Author:
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 472
Book Description
The Modern Dictionary of Arts and Sciences, Or, Complete System of Literature
Author:
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 472
Book Description
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 472
Book Description
A Dictionary of Modern and Contemporary Art
Author: Ian Chilvers
Publisher: Oxford University Press, USA
ISBN: 0199239657
Category : Art
Languages : en
Pages : 786
Book Description
This unique and authoritative reference work contains more than 2,000 clear and concise entries on all aspects of modern and contemporary art. Its impressive range of terms includes movements, styles, techniques, artists, critics, dealers, schools, and galleries. There are biographical entries for artists worldwide from the beginning of the 20th century through to the beginning of the 21st, from the Finnish architect Alvar Aalto to the French sculptor Jacques Zwobada. With international coverage, indications of public collections and publicly sited works, and in-depth entries for key topics (for example, Cubism and abstract art), this dictionary is a fascinating and thorough guide for anyone with an interest in modern and contemporary culture, amateur or professional. Formerly the Dictionary of 20th Century Art, the text has been completely revised and updated for this major new edition. 300 entries have been added and it now contains entries on photography in modern art. With emphasis on recent art and artists, for example Damien Hirst, it has an exceptionally strong coverage of art from the 1960s, which makes it particularly ideal for contemporary art enthusiasts. Further reading is provided at entry level to assist those wishing to know more about a particular subject. In addition, this edition features recommended web links for many entries, which are accessed and kept up to date via the Dictionary of Modern Art companion website. The perfect companion for the desk, bedside table, or gallery visits, A Dictionary of Modern and Contemporary Art is an essential A-Z reference work for art students, artists, and art lovers.
Publisher: Oxford University Press, USA
ISBN: 0199239657
Category : Art
Languages : en
Pages : 786
Book Description
This unique and authoritative reference work contains more than 2,000 clear and concise entries on all aspects of modern and contemporary art. Its impressive range of terms includes movements, styles, techniques, artists, critics, dealers, schools, and galleries. There are biographical entries for artists worldwide from the beginning of the 20th century through to the beginning of the 21st, from the Finnish architect Alvar Aalto to the French sculptor Jacques Zwobada. With international coverage, indications of public collections and publicly sited works, and in-depth entries for key topics (for example, Cubism and abstract art), this dictionary is a fascinating and thorough guide for anyone with an interest in modern and contemporary culture, amateur or professional. Formerly the Dictionary of 20th Century Art, the text has been completely revised and updated for this major new edition. 300 entries have been added and it now contains entries on photography in modern art. With emphasis on recent art and artists, for example Damien Hirst, it has an exceptionally strong coverage of art from the 1960s, which makes it particularly ideal for contemporary art enthusiasts. Further reading is provided at entry level to assist those wishing to know more about a particular subject. In addition, this edition features recommended web links for many entries, which are accessed and kept up to date via the Dictionary of Modern Art companion website. The perfect companion for the desk, bedside table, or gallery visits, A Dictionary of Modern and Contemporary Art is an essential A-Z reference work for art students, artists, and art lovers.
Science in the Public Sphere
Author: Richard Yeo
Publisher: Taylor & Francis
ISBN: 1040246494
Category : History
Languages : en
Pages : 334
Book Description
The common focus of the essays in this book is the debate on the nature of science - often referred to by contemporaries as ’natural knowledge’ - in Britain during the first half of the 19th century. This was the period before major state support for science allowed its professionalization; indeed, it was a time in which the word ’scientist’ (although coined in 1833 by William Whewell) was not yet widely used. In this context, the questions about the nature of science were part of a public debate that included the following topics: scientific method and intellectual authority, the moral demeanour of the man of science, the hierarchy of specialised scientific disciplines, and the relation with natural theology. These topics were discussed both within scientific circles - in correspondence and meeting of societies - as well as in the wider public sphere constituted by quarterly journals and encyclopaedias. A study of these debates allow us to see how British science of this period began to cast loose some of its earlier theological supports, but still relied on a moral framework to affirm its distinctive method, ethos and cultural value.
Publisher: Taylor & Francis
ISBN: 1040246494
Category : History
Languages : en
Pages : 334
Book Description
The common focus of the essays in this book is the debate on the nature of science - often referred to by contemporaries as ’natural knowledge’ - in Britain during the first half of the 19th century. This was the period before major state support for science allowed its professionalization; indeed, it was a time in which the word ’scientist’ (although coined in 1833 by William Whewell) was not yet widely used. In this context, the questions about the nature of science were part of a public debate that included the following topics: scientific method and intellectual authority, the moral demeanour of the man of science, the hierarchy of specialised scientific disciplines, and the relation with natural theology. These topics were discussed both within scientific circles - in correspondence and meeting of societies - as well as in the wider public sphere constituted by quarterly journals and encyclopaedias. A study of these debates allow us to see how British science of this period began to cast loose some of its earlier theological supports, but still relied on a moral framework to affirm its distinctive method, ethos and cultural value.
