Author: Thomas MoorePublisher:
ISBN:
Category :
Languages : en
Pages : 274
Book Description
Lalla Rookh : an Oriental Romance. Irish Melodies, Songs, Sacred Songs And, National Airs. The Loves of the Angels : a Poem
Author: Thomas MooreLalla Rookh, an Oriental Romance ... Third Edition
Author: Thomas MooreLalla Rookh: an oriental romance ... A new edition, revised by the author, with a new preface and notes
Author: Thomas MooreLalla Rookh, an oriental romance ... New edition
Author: Thomas MooreLallah Rookh, an Oriental Romance
Author: Thomas MoorePublisher: BoD – Books on Demand
ISBN: 3368880462
Category : Fiction
Languages : en
Pages : 438
Book Description
Reprint of the original, first published in 1842.
Lalla Rookh, an oriental romance ... Twentieth edition. Illustrated with engravings from drawings by eminent artists
Author: Thomas MooreLalla Rookh
Author: Thomas MoorePublisher:
ISBN:
Category :
Languages : en
Pages : 290
Book Description
Bonded Leather binding
The Poets of Ireland
Author: David James O'DonoghuePublisher: Dalcassian Publishing Company
ISBN:
Category :
Languages : en
Pages : 512
Book Description
Representations of the Orient in Western Music
Author: Nasser Al-TaeePublisher: Routledge
ISBN: 1351551418
Category : Music
Languages : en
Pages : 336
Book Description
This book focuses on the cultural, political and religious representations of the Orient in Western music. Dr Nasser Al-Taee traces several threads in a vast repertoire of musical representations, concentrating primarily on the images of violence and sensuality. Al-Taee argues that these prevailing traits are not only the residual manifestation of the Ottoman threat to Western Europe, but also the continuation of a long and complex history of fear and fascination towards the Orient and its Islamic religion. In addition to analyses of musical works, Al-Taee draws on travel accounts, paintings, biographies, and political events to engage with important issues such as gender, race, and religious differences that may have contributed to the variously complex images of the Orient in Western music. The study extends the range of Orientalism to cover eighteenth-century Austria, nineteenth-century Russia, and twentieth-century America. The book challenges those scholars who do not see Orientalism as problematic and tend to ignore the role of musical representations in shaping the image of the Other within a wider interdisciplinary study of knowledge and power.
Author: