The Lutenist's Handbook PDF Download

Author: Ben Salfield
Publisher:
ISBN: 9781908904959
Category : Music
Languages : en
Pages : 76

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Author: David Dolata
Publisher: Indiana University Press
ISBN: 0253021464
Category : Music
Languages : en
Pages : 314

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Book Description
Written for musicians by a musician, Meantone Temperaments on Lutes and Viols demystifies tuning systems by providing the basic information, historical context, and practical advice necessary to easily achieve more satisfying tuning results on fretted instruments. Despite the overwhelming organological evidence that many of the finest lutenists, vihuelists, and viola da gamba players in the Renaissance and Baroque eras tuned their instruments in one of the meantone temperaments, most modern early instrument players today still tune to equal temperament. In this handbook richly supplemented with figures, diagrams, and music examples, historical performers will discover why temperaments are necessary and how they work, descriptions of a variety of temperaments, and their application on fretted instruments. This technical book provides downloadable audio tracks and other tools for fretted instrument players to achieve more stable consonances, colorful dissonances, and harmonic progressions that vividly propel the music forward.

Author: Victor Coelho
Publisher: Cambridge University Press
ISBN: 9780521019439
Category : Music
Languages : en
Pages : 258

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Book Description
The first book-length study in any language dedicated specifically to lute, guitar, and vihuela.

Author: James Tyler
Publisher: Indiana University Press
ISBN: 0253005019
Category : Music
Languages : en
Pages : 173

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Book Description
James Tyler offers a practical manual to aid guitar players and lutenists in transitioning from modern stringed instruments to the baroque guitar. He begins with the physical aspects of the instrument, addressing tuning and stringing arrangements and technique before considering the fundamentals of baroque guitar tablature. In the second part of the book Tyler provides an anthology of representative works from the repertoire. Each piece is introduced with an explanation of the idiosyncrasies of the particular manuscript or source and information regarding any performance practice issues related to the piece itself -- represented in both tablature and staff notation. Tyler's thorough yet practical approach facilitates access to this complex body of work.

Author: James Tyler
Publisher: Oxford University Press, USA
ISBN:
Category : Language Arts & Disciplines
Languages : fr
Pages : 190

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Book Description
CRITÈRES : Concerne la guitare et les instruments antécédants jusqu'à la fin du 18e siècle : histoire de la vihuela et des guitares (surtout ceux de 4 et 5 rangs de cordes, aussi bien qu'en comprenant un lexique d'autres instruments à cordes pincées), l'accordage de, et dispositions des cordes sur, ces instruments, les divers systèmes de tablature, le technique de toucher à ces instruments, l'ornamentation (i.e. les agréments, les broderies), la guitare comme instrument d'accompagnenemt et de continuo. Comprend des annexes bibliographiques du répertoire : Primary sources = [sources primaires et manuscrites] -- Vocal music accompanied by guitar ±alfabetol = [Musique vocal accompagnée par guitare en employant le système ±alfabetol des accords] -- 18th century vocal music accompanied by guitar = [Musique vocale du 18e siècle accompanée par guitare] -- [Some] facsimile editions of guitar tablatures = [Quelques publications en fac-similé d'éditions en tablature de guitare] -- Bibliography = [Bibliographie sur la guitare et sur des sujets connexes].

Author: Nigel North
Publisher: Indiana University Press
ISBN: 9780253314154
Category : Music
Languages : en
Pages : 326

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Book Description
"... a valuable book. It is an important link between the unknown of the Renaissance and the present." --The Triangle of Mu Phi Epsilon "Straightforward practicality is the most outstanding characteristic of this book." --Continuo "... a fine and very welcome book that is likely to remain the high standard of lute continuo instruction for some time to come." --Sixteenth Century Journal In this extraordinarily broad survey, Nigel North discusses the history of the lute, the archlute, and the theorbo and gives practical advice on technique, the choice of instrument for particular music, and the preparation of scores.

