The Literary Works of Leonardo Da Vinci, Compiled and Edited from the Original Manuscripts PDF Download

Author: Jean Paul
Publisher:
ISBN:
Category :
Languages : en
Pages : 544

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Author: Leonardo (da Vinci)
Publisher: Univ of California Press
ISBN: 9780520033290
Category : Art
Languages : en
Pages : 468

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Author: Leonardo da Vinci
Publisher: Library of Alexandria
ISBN: 1465514147
Category : Fiction
Languages : en
Pages : 1118

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A singular fatality has ruled the destiny of nearly all the most famous of Leonardo da Vinci's works. Two of the three most important were never completed, obstacles having arisen during his life-time, which obliged him to leave them unfinished; namely the Sforza Monument and the Wall-painting of the Battle of Anghiari, while the third—the picture of the Last Supper at Milan—has suffered irremediable injury from decay and the repeated restorations to which it was recklessly subjected during the XVIIth and XVIIIth centuries. Nevertheless, no other picture of the Renaissance has become so wellknown and popular through copies of every description. Vasari says, and rightly, in his Life of Leonardo, "that he laboured much more by his word than in fact or by deed", and the biographer evidently had in his mind the numerous works in Manuscript which have been preserved to this day. To us, now, it seems almost inexplicable that these valuable and interesting original texts should have remained so long unpublished, and indeed forgotten. It is certain that during the XVIth and XVIIth centuries their exceptional value was highly appreciated. This is proved not merely by the prices which they commanded, but also by the exceptional interest which has been attached to the change of ownership of merely a few pages of Manuscript. That, notwithstanding this eagerness to possess the Manuscripts, their contents remained a mystery, can only be accounted for by the many and great difficulties attending the task of deciphering them. The handwriting is so peculiar that it requires considerable practice to read even a few detached phrases, much more to solve with any certainty the numerous difficulties of alternative readings, and to master the sense as a connected whole. Vasari observes with reference to Leonardos writing: "he wrote backwards, in rude characters, and with the left hand, so that any one who is not practised in reading them, cannot understand them". The aid of a mirror in reading reversed handwriting appears to me available only for a first experimental reading. Speaking from my own experience, the persistent use of it is too fatiguing and inconvenient to be practically advisable, considering the enormous mass of Manuscripts to be deciphered. And as, after all, Leonardo's handwriting runs backwards just as all Oriental character runs backwards—that is to say from right to left—the difficulty of reading direct from the writing is not insuperable. This obvious peculiarity in the writing is not, however, by any means the only obstacle in the way of mastering the text. Leonardo made use of an orthography peculiar to himself; he had a fashion of amalgamating several short words into one long one, or, again, he would quite arbitrarily divide a long word into two separate halves; added to this there is no punctuation whatever to regulate the division and construction of the sentences, nor are there any accents—and the reader may imagine that such difficulties were almost sufficient to make the task seem a desperate one to a beginner. It is therefore not surprising that the good intentions of some of Leonardo s most reverent admirers should have failed.

Author: Claire J. Farago
Publisher: Taylor & Francis
ISBN: 9780815329367
Category : Art
Languages : en
Pages : 488

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Also available as the fourth book in a 5 volume set (ISBN#0815329334)

Author: JEAN PAUL. RICHTER
Publisher:
ISBN: 9781033174470
Category :
Languages : en
Pages : 0

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Author: Jean Paul Richter
Publisher: Legare Street Press
ISBN: 9781015493438
Category :
Languages : en
Pages : 0

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Author: Leonardo (da Vinci)
Publisher:
ISBN: 9780714814896
Category : Art and literature
Languages : en
Pages : 0

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Author: da Vinci Leonardo
Publisher: Good Press
ISBN:
Category : Art
Languages : en
Pages : 199

