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Author: Edward Marston Publisher: Allison & Busby ISBN: 0749040106 Category : Fiction Languages : en Pages : 238
Book Description
He had the power to assume a pleasing shape, but would he take to the stage . . . ? The audience was merry indeed when a third devilish imp bounded onstage to join the two that had been written into the script. But backstage all was uproar. The third demon seemed too much like the real thing. Even Nicholas Bracewell, the company mainstay, was shaken when, next time the play was given, only one devil appeared. The second, poor fellow, was now only a little red heap backstage. Murdered. Before the curtain rose again, Lord Westfield's Men would suffer the sermons of a puritan fanatic, the enchantment of passion, the terror of a London madhouse, prophecies of a famous alchemist, and danger as they'd never known it before . . .
Author: Edward Marston Publisher: Allison & Busby ISBN: 0749040106 Category : Fiction Languages : en Pages : 238
Book Description
He had the power to assume a pleasing shape, but would he take to the stage . . . ? The audience was merry indeed when a third devilish imp bounded onstage to join the two that had been written into the script. But backstage all was uproar. The third demon seemed too much like the real thing. Even Nicholas Bracewell, the company mainstay, was shaken when, next time the play was given, only one devil appeared. The second, poor fellow, was now only a little red heap backstage. Murdered. Before the curtain rose again, Lord Westfield's Men would suffer the sermons of a puritan fanatic, the enchantment of passion, the terror of a London madhouse, prophecies of a famous alchemist, and danger as they'd never known it before . . .
Author: Anonymous Publisher: Routledge ISBN: 1135866740 Category : Performing Arts Languages : en Pages : 124
Book Description
The Merry Devil of Edmonton lay unperformed from the early seventeenth century until the 1980s. Dating from around 1604, it was first published in 1608 and was performed at the Globe Theatre by the King's Men. With its scenes of magic, deer poaching, and abduction from a nunnery, The Merry Devil of Edmonton combines romance and comedy in a highly entertaining way, and was a favorite production on the seventeenth century stage.
Author: John D. Cox Publisher: Cambridge University Press ISBN: 1139426958 Category : Literary Criticism Languages : en Pages : 271
Book Description
John Cox tells the intriguing story of stage devils from their earliest appearance in English plays to the closing of the theatres by parliamentary order in 1642. The book represents a major revision of E. K. Chambers' ideas of stage devils in The Medieval Stage (1903), arguing that this is not a history of gradual secularization, as scholarship has maintained for the last century, but rather that stage devils were profoundly shaped from the outset by the assumptions of sacred drama and retained this shape virtually unchanged until the advent of permanent commercial theatres near London. The book spans both medieval and Renaissance drama including the medieval Mystery cycles on the one hand, through to plays by Greene, Marlowe, Shakespeare (1 and 2 Henry VI), Jonson, Middleton and Davenant. An appendix lists all known devil plays in English from the beginning to 1642.
Author: Darren Oldridge Publisher: The History Press ISBN: 0752476424 Category : History Languages : en Pages : 225
Book Description
The Devil was a commanding figure in Tudor and Stuart England. He played a leading role in the religious and political conflicts of the age, and inspired great works of poetry and drama. During the turmoil of the English Civil War, fears of a secret conspiracy of Devil-worshippers fuelled a witch-hunt that claimed at least a hundred lives. This book traces the idea of the Devel from the English Reformation to the scientific revolution of the late seventeenth century. It shows that he was not only a central figure in the imaginative life of the age, but also a deeply ambiguous and complex one: the avowed enemy of God and his unwilling accomplice, and a creature that provoked fascination, comdey and dread.
Author: Ben Jonson Publisher: Manchester University Press ISBN: 9780719030901 Category : Drama Languages : en Pages : 262
Book Description
This edition contains an introduction which looks at the special place of the play in Jonson's own life, his interest in London, the theatrical setting of the play and its sources and analogues. It also includes critical and explanatory commentaries and a glossarial index.
Author: Lisa Hopkins Publisher: Routledge ISBN: 1317102762 Category : Performing Arts Languages : en Pages : 278
Book Description
Magical Transformations on the Early Modern Stage furthers the debate about the cultural work performed by representations of magic on the early modern English stage. It considers the ways in which performances of magic reflect and feed into a sense of national identity, both in the form of magic contests and in its recurrent linkage to national defence; the extent to which magic can trope other concerns, and what these might be; and how magic is staged and what the representational strategies and techniques might mean. The essays range widely over both canonical plays-Macbeth, The Tempest, The Winter’s Tale, The Merry Wives of Windsor, Doctor Faustus, Bartholomew Fair-and notably less canonical ones such as The Birth of Merlin, Fedele and Fortunio, The Merry Devil of Edmonton, The Devil is an Ass, The Late Lancashire Witches and The Witch of Edmonton, putting the two groups into dialogue with each other and also exploring ways in which they can be profitably related to contemporary cases or accusations of witchcraft. Attending to the representational strategies and self-conscious intertextuality of the plays as well as to their treatment of their subject matter, the essays reveal the plays they discuss as actively intervening in contemporary debates about witchcraft and magic in ways which themselves effect transformation rather than simply discussing it. At the heart of all the essays lies an interest in the transformative power of magic, but collectively they show that the idea of transformation applies not only to the objects or even to the subjects of magic, but that the plays themselves can be seen as working to bring about change in the ways that they challenge contemporary assumptions and stereotypes.
Author: Barbara Howard Traister Publisher: Routledge ISBN: 1317180615 Category : Literary Criticism Languages : en Pages : 198
Book Description
Expanding the scholarly conversation about anonymity in Renaissance England, this essay collection explores the phenomenon in all its variety of methods and genres as well as its complex relationship with its alter ego, attribution studies. Contributors address such questions as these: What were the consequences of publishing and reading anonymous texts for Renaissance writers and readers? What cultural constraints and subject positions made anonymous publication in print or manuscript a strategic choice? What are the possible responses to Renaissance anonymity in contemporary classrooms and scholarly debate? The volume opens with essays investigating particular texts-poetry, plays, and pamphlets-and the inflection each genre gives to the issue of anonymity. The collection then turns to consider more abstract consequences of anonymity: its function in destabilizing scholarly assumptions about authorship, its ethical ramifications, and its relationship to attribution studies.
Author: Edward Marston Publisher: Allison & Busby ISBN: 0749015160 Category : Fiction Languages : en Pages : 305
Book Description
Winter, Witchcraft and Devilish Deceit. Faced with the austerities of a bitterly cold English winter, the theatre is deserted and Westfield's Men find themselves out of work. Fortuitously, the company is invited to perform at a country home in Essex; welcome news to the disgruntled players. The company decide it's the perfect opportunity to trial their new play, The Witch of Colchester. However, when the group's leading actor begins to fall mysteriously ill, the company fear witchcraft might be involved. Then on the performance night, an audience member inexplicably collapses and dies, paving the way for Nicholas Bracewell to uncover the cause of the strange events taking place in Silvermere.
Author: Edward Marston
Author: Edward Marston
Author: Anonymous
Author: Edward Marston
Author: William Shakespeare
Author: John D. Cox
Author: Darren Oldridge
Author: Ben Jonson
Author: Lisa Hopkins
Author: Barbara Howard Traister
Author: Edward Marston