The Making of Guyana PDF Download

Author: Walter Rodney
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 320

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Book Description
Esme Rockett, also known as MC Ferocious, rocks her suburban Minnesota Christian high school with more than the hip-hop music she makes with best friends Marcy (DJ SheStorm) and Tess (The ConTessa) when she develops feelings for her co-MC, Rowie (MC Rohini).

Author: Carnegie School of Home Economics
Publisher: MacMillan
ISBN: 9781405013130
Category : Cooking, Guyanese
Languages : en
Pages : 356

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Book Description
This book was the inspiration of the staff and students at the Carnegie School of Home Economics in Guyana's capital, Georgetown. It is a practical recipe book, and has been revised and updated to coincide with the Carnegie School's 70th aniversary celebrations.

Author: Brackette F. Williams
Publisher: Duke University Press
ISBN: 9780822311195
Category : History
Languages : en
Pages : 350

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Book Description
Burdened with a heritage of both Spanish and British colonization and imperialism, Guyana is today caught between its colonial past, its efforts to achieve the consciousness of nationhood, and the need of its diverse subgroups to maintain their own identity. Stains on My Name, War in My Veins chronicles the complex struggles of the citizens of Guyana to form a unified national culture against the pulls of ethnic, religious, and class identities. Drawing on oral histories and a close study of daily life in rural Guyana, Brackette E. Williams examines how and why individuals and groups in their quest for recognition as a “nation” reproduce ethnic chauvinism, racial stereotyping, and religious bigotry. By placing her ethnographic study in a broader historical context, the author develops a theoretical understanding of the relations among various dimensions of personal identity in the process of nation building.

Author: Colin A. Palmer
Publisher: Univ of North Carolina Press
ISBN: 0807899615
Category : History
Languages : en
Pages : 376

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Book Description
Colin Palmer, one of the foremost chroniclers of twentieth-century British and U.S. imperialism in the Caribbean, here tells the story of British Guiana's struggle for independence. At the center of the story is Cheddi Jagan, who was the colony's first premier following the institution of universal adult suffrage in 1953. Informed by the first use of many British, U.S., and Guyanese archival sources, Palmer's work details Jagan's rise and fall, from his initial electoral victory in the spring of 1953 to the aftermath of the British-orchestrated coup d'etat that led to the suspension of the constitution and the removal of Jagan's independence-minded administration. Jagan's political odyssey continued--he was reelected to the premiership in 1957--but in 1964 he fell out of power again under pressure from Guianese, British, and U.S. officials suspicious of Marxist influences on the People's Progressive Party, founded in 1950 by Jagan and his activist wife, Janet Rosenberg. But Jagan's political life was not over--after decades in the opposition, he became Guyana's president in 1992. Subtly analyzing the actual role of Marxism in Caribbean anticolonial struggles and bringing the larger story of Caribbean colonialism into view, Palmer examines the often malevolent roles played by leaders at home and abroad and shows how violence, police corruption, political chicanery, racial politics, and poor leadership delayed Guyana's independence until 1966, scarring the body politic in the process.

Author: Grace Aneiza Ali
Publisher: Open Book Publishers
ISBN: 1783749903
Category : Social Science
Languages : en
Pages : 333

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Book Description
Liminal Spaces is an intimate exploration into the migration narratives of fifteen women of Guyanese heritage. It spans diverse inter-generational perspectives – from those who leave Guyana, and those who are left – and seven seminal decades of Guyana’s history – from the 1950s to the present day – bringing the voices of women to the fore. The volume is conceived of as a visual exhibition on the page; a four-part journey navigating the contributors’ essays and artworks, allowing the reader to trace the migration path of Guyanese women from their moment of departure, to their arrival on diasporic soils, to their reunion with Guyana. Eloquent and visually stunning, Liminal Spaces unpacks the global realities of migration, challenging and disrupting dominant narratives associated with Guyana, its colonial past, and its post-colonial present as a ‘disappearing nation’. Multimodal in approach, the volume combines memoir, creative non-fiction, poetry, photography, art and curatorial essays to collectively examine the mutable notion of ‘homeland’, and grapple with ideas of place and accountability. This volume is a welcome contribution to the scholarly field of international migration, transnationalism, and diaspora, both in its creative methodological approach, and in its subject area – as one of the only studies published on Guyanese diaspora. It will be of great interest to those studying women and migration, and scholars and students of diaspora studies. Grace Aneiza Ali is a Curator and an Assistant Professor and Provost Fellow in the Department of Art & Public Policy, Tisch School of the Arts, New York University. Her curatorial research practice centers on socially engaged art practices, global contemporary art, and art of the Caribbean Diaspora, with a focus on her homeland Guyana.