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In 'Leonardo da Vinci: Thoughts on Art & Life', the reader is given a glimpse into the mind of one of history's most renowned artists and inventors. Through a series of essays and reflections, da Vinci delves deep into his thoughts on the nature of art, creativity, and the human experience. His writing is characterized by a blend of scientific observation and artistic imagination, revealing a profound understanding of the interconnectedness of art and life. This book serves as a testament to da Vinci's genius and his enduring impact on the world of art and innovation. Leonardo da Vinci, known for his iconic works such as the Mona Lisa and The Last Supper, was a true polymath whose interests ranged from painting and sculpture to engineering and anatomy. His insatiable curiosity and relentless pursuit of knowledge fueled his creative endeavors and laid the foundation for his groundbreaking contributions to multiple fields. 'Thoughts on Art & Life' offers readers an intimate look at the philosophical underpinnings of da Vinci's work, making it essential reading for anyone interested in art history, creativity, or the Renaissance period. I highly recommend 'Leonardo da Vinci: Thoughts on Art & Life' to art enthusiasts, history buffs, and anyone seeking inspiration from one of history's greatest minds. This book provides valuable insights into the artistic process and serves as a timeless reminder of the beauty and complexity of the human experience.

Author: Stefaan Missinne
Publisher: Cambridge Scholars Publishing
ISBN: 1527526143
Category : Art
Languages : en
Pages : 292

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A chance discovery at a distinguished London map fair in 2012 by a Belgian globe collector produced the most unique of finds: a distinct globe with mysterious images, such as old ships, sailors, a volcano, a hybrid monster, pentimenti, waving patterns, conic individualised mountains, curving rivers, vigorous coastal lines, chiaroscuro and an unresolved triangular anagram, which remains an enigma. The globe is hand-engraved in great detail on ostrich egg shells from Pavia by a left-handed Renaissance genius of unquestionable quality. It shows secret knowledge of the map world from the time of Columbus, Cabral, Amerigo Vespucci and Leonardo da Vinci. Central and North America are covered by a vast ocean. The da Vinci globe originates from Florence and dates from 1504. It marks the first time ever that the names of countries such as Brazil, Germania, Arabia and Judea have appeared on a globe. A Leonardo drawing for this globe, showing the coast of the New World and Africa has been discovered in the British Library. This book brings the reader through a fabulous journey of scholars, maps, riddles, rebuses, iconographic symbols and enigmatic phrases such as HIC SVNT DRACONES to illuminate the da Vinci globe. It details 500 years of mystery, fine scholarship and expert forensic testing at numerous material science laboratories the world over. The da Vinci globe now takes its rightful place, surpassing the Lenox globe, its copper-cast identical twin, as the most mysterious globe of our time. As such, this monograph is an essential text in Leonardo studies and in the history of cartography.

Author: Constance Moffatt
Publisher: BRILL
ISBN: 9004304134
Category : History
Languages : en
Pages : 400

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Illuminating Leonardo opens the new series Leonardo Studies with a tribute to Professor Carlo Pedretti, the most important Leonardo scholar of our time, with a wide-ranging overview of current Leonardo scholarship from the most renowned Leonardo scholars and young researchers. Though no single book could provide a comprehensive overview of the current state of Leonardo studies, after reading this collection of short essays cover-to-cover, the reader will come away knowing a great deal about the current state of the field in many areas of research. To begin the series, editors Constance Moffatt and Sara Taglialagamba present an impressive group of essays that offer fresh ideas as a departure point for future studies. Contributors include Andrea Bernardoni, Pascal Broist, Alfredo Buccaro, Francesco Paolo di Teodoro, Claire Farago, Francesca Fiorani, Fabio Frosini, Sabine Frommel, Leslie Geddes, Damiano Iacobone, Martin Kemp, Matthew Landrus, Domenico Laurenza, Pietro C. Marani, Max Marmor, Constance Moffatt, Romano Nanni, Annalisa Perissa-Torrini, Paola Salvi, Richard Schofield, Sara Taglialagamba, Carlo Vecce, Alessandro Vezzosi, Marino Viganò, and Joanna Woods-Marsden.