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Author: Larry McCaffery Publisher: University of Pittsburgh Pre ISBN: 0822976358 Category : Literary Criticism Languages : en Pages : 313
Book Description
McCaffery interprets the works of three major writers of radically experimental fiction: Robert Coover; Donald Barthelme; and Willam H. Gass. The term "metafiction" here refers to a strain in American writing where the self-concious approach to the art of fiction-making is a commentary on the nature of meaning itself.
Author: Larry McCaffery Publisher: University of Pittsburgh Pre ISBN: 0822976358 Category : Literary Criticism Languages : en Pages : 313
Book Description
McCaffery interprets the works of three major writers of radically experimental fiction: Robert Coover; Donald Barthelme; and Willam H. Gass. The term "metafiction" here refers to a strain in American writing where the self-concious approach to the art of fiction-making is a commentary on the nature of meaning itself.
Author: Mark Currie Publisher: Routledge ISBN: 1317893867 Category : Literary Criticism Languages : en Pages : 400
Book Description
Metafiction is one of the most distinctive features of postwar fiction, appearing in the work of novelists as varied as Eco, Borges, Martin Amis and Julian Barnes. It comprises two elements: firstly cause, the increasing interpenetration of professional literary criticism and the practice of writing; and secondly effect: an emphasis on the playing with styles and forms, resulting from an enhanced self-consciousness and awareness of the elusiveness of meaning and the limitations of the realist form. Dr Currie's volume examines first the two components of metafiction, with practical illustrations from the work of such writers as Derrida and Foucault. A final section then provides the view of metafiction as seen by metafictional writers themselves.
Author: Inger Christensen Publisher: ISBN: Category : Language Arts & Disciplines Languages : en Pages : 180
Book Description
In 20th century literature, a kind of fiction has come much to the fore where the narrator discusses his own craft and frequently addresses the reader. However, Laurence Sterneʼs Tristram Shandy may serve as a striking example of the fact that metafiction is no modern phenomenon. Metafiction has been criticized for solipsism and regarded as a final proof of ʼthe novel no longer novelʼ. Discussing works of three contemporary novelists, Nobokov, Barth and Beckett, and Sterneʼs eighteenth century novel, the author argues that with their tricks, parodies and humour (humor) the metafictionists are concerned with a central human problem: communication. Should literature entertain, come up with ideas about the meaning of existence or give the reader a purely aesthetic experience? The four novelists examined in this study give different and rather exciting answers to these questions and to the problem of bringing their intentions across to the reader. Book cover.
Author: John N. Duvall Publisher: Cambridge University Press ISBN: 0521196310 Category : Literary Criticism Languages : en Pages : 293
Book Description
A comprehensive 2011 guide to the genres, historical contexts, cultural diversity and major authors of American fiction since the Second World War.
Author: Bryan Stanley Johnson Publisher: New Directions Publishing ISBN: 9780811209540 Category : Fiction Languages : en Pages : 196
Book Description
A disaffected young man, Christie Malry, is a simple man who learns the principles of double-entry book-keeping while taking an evening class in accountancy and working in the local bank. He begins to apply these principles to his own life, revenging himself against society in an increasingly violent manner for perceived 'debits'. Debit: the unpleasantness of the bank manager is the first on an ever-growing list; Credit: scratching the façade of the office block. All accounts are settled in the most alarming way.
Author: Jasper Fforde Publisher: Penguin ISBN: 1101601043 Category : Fiction Languages : en Pages : 306
Book Description
NEW YORK TIMES BESTSELLER • Ex-detective Thursday Next faces her trickiest assignment yet in the seventh novel of this renowned series, “[a] bibliophile’s Wonderland” (The Plain Dealer). “It’s safe to say that if you enjoy that particularly British, Douglas Adams–style absurd delivery of wry observations, you’ll get a kick out of [The Woman Who Died a Lot].”—New York Journal of Books Thursday Next, the Bookworld’s leading enforcement officer, has been forced into semiretirement following an assassination attempt. When her former SpecOps division is reinstated, she assumes she’s the obvious choice to lead the Literary Detectives. Sadly, our banged-up heroine is no spring chicken, and her old boss has a cushier job in mind: Chief Librarian of the Swindon All-You-Can-Eat-at-Fatso’s Drink Not Included Library. But where Thursday goes, trouble follows. As the new Chief Librarian faces 100 percent budget cuts and trouble from the ever-evil Jack Schitt, the Next children face their own career hiccups—and possible nonexistence. Don’t miss any of Jasper Fforde’s delightfully entertaining Thursday Next novels: THE EYRE AFFAIR • LOST IN A GOOD BOOK • THE WELL OF LOST PLOTS • SOMETHING ROTTEN • FIRST AMONG SEQUELS • ONE OF OUR THURSDAYS IS MISSING • THE WOMAN WHO DIED A LOT
Author: Winfried Nöth Publisher: Walter de Gruyter ISBN: 3110198835 Category : Language Arts & Disciplines Languages : en Pages : 353
Book Description
This book investigates how the media have become self-referential or self-reflexive instead of mediating between the real or fictional worlds about which their messages pretend to be and between the audience that they wish to inform, counsel, or entertain. The concept of self-reference is viewed very broadly. Self-reflexivity, metatexts, metapictures, metamusic, metacommunication, as well as intertextual, and intermedial references are all conceived of as forms of self-reference, although to different degrees and levels. The contributions focus on the semiotic foundations of reference and self-reference, discuss the transdisciplinary context of self-reference in postmodern culture, and examine original studies from the worlds of print advertising, photography, film, television, computer games, media art, web art, and music. A wide range of different media products and topics are discussed including self-promotion on TV, the TV show Big Brother, the TV format "historytainment," media nostalgia, the documentation of documentation in documentary films, Marilyn Monroe in photographs, humor and paradox in animated films, metacommunication in computer games, metapictures, metafiction, metamusic, body art, and net art.
Author: Tim O'Brien Publisher: HarperCollins ISBN: 0547420293 Category : Fiction Languages : en Pages : 259
Book Description
A classic work of American literature that has not stopped changing minds and lives since it burst onto the literary scene, The Things They Carried is a ground-breaking meditation on war, memory, imagination, and the redemptive power of storytelling. The Things They Carried depicts the men of Alpha Company: Jimmy Cross, Henry Dobbins, Rat Kiley, Mitchell Sanders, Norman Bowker, Kiowa, and the character Tim O’Brien, who has survived his tour in Vietnam to become a father and writer at the age of forty-three. Taught everywhere—from high school classrooms to graduate seminars in creative writing—it has become required reading for any American and continues to challenge readers in their perceptions of fact and fiction, war and peace, courage and fear and longing. The Things They Carried won France's prestigious Prix du Meilleur Livre Etranger and the Chicago Tribune Heartland Prize; it was also a finalist for the Pulitzer Prize and the National Book Critics Circle Award.
Author: Larry McCaffery
Author: Larry McCaffery
Author: Mark Currie
Author: Inger Christensen
Author: John N. Duvall
Author: Bryan Stanley Johnson
Author: Jasper Fforde
Author: Winfried Nöth
Author: Patricia Waugh
Author: Tim O'Brien
Author: Gregory W. Dobrov