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Author: Duchess Harris Publisher: ABDO ISBN: 1532170572 Category : Juvenile Nonfiction Languages : en Pages : 51
Book Description
Motown music emerged in the United States in the 1960s. It launched the careers of many African American musicians. Motown music shaped culture and society during the American civil rights movement. The Making of Motown explores the history and legacy of Motown. Aligned to Common Core Standards and correlated to state standards. Core Library is an imprint of Abdo Publishing, a division of ABDO.
Author: Duchess Harris Publisher: ABDO ISBN: 1532170572 Category : Juvenile Nonfiction Languages : en Pages : 51
Book Description
Motown music emerged in the United States in the 1960s. It launched the careers of many African American musicians. Motown music shaped culture and society during the American civil rights movement. The Making of Motown explores the history and legacy of Motown. Aligned to Common Core Standards and correlated to state standards. Core Library is an imprint of Abdo Publishing, a division of ABDO.
Author: Gerald Posner Publisher: Random House ISBN: 0307538621 Category : Music Languages : en Pages : 386
Book Description
In 1959, twenty-nine-year-old Berry Gordy, who had already given up on his dream to be a champion boxer, borrowed eight hundred dollars from his family and started a record company. A run-down bungalow sandwiched between a funeral home and a beauty shop in a poor Detroit neighborhood served as his headquarters. The building’s entrance was adorned with a large sign that improbably boasted “Hitsville U.S.A.” The kitchen served as the control room, the garage became the two-track studio, the living room was reserved for bookkeeping, and sales were handled in the dining room. Soon word spread that any youngster with a streak of talent should visit the only record label that Detroit had seen in years. The company’s name was Motown. Motown cuts through decades of unsubstantiated rumors and speculation to tell the true behind-the-scenes narrative of America’s most exciting musical dynasty. It follows the company and its amazing roster of stars from the tumultuous growth years in Detroit, to the drama and intrigue of Hollywood in the 1970s, to resurgence in 2002. Set against the civil rights movement, the decay of America’s northern industrial cities, and the social upheaval of the 1960s, Motown is a tale of the incredible entrepreneurship of Berry Gordy. But it also features the moving stories of kids from Detroit’s inner-city projects who achieved remarkable success and then, in many cases, found themselves fighting the demons that so often come with stardom—drugs, jealousy, sexual indulgence, greed, and uncontrollable ambition. Motown features an extraordinary cast of characters, including Diana Ross, Michael Jackson, Marvin Gaye, Smokey Robinson, and Stevie Wonder. They are presented as they lived and worked: a clan of friends, lovers, competitors, and sometimes vicious foes. Motown reveals how the hopes and dreams of each affected the lives of the others and illustrates why this singular story is a made-in-America Greek tragedy, the rise and fall of a supremely talented yet completely dysfunctional extended family. Based on numerous original interviews and extensive documentation, Motown benefits particularly from the thousands of pages of files crammed into the basement of downtown Detroit’s Wayne County Courthouse. Those court records provide the unofficial—and hitherto largely untold—history of Motown and its stars, since almost every relationship between departing singers, songwriters, producers, and the label ended up in litigation. From its peaks in the late 1960s and early 1970s, when Motown controlled the pop charts and its stars were sought after even by the Beatles, through the inexorable slide caused by their failure to handle their stardom, Motown is a riveting and troubling look inside a music label that provided the unofficial soundtrack to an entire generation.
Author: Peter Benjaminson Publisher: Grove Press ISBN: 9780802142856 Category : Biography & Autobiography Languages : en Pages : 356
Book Description
Motown was part of growing up in the 1960's and 70's. An amazing number of well-known stars worked for Motown: Diana Ross and the Supremes, Martha Reeves and the Vandellas, Gladys Knight and the Pips, Smokey Robinson and the Miracles, Jr Walker and the All Stars, Mary Wells, Stevie Wonder, Marvin Gaye, Tammi Terrell, Edwin Starr, David Ruffin, Eddie Kendricks, Lamont Dozier, Shorty Long, the Temptations, the Four Tops, the Fifth dimension, the Marvelettes, the Contours, the Isley Brothers, the Spinners, the Originals, the Jackson Five, the Commodores, Rare Earth, Rick James, and many others. Most were Motown stars. Many started and ended with Motown. Motown is important for other reasons. A black company, Motown made black music popular among Americans of all ages.
Author: James Jamerson Publisher: Hal Leonard Corporation ISBN: 9780881888829 Category : Biography & Autobiography Languages : en Pages : 212
Book Description
(Guitar Book). Bassist James Jamerson was the embodiment of the Motown spirit and groove the invisible entity whose playing inspired thousands. His tumultuous life and musical brilliance are explored in depth through hundreds of interviews, 49 transcribed musical scores, two hours of recorded all-star performances, and more than 50 rarely seen photos in this stellar tribute to behind-the-scenes Motown. Features a 120-minute CD! Allan Slutsky's 2002 documentary of the same name is the winner of the New York Film Critics "Best Documentary of the Year" award!
Author: Adam White Publisher: National Geographic Books ISBN: 0500294852 Category : Music Languages : en Pages : 0
Book Description
Now in paperback, the definitive visual history of Motown, the Detroit-based record company that became a music powerhouse. The music of Motown defined an era. From the Jackson 5 and Diana Ross to Stevie Wonder and Smokey Robinson, Berry Gordy and his right-hand man, Barney Ales, built the most successful independent record label in the world. Not only did Motown represent the most iconic recording artists of its time and produce countless global hits—it created a cultural institution that redefined pop and gave us the vision of a new America: vibrant, innovative, and racially equal. This new paperback edition of the first official visual history of the label includes a dazzling array of images, and unprecedented access to the archives of the makers and stars of Motown. Extensive specially commissioned photography of treasures extracted from the Motown archives, as well as the personal collections of Barney Ales and Motown stars, lends new insight into the lives of the legends. Motown also draws on interviews with key players from the label’s colorful history, including Motown founder Berry Gordy; Barney Ales; Smokey Robinson; Mary Wilson, founding member of the Supremes; and many more.