Author: Peter Croton
Publisher: CreateSpace
ISBN: 9781516810246
Category :
Languages : en
Pages : 240

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Book Description
As we go further into the 21st century, more and more classical guitarists wish to play baroque and galant music in a manner reflecting stylistic understanding of those eras. We will never know precisely how the music was played then, but can come closer to understanding the priorities of the time. The common denominator of music in our chosen period is rhetorical expression. Historical Performance Practice, by bringing us closer to the essence of the music, gives us not only more understanding but - above all - more possibilities for moving our listeners. While striving to play in a stylistic manner, we must never forget the goal of performance: to communicate passions and elevate the lives of our listeners. It is with this in mind that the present book has been written. Author: Peter Croton, early music performer, and teacher at the world-renowned Schola Cantorum Basiliensis as well as at the Conservatories of Basel and Bern. Cover art and design: Johanna Croton Paul Galbraith writes:"This handbook is a distinguished addition to the ever-expanding body of instructional literature for guitarists. In effect, we're treated here to a guided tour through a wealth of selected historical quotations and information, under the experienced supervision of Peter Croton, who offers his considered opinion at every step. A highly stimulating, provocative and educational read!" Pablo Márquez writes:"The great Hungarian pianist György Sebök used to say that 'the first step to freedom is to make a choice. When you have only one option then you have no choice, when you have two options then you have a dilemma, when you have three or more options then you start having a choice.' This new book by Peter Croton is a wonderful tool for guitarists to become freer in negotiating Early Music's vast territory." João Carlos Victor writes:"The popularity of baroque music among guitarists today raises the question: how can we convey the deep meaning of this music to 21st century audiences? Peter Croton's book is an extremely helpful guide. He not only discusses historical sources, but also draws upon his experience as performer, researcher and teacher. I had the privilege of studying with him for two years, thus personally experiencing his incredible knowledge and true commitment to this music."

Author: Ines G. Županov
Publisher:
ISBN: 0190639636
Category : Religion
Languages : en
Pages : 1153

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Book Description
Through its missionary, pedagogical, and scientific accomplishments, the Society of Jesus-known as the Jesuits-became one of the first institutions with a truly "global" reach, in practice and intention. The Oxford Handbook of the Jesuits offers a critical assessment of the Order, helping to chart new directions for research at a time when there is renewed interest in Jesuit studies. In particular, the Handbook examines their resilient dynamism and innovative spirit, grounded in Catholic theology and Christian spirituality, but also profoundly rooted in society and cultural institutions. It also explores Jesuit contributions to education, the arts, politics, and theology, among others. The volume is organized in seven major sections, totaling forty articles, on the Order's foundation and administration, the theological underpinnings of its activities, the Jesuit involvement with secular culture, missiology, the Order's contributions to the arts and sciences, the suppression the Order endured in the 18th century, and finally, the restoration. The volume also looks at the way the Jesuit Order is changing, including becoming more non-European and ethnically diverse, with its members increasingly interested in engaging society in addition to traditional pastoral duties.

Author: Christopher R. Wilson
Publisher: Oxford University Press
ISBN: 0190945141
Category : Drama
Languages : en
Pages : 1289

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Book Description
"This compendium reflects the latest international research into the many and various uses of music in relation to Shakespeare's plays and poems, the contributors' lines of enquiry extending from the Bard's own time to the present day. The coverage is global in its scope, and includes studies of Shakespeare-related music in countries as diverse as China, the Czech Republic, France, Germany, India, Italy, Japan, Russia, South Africa, Sweden, and the Soviet Union, as well as the more familiar Anglophone musical and theatrical traditions of the UK and USA. The range of genres surveyed by the book's team of distinguished authors embraces music for theatre, opera, ballet, musicals, the concert hall, and film, in addition to Shakespeare's ongoing afterlives in folk music, jazz, and popular music. The authors take a range of diverse approaches: some investigate the evidence for performative practices in the Early Modern and later eras, while others offer detailed analyses of representative case studies, situating these firmly in their cultural contexts, or reflecting on the political and sociological ramifications of the music. As a whole, the volume provides a wide-ranging compendium of cutting-edge scholarship engaging with an extraordinarily rich body of music without parallel in the history of the global arts"--

Author: Peter Croton
Publisher: Createspace Independent Publishing Platform
ISBN: 9781534672963
Category :
Languages : en
Pages : 280

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Book Description
"A wealth of information and insight" Hopkinson Smith Today more and more instrumentalists wish to perform baroque music in an expressive manner reflecting stylistic practices of that era. The purpose of the present handbook is to help lute and theorbo players discover the most important tools for achieving this goal. We will never know precisely how baroque music was played, but can come closer to understanding the priorities of the time. A key to performing music of the baroque era is rhetorical expression. While striving to play in a stylistic manner we must keep in mind the purpose of rhetorical performance: to communicate passions and elevate the lives of our listeners. It is with this in mind that Performing Baroque Music on the Lute & Theorbo has been written. Author: Peter Croton, early music performer, and teacher at the world-renowned Schola Cantorum Basiliensis as well as at the Conservatories of Basel and Bern. Cover art and design: Johanna Croton