Author: Theophilus Cibber
Publisher:
ISBN:
Category :
Languages : en
Pages : 104
Book Description
The Lives and Characters of the Most Eminent Actors and Actresses of Great Britain and Ireland
The Lives and Characters of the most Eminent Actors and Actresses of Great Britain and Ireland, from Shakespear to the present time interspersed with a general history of the stage ... Part I. Containing an "Introduction to the General Work" and the life of Barton Booth. To which is prefixed a familiar epistle from Mr. Theophilus Cibber to Mr. William Warburton criticizing the latter's edition of Pope's works
The Lives and Characters of the Most Eminent Actors and Actresses of Great Britain and Ireland, from Shakespear to the Present Time
Author: Theophilus Cibber
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 0
Book Description
The Lives and Characters of the Most Eminent Actors and Actresses of Great-Britain and Ireland, from Shakespear to the Present Time, Interspersed with a General History of the Stage
The Lives and Characters of the Most Eminent Actors and Actresses of Great Britain and Ireland
Author:
Publisher:
ISBN: 9780371435625
Category : History
Languages : en
Pages : 110
Book Description
Publisher:
ISBN: 9780371435625
Category : History
Languages : en
Pages : 110
Book Description
The Lives and Characters of the Most Eminent Actors and Actresses of Great Britain and Ireland from Shakespeare to the Present Time
The Lives and Characters of the Most Eminent Actors and Actresses of Great Britain and Ireland
The Lives and Characters of the Most Eminent Actors and Actresses of Great-Britain and Ireland, from Shakespear to the Present Time, Interspersed with a General History of the Stage
The Lives and Characters of the most Eminent Actors and Actresses of Great Britain and Ireland, from Shakespear to the present time interspersed with a general history of the stage ... Part I. [Containing an “Introduction to the General Work” and the life of Barton Booth.] To which is prefixed a familiar epistle from Mr. Theophilus Cibber to Mr. William Warburton [criticizing the latter's edition of Pope's works].
Author: Theophilus Cibber
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 99
Book Description
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 99
Book Description
Criticism, Performance, and the Passions in the Eighteenth Century
Author: James Harriman-Smith
Publisher: Cambridge University Press
ISBN: 1108875629
Category : Drama
Languages : en
Pages : 249
Book Description
Great art is about emotion. In the eighteenth century, and especially for the English stage, critics developed a sensitivity to both the passions of a performance and what they called the transitions between those passions. It was these pivotal transitions, scripted by authors and executed by actors, that could make King Lear beautiful, Hamlet terrifying, Archer hilarious and Zara electrifying. James Harriman-Smith recovers a lost way of appreciating theatre as a set of transitions that produce simultaneously iconic and dynamic spectacles; fascinating moments when anything seems possible. Offering fresh readings and interpretations of Shakespearean and eighteenth-century tragedy, historical acting theory and early character criticism, this volume demonstrates how a concern with transition binds drama to everything, from lyric poetry and Newtonian science, to fine art and sceptical enquiry into the nature of the self.
Publisher: Cambridge University Press
ISBN: 1108875629
Category : Drama
Languages : en
Pages : 249
Book Description
Great art is about emotion. In the eighteenth century, and especially for the English stage, critics developed a sensitivity to both the passions of a performance and what they called the transitions between those passions. It was these pivotal transitions, scripted by authors and executed by actors, that could make King Lear beautiful, Hamlet terrifying, Archer hilarious and Zara electrifying. James Harriman-Smith recovers a lost way of appreciating theatre as a set of transitions that produce simultaneously iconic and dynamic spectacles; fascinating moments when anything seems possible. Offering fresh readings and interpretations of Shakespearean and eighteenth-century tragedy, historical acting theory and early character criticism, this volume demonstrates how a concern with transition binds drama to everything, from lyric poetry and Newtonian science, to fine art and sceptical enquiry into the nature of the self.