A Catalogue of the books belonging to the Charleston Library Society
Author: Charleston Library Society (CHARLESTON, South Carolina)
Publisher:
ISBN:
Category :
Languages : en
Pages : 412
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 412
Book Description
A Catalog of the Books Belonging to the Charleston Library Society
Author: Charleston Library Society (Charleston, S.C.)
Publisher:
ISBN:
Category : Proprietary libraries
Languages : en
Pages : 838
Book Description
Publisher:
ISBN:
Category : Proprietary libraries
Languages : en
Pages : 838
Book Description
Telling Lives in Science
Author: Michael Shortland
Publisher: Cambridge University Press
ISBN: 9780521433235
Category : Biography & Autobiography
Languages : en
Pages : 318
Book Description
Collects together original essays by leading historians of science on the nature and development of scientific biography.
Publisher: Cambridge University Press
ISBN: 9780521433235
Category : Biography & Autobiography
Languages : en
Pages : 318
Book Description
Collects together original essays by leading historians of science on the nature and development of scientific biography.
Encyclopaedic Visions
Author: Richard Yeo
Publisher: Cambridge University Press
ISBN: 9780521651912
Category : History
Languages : en
Pages : 370
Book Description
Cultural history of Enlightenment encyclopaedias revealing Enlightenment debates concerning organisation and communication of knowledge.
Publisher: Cambridge University Press
ISBN: 9780521651912
Category : History
Languages : en
Pages : 370
Book Description
Cultural history of Enlightenment encyclopaedias revealing Enlightenment debates concerning organisation and communication of knowledge.
A Catalogue of Books, for the Year 1803
Author: Lackington, firm, booksellers, London
Publisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 646
Book Description
Publisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 646
Book Description
THE NEW ROYAL ENCYCLOPAEDIA; OR, COMPLETE MODERN UNIVERSAL DICTIONARY OF ARTS & SCIENCES, ON A NEW AND IMPROVED PLAN
The Design, Production and Reception of Eighteenth-Century Wallpaper in Britain
Author: Clare Taylor
Publisher: Routledge
ISBN: 1351021761
Category : Art
Languages : en
Pages : 234
Book Description
Wallpaper’s spread across trades, class and gender is charted in this first full-length study of the material’s use in Britain during the long eighteenth century. It examines the types of wallpaper that were designed and produced and the interior spaces it occupied, from the country house to the homes of prosperous townsfolk and gentry, showing that wallpaper was hung by Earls and merchants as well as by aristocratic women. Drawing on a wide range of little known examples of interior schemes and surviving wallpapers, together with unpublished evidence from archives including letters and bills, it charts wallpaper’s evolution across the century from cheap textile imitation to innovative new decorative material. Wallpaper’s growth is considered not in terms of chronology, but rather alongside the categories used by eighteenth-century tradesmen and consumers, from plains to flocks, from China papers to papier mâché and from stucco papers to materials for creating print rooms. It ends by assessing the ways in which eighteenth-century wallpaper was used to create historicist interiors in the twentieth century. Including a wide range of illustrations, many in colour, the book will be of interest to historians of material culture and design, scholars of art and architectural history as well as practicing designers and those interested in the historic interior.
Publisher: Routledge
ISBN: 1351021761
Category : Art
Languages : en
Pages : 234
Book Description
Wallpaper’s spread across trades, class and gender is charted in this first full-length study of the material’s use in Britain during the long eighteenth century. It examines the types of wallpaper that were designed and produced and the interior spaces it occupied, from the country house to the homes of prosperous townsfolk and gentry, showing that wallpaper was hung by Earls and merchants as well as by aristocratic women. Drawing on a wide range of little known examples of interior schemes and surviving wallpapers, together with unpublished evidence from archives including letters and bills, it charts wallpaper’s evolution across the century from cheap textile imitation to innovative new decorative material. Wallpaper’s growth is considered not in terms of chronology, but rather alongside the categories used by eighteenth-century tradesmen and consumers, from plains to flocks, from China papers to papier mâché and from stucco papers to materials for creating print rooms. It ends by assessing the ways in which eighteenth-century wallpaper was used to create historicist interiors in the twentieth century. Including a wide range of illustrations, many in colour, the book will be of interest to historians of material culture and design, scholars of art and architectural history as well as practicing designers and those interested in the historic interior.