Author: Helena Martin
Publisher: BalboaPress
ISBN: 1452503109
Category : Biography & Autobiography
Languages : en
Pages : 477

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Book Description
My memoir is laced with nostalgia and at the same time it is my sincere intention to portray the true essence of the Guyanese culture without offence. Keep in mind that this is not based on the experience of every Guyanese. This was the way I saw and experienced things back then. The use of colloquialism is of utmost importance; it is the vernacular we understand. It may sound like another language so unless you were born and bred in Guyana you will need to refer to the glossary provided. Folklore and mothers preaching life lessons through proverbs played a large part in Guyanese life. This is not only an account of the first twenty-one years of my life in Guyana; it also contains anecdotes of visits back to my homeland. You will also find a sprinkling of information pertaining to my new life in Australia. Before immigrating to Australia I believed the sun only rose and set in Guyana; I never imagined another paradise existed on the planet. There is a saying that most Guyanese use to identify their roots after they have voluntarily immigrated or simply fled to another country. When we say, My navel string is buried in Guyana, we simply mean: My roots are there. Its a place where true and enduring friendships were formed forever. We will meet one another decades later and feel as if it was yesterday, reminiscing about our beloved land; lapsing into the language only a fellow Guyanese can understand. A famous Australian crooner said I still call Australia home, and I can assure you that saying applies to Guyanese who have immigrated to every corner of the globe. Navigating the labyrinth of family secrets was my one mission in life; I just had to know.

Author: Arthur J. Seymour
Publisher:
ISBN:
Category : Guyanese literature
Languages : en
Pages : 120

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Book Description

Author: Kimberly D Nettles
Publisher: Left Coast Press
ISBN: 1598741950
Category : Biography & Autobiography
Languages : en
Pages : 318

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Book Description
The author, an African American researcher, explores the impact of work, family, politics, and local culture on the lives of members of a women's work collective in the Caribbean and, in the process, discovers how differences in class and nation can overshadow the gender and race she shares with her subjects.

Author: Alexis Rockman
Publisher: Twin Palms Publishers
ISBN:
Category : Art
Languages : en
Pages : 98

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Book Description
Zoological/ botanical paintings.

Author: John Gimlette
Publisher: Vintage
ISBN: 0307596656
Category : Travel
Languages : en
Pages : 452

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Book Description
Guyana, Suriname, and French Guiana are among the least-known places in South America: nine hundred miles of muddy coastline giving way to a forest so dense that even today there are virtually no roads through it; a string of rickety coastal towns situated between the mouths of the Orinoco and Amazon Rivers, where living is so difficult that as many Guianese live abroad as in their homelands; an interior of watery, green anarchy where border disputes are often based on ancient Elizabethan maps, where flora and fauna are still being discovered, where thousands of rivers remain mostly impassable. And under the lens of John Gimlette—brilliantly offbeat, irreverent, and canny—these three small countries are among the most wildly intriguing places on earth. On an expedition that will last three months, he takes us deep into a remarkable world of swamp and jungle, from the hideouts of runaway slaves to the vegetation-strangled remnants of penal colonies and forts, from “Little Paris” to a settlement built around a satellite launch pad. He recounts the complicated, often surprisingly bloody, history of the region—including the infamous 1978 cult suicide at Jonestown—and introduces us to its inhabitants: from the world’s largest ants to fluorescent purple frogs to head-crushing jaguars; from indigenous tribes who still live by sorcery to descendants of African slaves, Dutch conquerors, Hmong refugees, Irish adventurers, and Scottish outlaws; from high-tech pirates to hapless pioneers for whom this stunning, strangely beautiful world (“a sort of X-rated Garden of Eden”) has become home by choice or by force. In Wild Coast, John Gimlette guides us through a fabulously entertaining, eye-opening—and sometimes jaw-dropping—journey.