which may be unfamiliar to modern readers.
Author: Stephen Greenblatt Publisher: Princeton University Press ISBN: 1400848091 Category : Literary Criticism Languages : en Pages : 347
Book Description
In Hamlet in Purgatory, renowned literary scholar Stephen Greenblatt delves into his longtime fascination with the ghost of Hamlet's father, and his daring and ultimately gratifying journey takes him through surprising intellectual territory. It yields an extraordinary account of the rise and fall of Purgatory as both a belief and a lucrative institution--as well as a capacious new reading of the power of Hamlet. In the mid-sixteenth century, English authorities abruptly changed the relationship between the living and dead. Declaring that Purgatory was a false "poem," they abolished the institutions and banned the practices that Christians relied on to ease the passage to Heaven for themselves and their dead loved ones. Greenblatt explores the fantastic adventure narratives, ghost stories, pilgrimages, and imagery by which a belief in a grisly "prison house of souls" had been shaped and reinforced in the Middle Ages. He probes the psychological benefits as well as the high costs of this belief and of its demolition. With the doctrine of Purgatory and the elaborate practices that grew up around it, the church had provided a powerful method of negotiating with the dead. The Protestant attack on Purgatory destroyed this method for most people in England, but it did not eradicate the longings and fears that Catholic doctrine had for centuries focused and exploited. In his strikingly original interpretation, Greenblatt argues that the human desires to commune with, assist, and be rid of the dead were transformed by Shakespeare--consummate conjurer that he was--into the substance of several of his plays, above all the weirdly powerful Hamlet. Thus, the space of Purgatory became the stage haunted by literature's most famous ghost. This book constitutes an extraordinary feat that could have been accomplished by only Stephen Greenblatt. It is at once a deeply satisfying reading of medieval religion, an innovative interpretation of the apparitions that trouble Shakespeare's tragic heroes, and an exploration of how a culture can be inhabited by its own spectral leftovers. This expanded Princeton Classics edition includes a new preface by the author.
Author: Michelle Ray
Author: Michelle Ray
Author: BookCaps
Author: William Shakespeare
Author: William Shakespeare
Author: William J. Rolfe
Author: William Shakespeare
Author: Jonathan Bate
Author: William Shakespeare
Author: William Shakespeare
Author: Stephen Greenblatt