The Marvelous Playbill PDF Download

Author: Tim Kelly
Publisher: Dramatic Publishing
ISBN: 9780871295309
Category : Drama
Languages : en
Pages : 36

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Book Description

Author: James Lapine
Publisher: Dramatists Play Service, Inc.
ISBN: 0822232170
Category : Drama
Languages : en
Pages : 91

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Book Description
THE STORY: Growing up in an impoverished family in the Bronx, Moss Hart dreamed of being part of the glamorous world of the theatre. Forced to drop out of school at age thirteen, Hart’s famous memoir Act One is a classic Hortatio Alger story that plots Hart’s unlikely collaboration with the legendary playwright George S. Kaufman. Tony Award-winning writer and director James Lapine has adapted Act One for the stage, creating a funny, heartbreaking, and suspenseful play that celebrates the making of a playwright and his play Once in a Lifetime. ACT ONE offers great fun to a director to utilize over fifty roles, which can be played by a cast as few as twelve, and in a production that can be done as simply or elaborately as desired.

Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 708

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Author: Dramatic Publishing Company
Publisher:
ISBN:
Category : Amateur theater
Languages : en
Pages : 364

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Author: Dramatic Publishing Company, Chicago
Publisher:
ISBN:
Category : Amateur plays
Languages : en
Pages : 300

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Book Description

Author: Nicholas R. Jones
Publisher: Penn State Press
ISBN: 0271099089
Category : Literary Criticism
Languages : en
Pages : 203

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Book Description
There is no shortage of Black characters in Miguel de Cervantes’s works, yet there has been a profound silence about the Spanish author’s compelling literary construction and cultural codification of Black Africans and sub-Saharan Africa. In Cervantine Blackness, Nicholas R. Jones reconsiders in what sense Black subjects possess an inherent value within Cervantes’s cultural purview and literary corpus. In this unflinching critique, Jones charts important new methodological and theoretical terrain, problematizing the ways emphasis on agency has stifled and truncated the study of Black Africans and their descendants in early modern Spanish cultural and literary production. Through the lens of what he calls “Cervantine Blackness,” Jones challenges the reader to think about the blind faith that has been lent to the idea of agency—and its analogues “presence” and “resistance”—as a primary motivation for examining the lives of Black people during this period. Offering a well-crafted and sharp critique, through a systematic deconstruction of deeply rooted prejudices, Jones establishes a solid foundation for the development of a new genre of literary and cultural criticism. A searing work of literary criticism and political debate, Cervantine Blackness speaks to specialists and nonspecialists alike—anyone with a serious interest in Cervantes’s work who takes seriously a critical reckoning with the cultural, historical, and literary legacies of agency, antiblackness, and refusal within the Iberian Peninsula and the global reaches of its empire.

Author: Phyllis Johnson Kaye
Publisher: Waterford, Conn. : Eugene O'Neill Theater Center
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 528

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Author:
Publisher:
ISBN:
Category : Dramatists, American
Languages : en
Pages : 530

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Author:
Publisher:
ISBN:
Category : Playbills
Languages : en
Pages : 714

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Book Description

Author: Colin Dolley
Publisher: Bloomsbury Publishing
ISBN: 1408103168
Category : Study Aids
Languages : en
Pages : 225

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Book Description
The one-act play stands apart as a distinct art form with some well known writers providing specialist material, among them Bernard Shaw, Tom Stoppard, Harold Pinter, Caryl Churchill. Alan Ayckbourn, Edward Albee and Tennesee Williams. There are also lesser-known writers with plenty of material to offer, yet sourcing one-act plays to perform is notoriously hard. This companion is the first book to survey the work of over 250 playwrights in an illuminating A-Z guide. Multiple styles, nationalities and periods are covered, offering a treasure trove of compelling moments of theatre waiting to be discovered. Guidance on performing and staging one-act plays is also covered as well as essential contact information and where to apply for performance rights. A chapter introducing the history of the one-act play rounds off the title as a definitive guide.