Author: Suzanne E. Smith Publisher: Harvard University Press ISBN: 0674043839 Category : Music Languages : en Pages : 336
Book Description
Detroit in the 1960s was a city with a pulse: people were marching in step with Martin Luther King, Jr., dancing in the street with Martha and the Vandellas, and facing off with city police. Through it all, Motown provided the beat. This book tells the story of Motown--as both musical style and entrepreneurial phenomenon--and of its intrinsic relationship to the politics and culture of Motor Town, USA. As Suzanne Smith traces the evolution of Motown from a small record company firmly rooted in Detroit's black community to an international music industry giant, she gives us a clear look at cultural politics at the grassroots level. Here we see Motown's music not as the mere soundtrack for its historical moment but as an active agent in the politics of the time. In this story, Motown Records had a distinct role to play in the city's black community as that community articulated and promoted its own social, cultural, and political agendas. Smith shows how these local agendas, which reflected the unique concerns of African Americans living in the urban North, both responded to and reconfigured the national civil rights campaign. Against a background of events on the national scene--featuring Martin Luther King, Jr., Langston Hughes, Nat King Cole, and Malcolm X--Dancing in the Street presents a vivid picture of the civil rights movement in Detroit, with Motown at its heart. This is a lively and vital history. It's peopled with a host of major and minor figures in black politics, culture, and the arts, and full of the passions of a momentous era. It offers a critical new perspective on the role of popular culture in the process of political change.
Author: Andrew Flory Publisher: University of Michigan Press ISBN: 0472122878 Category : Music Languages : en Pages : 345
Book Description
I Hear a Symphony opens new territory in the study of Motown’s legacy, arguing that the music of Motown was indelibly shaped by the ideals of Detroit’s postwar black middle class; that Motown’s creative personnel participated in an African-American tradition of dialogism in rhythm and blues while developing the famous “Motown Sound.” Throughout the book, Flory focuses on the central importance of “crossover” to the Motown story; first as a key concept in the company’s efforts to reach across American commercial markets, then as a means to extend influence internationally, and finally as a way to expand the brand beyond strictly musical products. Flory’s work reveals the richness of the Motown sound, and equally rich and complex cultural influence Motown still exerts.
Author: Berry Gordy Publisher: Rosetta Books ISBN: 0795333706 Category : Biography & Autobiography Languages : en Pages : 587
Book Description
The story of Motown Records and how it changed the course of American music, as told by its founder—“an African American culture hero of historic stature” (The New York Times). Berry Gordy Jr., who once considered becoming a boxer, started a record company with a family loan of $800 in 1959. Gordy’s company, Motown Records, went on to create some of the most popular music of all time. By the time he sold the company nearly thirty years later, it was worth $61 million and had produced musical legends including Jackie Wilson, Smokey Robinson and the Miracles, the Temptations, Marvin Gaye, Diana Ross and the Supremes, Stevie Wonder, and the Jackson 5. Here, the revolutionary who shattered the color barrier in the American entertainment industry and forever changed the way the world hears music, shares his story of ambition and vision. From humble beginnings, Gordy amassed a fortune and became a musical kingmaker in the cultural heydays of the 1960s and ’70s. Quelling rumors and detailing his relationships with the artists he managed, Gordy pens “a vivid recreation of a great period and a seminal company in popular music” (Kirkus Reviews).
Author: Daryl Cleveland, Glenn Soucy Publisher: ibooks ISBN: 1883283841 Category : Biography & Autobiography Languages : en Pages : 306
Book Description
This is a fascinating inside story about one prolific songwriter’s experience working for the famed Motown Records and directly with Motown’s founder Berry Gordy. It is an interesting look into the actual contracts between Mr. Gordy and his talented “family” of musicians told by one of the most famous songwriters of his time. If Motown didn’t grow to be the success it is today, Motown’s royalty contract—work-for-hire—compensation would be fair under the circumstances. The difficulty comes when Mr. Gordy’s success as a businessman exceeds every possible prediction. The FAME WITHOUT FORTUNE story begins in 1959 with Al Cleveland as a young man who makes the hard choice to leave his wife and children behind in order to chase his dreams of being a singer and a songwriter. It follows him through the trials of New York City and putting up with discrimination on the “Chitlin’ Circuit.” There he has an adulterous affair sending the final blow to his marriage. A short time later, he marries his second wife and Al’s big break seemed to come when he signed up with Motown Records under Berry Gordy. He was writing number-one songs for stars such as Smokey Robinson and Marvin Gaye. All along his fame grew, but he was not receiving pay for them. Instead he received headaches, heartaches, excuses, and IRS raids. He left Motown and toured with famous artists, but during that time, there was little room for a black songwriter to make a living. Al had to return to Motown to stay in the business.
Author: Duchess Harris
Author: Duchess Harris
Author: Gerald Posner
Author: Peter Benjaminson
Author: James Jamerson
Author: Al Abrams
Author: Adam White
Author: Suzanne E. Smith
Author: Andrew Flory
Author: Berry Gordy
Author: Daryl Cleveland, Glenn Soucy